alan frost photography

Alternative Photographic Techniques – Platinum and Palladium Printing

I have been interested in alternative photography and their associated historic printing techniques for a few years now. The process itself coupled with the tonality, delicacy and unique nature of each print appeals to me. When a course became available at West Dean College, an arts and conservation college close to where I live, I immediately reserved a place. The course took place last week and this is my report. Whilst this is a fairly long entry with a lot of illustrative pictures, if you are at all interested in this alternative photographic process specifically platinum and palladium, the aristocrat of contact printing, then I hope you will read on.

‘Fallen’ in Wildhams Wood

In the location I have chosen to explore and photograph for my new project there are a good number of woodland areas, some of which are managed by the Forestry Commission. Open access to this land is not clear although I underdstand The Forestry Commssion has started the process (in June 2017) whereby it will designate its land for public access under the Countryside and Rights of Way Act.

When I visited this wood recently I stayed on one of the public footpaths. I did though venture into the wood itself having noticed a single fallen pine tree which I thought might be an interesting subject to photograph. This tree had not been felled by a forester. From the angle of its trunk it was clear nature had been the cause of its downfall. I took a number of frames from different positions using either a 90mm short telephoto lens to compress the detail or an 18mm super wideangle to get up close and personal.

New Project – It’s early days

It’s very early days as far as my new photographic project is concerned. For a variety of reasons I have only ventured out on a few occasions with my camera since the turn of the year, however this will change as the daylight hours start to get a little longer.

Each trip has been very worthwhile as I start to familiarise myself with the area I have chosen to photograph. Even if the conditions aren’t perfect, the shutter is always released. Sometimes the purpose is to simply record a place and a composition I would like to revisit when the light is more favourable.

For the time being I thought I would share with you a small selection of images which only make me want to get out and about even more!

Thinking outside the standard box!

There are of course many standard aspect ratios which photographers use on a regular basis to crop an image. The obvious ones that immediately spring to mind are 3 x 2, 5 x 4, 1 x 1 and 16 x 9. There are very good reasons why these are widely used but there are also images which require a ‘non standard’ approach. This picture is a perfect example.

The Shepherd’s Altar, Didling

Shepherd's Altar

The Church of St Andrew at Didling in West Sussex is tiny and wholly lit by candles. It is affectionately known as ‘The Shepherd’s Church’. Tucked away in a field beneath the South Downs at the end of a track off Bugshill Lane, it is well hidden by a large yew tree which must be many hundreds of years old. This simple country church is Norman in origin and dates back to the early 13th Century. In times gone by it would have served a much larger community until the village virtually disappeared after the ravages of the plague.

It’s been quite a while since I have made any ‘church images’ so when I visited Didling yesterday as part of my ‘new project’ I was pleased to find the church open. I was even more pleased to find that the light shining through one small south facing window was coming in at just the right angle. The sun illuminated the beautifully simple altar table and the cross in particular. Adorned with two vases of fresh tulips, thankfully this church is still very well cared for but completely unspoilt.

Delightful.