monochrome | alan frost photography

Posts tagged ‘monochrome’

Churches Project no.8 – St Mary Magdalene Chapel, Chichester Cathedral

My Churches Project has been rather quiet of late; in fact it’s nearly 3 months since I posted anything new, but I now have more time on my hands so I can start visiting and photographing the many churches and Cathedrals I wish to visit.

To get things underway here is an image taken this week of St Mary Magdalene Chapel in Chichester Cathedral, West Sussex. The main feature is a painting by Graham Sutherland (1903 -1980) entitled Noli me tangere (Touch me not or Do not hold me). Painted in 1961 it depicts Christ appearing to Mary Magdalene on the first Easter morning.

I like the beautiful and quiet simplicity of this chapel – The polished stone table covered with a pure white cloth. The two candlesticks on each side and the modern painting set against the aged stone of the Cathedral.

Do click on the image to view a larger version and be able to see more detail particularly of the painting itself.

“Sharpness is a bourgeois concept” – Henri Cartier-Bresson

There are many quotes attributed to Henri Cartier-Bresson, one of them being that – “Sharpness is a bourgeois concept”. With this image I have taken his saying quite literally. To an extreme in fact because there is absolutely nothing sharp or in focus anywhere in the frame. As a consequence this picture is sure to divide opinion.

When I took the shot I quite deliberatly adjusted the focus ring to give me an out of focus image. It was also shot with a wide aperture opening to minimise the depth of field, further ensuring a blurred image. The light was reasonably good and with a maximum shutter speed on my camera of 1/4000th of a second, I had to use a 3 stop ND filter to avoid blown highlights. In processing I added grain, a vignette and split toned the image.

Ignoring the complete lack of any sharpness the viewer can still discern a man, virtually a silhouette, standing on the beach watching his dog standing in the water. The ripples of the sea along the foreshore and the distant land mass on the horizon provide a sense of depth, and the placement of the man and his dog on the intersection of the thirds gives balance to the overall composition. There is also a triangle which is formed from the man’s head, out to the dog and back to the man’s feet.

I know this is what might be described as a ‘marmite’ shot – you either love it or hate it. Or perhaps you simply can’t understand why the photographer couldn’t at the very least focus his camera properly!

So does this image appeal to the viewer or is it quickly rejected for being technically poor because nothing is sharp, even though that was my intention at the outset? Does this very soft image portray a mood or feeling which would be non existent if the image had been sharp from front to back? There are so many questions and in my view there are no right or wrong answers. It’s my creative vision of a simple scene – one man and his dog, alone on the shoreline…..and the rest is down to your interpretation and imagination.

As always your comments and thoughts on this post would be most welcome.

Roses by the window – inspired by Josef Sudek

Recently I came across an image I had taken back in 2014 of a bunch of roses in a vase. They were on a window sill with rain drops on the window glass. I remember taking the shot with a large aperture opening to give me a narrow depth of field. Only one rose is truly in focus, so the overall effect is quite soft, but this works for me.

When making this image I was reminded and influenced by the work by Josef Sudek. I particularly enjoy and admire his photography and his creative use of light in an image. A Czech photographer, he was born in 1896 and spent most of his life in Prague. He died in 1976. A year or so ago I was given a book of his work called ‘ Josef Sudek – Legacy of a Deeper Vision’. A beautifully produced book with many fine plates of his photography. (See a picture of the front cover below).

I was first drawn to his work when I saw his pictures of St Vitus Cathedral in Prague and later I enjoyed a series of photographs taken from the inside his studio which he called ‘The Window of my Atelier’. Condensation on the inside of the window or rain drops on the outside would often be a feature of this work. He would also make images of simple objects he had in his studio, an empty glass, an egg or a small vase of flowers. They were sometimes placed on a window sill and making the most of the light he would produce some very effective and almost ‘poetic’ photographs. He unquestionably made the best use of his immediate surroundings.

I have included a pictures of a couple of plates from the book, by way of examples of his work.

I seem to be spending a fair amount of time at the moment considering a variety of projects which I think could prove interesting. I already have my Churches Project underway and this will continue, but there are a number of others that could well occupy my time in the months ahead. As part of this period of consideration and planning, I like to study the work of other artists and photographers. This can be beneficial in a number of ways. It can certainly inspire, influence and be thought provoking; all of which can only aid creativity and help define the path ahead.

From all of this it would appear my approach to photography is going through a contemplative stage. I believe it’s all part of an ongoing process which aids the development of your own style and vision. What might be a good idea today, is often challenged by a counter thought the next – and so the process unfolds until the original concept is either scrapped or possibly pursued to a conclusion. With nothing decided it can be a little frustrating at times, particularly when the outlook is less than clear, but ultimately I think the results of this planning stage will prove rewarding.

You can see more of Sudek’s photographs by clicking on this link to my Pinterest board of his work

Snowdonia – A new gallery page

It’s hard to believe that three months have passed since I visited Snowdonia. I had a great time and after a lot of processing, curating and ten blog entries later, I have now put together a gallery page of what I consider to be my favourite images. The ones that take me straight back to a particular location. I can remember the time of day, the weather conditions and what I was trying to achieve when I took the shot. The gallery is here.

Pressing the shutter doesn’t work every time, far from it in fact, and my ‘keeper rate’ is probably no better than 1 in 50, but I am very happy with that. Sometimes the light wouldn’t be right, or the image would be badly composed or out of focus. Inevitably there would be many occasions when I didn’t select the correct camera settings, or quite simply I was trying to take a photograph when a good image never existed in the first place. But that’s the joy of photography.

I believe that each time you press the shutter you should learn something from the experience. That way I learn more from the ones I didn’t get right, as opposed to the ones that eventually find their way to the printer or onto this blog.

I have included some new images in this entry but the gallery itself is made up of 39 photographs, so do click here to visit the Snowdonia Gallery page.

I do hope to have the opportunity to return to Snowdonia later this year. It’s an inspiring and beautiful place for any visitor, let alone a photographer. The changing light and dramatic scenery are very special indeed.

Last but not least I would like to extend a big thank you to fellow WordPress blogger Andy Beal FRPS for organising and hosting an excellent and instructive workshop. To David Mills ARPS for his extensive knowledge of the area, and finally to the other participants for their company and good humour. Together we had a lot of fun and a week of photograph to remember.

If you want to visit any of the previous blog entries I have added all the links below, together with a thumbnail image to whet your appetite.

Snowdonia – It’s all about the light

Tryfan – a majestic mountain in Snowdonia

Creative use of depth of field in Snowdonia

The appeal of ‘light on dark’ in Snowdonia

Early morning in Snowdonia – with or without a tripod?

The old A5 – Nant Ffrancon valley in Snowdonia

Mist and missing Capel Curig – Happy New Year!

Dinorwic slate quarry – a harsh and inhospitable place.

Cwmorthin slate quarry in Snowdonia – the lower section

Cwmorthin slate quarry in Snowdonia – the upper section

Trees in the mist – an opportunity taken

It’s not very often that I am out and about with my camera when it’s misty. This may be because we don’t seem to experience these conditions very often. Alternatively it could just be that I am too lazy to get up early enough to take some shots, and before the rising sun has had a chance to mess things up!

A few days ago we had a lot of rain and after a cold, dry and still night I was hoping that we might get some mist the following morning. We did, and for once I was mentally prepared. My wife and I, together with our dog, went out for a walk and I had my camera. One camera, my Monochrom; just my 50mm Summilux prime lens to keep it simple, and these are the images I was able to make. I hope you like them.