Photography | alan frost photography

Posts from the ‘Photography’ category

A return to Bath and an alternative view

Tradesmen only

At the end of October last year I spent a very enjoyable day in the beautiful Georgian city of Bath in Somerset, on a photographic workshop with Andy Beel FRPS. I wrote about it here. More recently I was travelling back from South Wales and had agreed to pick up my daughter in Bath and we would return home together. The weather was very different to my previous visit. It had been raining heavily in the morning and by the time I arrived in Bath the rain had stopped but it was still grey and overcast. This was in complete contrast to the bright sunshine I had experienced towards the end of last year. I had a couple of hours to kill and decided that I would try and adopt an alternative approach to before. The weather conditions offered very different lighting and I thought I would challenge myself by sticking to just one lens – the Olympus 75mm f1.8 on the Olympus EM1. Because of the crop factor this lens equates to a 150mm on a full frame 35mm camera. Ordinarily this is not the lens I would choose to take photographs in a crowded city with large buildings and confined areas in which to work. Reach for the wide angle, others might say; try to get everything into the shot. Although I covered a similar area I was looking for new angles and arguably the less glamorous parts of the city which had been the obvious things to shoot last time round. I finished up with the selection you can see here.

Old steps

Behind the Georgian facade

Porticos

Resting pigeon

Sash window

Back street

Going down

Walking on a Sunday

Street lamp

I took great pleasure from revisiting Bath and taking an alternative view. When I compare this set of images with those I took at the tail end of last year, there are some common features, but I think the overall impression they give of the city is very different. I also enjoyed restricting myself to just one prime lens. It made me look for images which only worked with a more limited and compressed depth of field. If you missed the link to my earlier post on Bath, it’s here. Do click on any of the images to view a larger version which will open in a new window.

Foggy morning on the south coast

Boat by the pier

The weather has been quite glorious for the past week or two, but sometimes at this time of year the coastline can be affected by sea fog. More often that not it burns off but while it lasts it will bring the temperature right down. A few hundred yards inland it can be bright sunshine and much warmer.

The weather forecast predicted early morning fog, so I left for work much earlier than normal, took my camera and walked along the seafront for about half an hour and took the photographs you can see in this entry. I like the emptiness of a seaside resort first thing in the morning and when coupled with the fog it takes on a very different feel. Later in the day the blue skies and warm sunshine had encouraged people to come out and the coastline took on a whole new character.

Painted hut

Cockles and whelks

Empty tables

Gull on a groyne

Boat and huts

Lone walker

All of the images in this post were taken with a Leica M Monochrom and 50mm Summilux lens. Straight out of the camera the images are very flat so they do need processing. I used Lightroom and then applied a Kodak Tri X 400 ‘film type’ preset in Silver Efex Pro which adds some grain and contrast to the image.

Click on any the photographs to view a larger version.

Last light of the day on Cley Windmill

This very fine windmill can be found at Cley Next The Sea, on the North Norfolk Coast. The last light of the day fell on the mill and lit up the white painted sails, the terrace of village houses and the reeds in the foreground. Minutes later the sun had dropped below the horizon and my camera was packed away in its bag, waiting for the light of another day.

The best catch of the day

Mist on the Test

I can’t describe myself as a fisherman, but when a good friend of mine invited me to join him for a day of fly fishing on the River Test in Hampshire the answer was always going to be yes please! I had been fly fishing before, but never caught anything apart from a few weeds and the odd tree branch when my cast was less than accurate.

We wanted to get to our destination quite early as we had booked a gillie for the morning. Hopefully he would teach us a thing a two which might increase our chances of success. As we drove towards the village of Timsbury, which is just to the north of Romsey, the morning mist had yet to clear, so I had already anticipated there might be the chance of a quick photograph before the sun burnt through.

When we arrived no one else was there so we pieced together our rods, attached the reel, chose our flies and prepared ourselves for the first cast. All this time I was admiring the scene that surrounded me. The mist rising from the river, obscuring the view of the fields in the distance. It was calm and serene but I knew it would not last long. The camera came out and ‘Mist on the Test’ was taken.

We saw a fleeting glimpse of a pair of kingfishers, watched grebes diving for their food and swans enjoying the beautiful spring sunshine, but neither of us caught a single fish; in fact we didn’t even get a bite. But it was a glorious relaxing day if a little frustrating at times. I also committed the cardinal sin of not charging my batteries over night, so the low level battery warning was blinking before the day had even begun. Even the spare battery had little or no charge. So I gave up the photography and concentrated on the fishing. Little did I know that the first release of the shutter turned out to be the best catch of the day.

And just to prove we were fishing here is my friend Nik making his first cast of the day.

First cast

A Monochrome Masterclass and a visit to Wells

Chimneys and cobbles
Vicars Close, Wells

Last weekend I was staying near Bridgend in South Wales so that I could attend a ‘Monochrome Masterclass’ being run by Andy Beel FRPS. It was an excellent day. Cameras never saw the light of day but the four participants, including myself, had the opportunity to share our work and discuss ways in which our monochrome images could be improved. Andy provided a comprehensive set of notes for us to take away, as well as showing us many examples of his own work to illustrate the points he wanted to get across.

For me it was a very thought provoking day. So often my photography is reactive, not planned, and I realise I need to give much greater thought to the images I am taking. Why am I pressing the shutter at that particular moment and from that particular position? What do I want my images to ‘say’ to the viewer? Am a trying to put together a body or panel of work? Am I working on a particular project, whether short or long term? Do my images have a certain style? Does it matter if they don’t? After all an image can stand on its own, although a collection of images can work even better if you are trying to tell a story or make a statement. All these questions require thought and hopefully some answers. In many ways they are not just about photography and could be applied to many other art forms.

The workshop took place on Saturday. I stayed overnight and planned to return home on Sunday, picking my daughter up from Bath on the way. This would give me some time on Sunday morning to take some photographs. Unfortunately the weather was appalling. Heavy rain and strong winds ruled out any outdoor photography, so I decided to head for the Cathedal City of Wells which is about a 20 minute drive from Bath. It would give me the opportunity to take some images inside the Cathedral and in and around the city if the weather improved. Wells is a small and beautiful City and with hardly any tourists around there was plenty to see and photograph. The wet conditions actually worked to my advantage as the photograph at the top of this entry illustrates. I think the wet cobble stones really add something to the atmosphere of this shot.

Here are a selection of other images –

The Scissor Arches

The Nave, Wells Cathedral

Underneath this stone

I particularly like the above image. The light on the line of chairs and on the memorial floor stone are ideally suited to monochrome. The fact the chairs are empty, could be interpreted as people who are no longer with us but the inscriptions in the slabs mean that their lives will be remembered forever.

The Cloisters in Wells Cathedral

A classical and arguably a rather cliched view of the cloisters but one that just had to be taken.

Cloisters in Wells Cathedral

Cloisters’ End

South Aisle, Wells Cathedral

Something I learnt on the workshop – From a compositional point of view something on the the edge or in the corner of an image can work well; you don’t always have to apply the ‘rule of thirds’, in fact it can be rather boring and repetitive if you do!

‘Vicars’ Staircase

This staircase and doorway leads from Vicars Close back towards the Cathedral. Warn steps and doorways have great appeal to me. You just can’t but help wonder how many people over many centuries have walked up and down this staircase and opened and closed the arched door.

Wells Cathedral
An empty cafe on a wet day, overlooking the Cathedral

I thoroughly enjoyed my short visit to Wells and like so many places it’s definitely worthy of a return journey. Nor will I worry if it’s raining or not. In fact the inclement conditions kept the crowds away and in the case of ‘Chimneys and Cobbles’ made the photograph all the more interesting.

All of the images in this post were taken with an Olympus OMD EM1 and Panasonic 12-35mm f2.8 lens, processed in Lightroom and Silver Efex Pro2. Click on any of the images to view a larger version.

Finally a big thank you to Andy Beel and to the other participants of the Monochrome Masterclass. In March I didn’t post a single entry on this blog but hopefully my creative juices have started to flow again!