monochrome | alan frost photography

Capturing the light ….. nothing more, nothing less

It’s quite rare that I only include a single image in a post.

My photographs are often defined by location or subject.

In this particular case these points are of no interest to me.

This image is all about the light and it’s polar opposite – the dark.

When I saw how the low penetrating sunlight pierced through the grasses and lit the paling fence, I just knew it was a photograph crying out to be made ….. so I did.

Nothing more and nothing less ….. just capturing the light ….. in black and white.

Driving through time at the Haynes Motor Museum

When photographing any subject it’s all too easy to fall into the trap of framing the picture to capture the whole thing. Nothing is omitted and a ‘bumper to bumper’ picture of a car can in truth be nothing more than a record shot. From a purely visual point of view the composition ends up being far too busy. Add a distracting background can only add to the confusion. This is particularly true in a museum where the four wheeled exhibits are displayed in close proximity to one another. There is little or no separation and the resultant photograph is almost invariably a disappointment. In a phrase it lacks viewer engagement.

Abstraction and knowing what to leave out, can I believe make for a much more interesting and pleasing image.

I recently made a second visit to the Haynes Motor Museum in Somerset, England. My photographic intentions were very clear.

I set out with the specific aim of making photographs which told a story and would in my view capture the essence of both the place and the wide range of cars on display. I wanted to make positive use of the artificial lighting. To work with what could be distracting sources of light and reflections. To embrace out of focus areas, to enhance the image, and adding a further layer of interest whenever possible.

I thoroughly enjoyed combining two of my passions in life – motor cars and photography. There are a huge variety of cars at the museum spanning all eras. With my camera and a selection of lenses I experimented with various settings in the hope of making some interesting black and white compositions.

You can be the judge of whether or not my approach was successful.

Am I a petrolhead? … capturing the spirit of the 82nd Goodwood Members Meeting

The answer to the question is quite definitely yes. Ever since I was a young boy back in the 60’s I have had a passion for cars. From playing with Corgi toy cars on the carpet, to looking forward to the next monthly car magazine. When I reached the age of 17 I couldn’t wait to pass my driving test and then having my own car. I have very little engineering or mechanical knowledge and I greatly admire those that can service and bring a set of four wheels back to life but all cars both old and new appeal to me, more so when their engines come to life and to see them on a motor circuit.

A couple of weeks ago I attended the 82nd Members Meeting at Goodwood. The Festival Speed and The Revival Meeting are world famous events and I have been very fortunate to attend many of these meetings over the years years, however the Members Meeting is a smaller event by comparison. As well as fewer people there is full access to the paddock and sections of the track which are ordinarily out of bounds.

The range of machinery both on display and racing very competitively is quite extraordinary. Enthusiastic spectators watch great car control as they speed around the fast and challenging historic Goodwood circuit. From Edwardian cars in The S.F Edge Trophy to a shoot out of GT3 cars which were raced between 2006 and 2012. There is something for everyone.

Some cars from various eras are truly works of art only to become museum pieces or stored in an air conditioned garages as the owner watches their capital value increase over the years.

Goodwood doesn’t reflect this aspect of car ownership. Cars worth many hundreds of thousands of pounds are raced nose to tail by very skilled drivers. In other words they are still being used for their original purpose and long may this be the case. I am very aware we are entering a time of electrification in the car industry but it would be sad day if these celebrations of automotive history came to an end.

From a photographic point of view there is so much to see. Here are just a selection of images which I like to think capture the feel and atmosphere of the weekend.

*Sunday 7.45am – Start/Finish straight before the day’s racing begins*

*No need to be reminded where these photographs were taken*

*Detail of a vintage Bentley badge and radiator grill*

*The Arundell Cup winners’ garland – the 1962 Cooper-Ford* *T59*

For more information and a video about the Porsche 997 at the Members Meeting – click here.

*John Player Special Lotus 97T Formula One car which was driven by the late great Ayrton Senna*

*Gordon Murray Automotive T.50s Niki Lauda*

*The Gordon Murray Automotive commissioned Cosworth 3,994cc* *V12 engine for the T. 50s which red lines at an astonishing 12,100 rpm.*

For more information about Gordon Murray Automotive – click here.

*Waiting for the race to start – the S.F Edge Trophy for Edwardian cars*

*Porsche GT3 R Hybrid from the Intelligence Performance division*

*3.5 litre Jaguar XK120 roadster from 1954*

Click here for more information about the background to the above car.

*Often seen racing at Goodwood the Aston Martin DB4GT ‘lightweight’ driven by four-time Indycar Champion Dario Franchitt*i

Below are links to some other events I have photographed at Goodwood in previous years.

Bugatti Type 35 at the 81st Goodwood Members Meeting

Car details in mono at The Goodwood Revival

Goodwood Revival – the cars and the people

The Silver Arrows at the Goodwood Revival Meeting

Not being hamstrung at Hamworthy ….. having fun for the sake of it

Sometimes I get hamstrung by the type of images I think I should be making. I am very aware that it can be limiting just to photograph my preferred subjects or feel I should only be working on the various photo projects I have underway. As a consequence the pure fun of just being out and about and capturing what I see, irrespective of genre or purpose, is rather liberating. Without the constraints of needing to fulfill a particular brief or objective, I am instantly reminded of why this is such a wonderful and enjoyable creative hobby.

This selection of six images were all shot last week at Hamworthy in Poole on the Dorset coast. The sun and blue skies made a rare winter appearance and I simply took the opportunity of making a few images of scenes that appealed to me.

The strong light and subject matter were arguably outside my usual comfort zone. The pictures don’t form part of an ongoing project. They are purely black and white images captured and made for the pleasure of doing so.

I was having fun and isn’t that what really matters?

Telephone boxes …… I think this has all the makings of a new photo project.

Projects, whether they be small or large, short or long term, never fail to encourage me to go out with my camera. Excuse the pun but they give me a focus, a sense of direction and a purpose to make new work.

I try not to think too hard about what the subject might be for a new project; I simply wait for an idea to inspire me. Sometimes that flash of inspiration will fade very quickly and be dismissed. At other times the initial excitement takes hold and I can see how the project might develop. I start to research the idea and ask myself a variety of questions. How practical is it? Is there sufficient material to work with? Do I have the equipment required? Do I stick to black and white or is colour an option? What is the purpose and does the project have an end objective?

In the past few days I have latched on to the idea of photographing and documenting ‘Telephone Boxes’. We have one near where we live, although it has been repurposed, which is also true of many others. I have no idea how many still have working telephones, and in any case that number must surely be in decline. The historical aspect appeals to me and their current usage only adds to the story. Whilst still a common site, their original purpose and heyday has passed. However their passing and reinvention is I believe worth recording.

Given this thought process has only just began I don’t have all the answers yet, and in a couple of weeks time I might have dropped the concept altogether. Conversely my enthusiasm may grow. I will know soon enough. Right now I think this project has legs and I am excited.

Given this ‘flash of inspiration’ and in my desire to get started, I went out to make a few images of boxes close to our home.

Having done so I was reminded of a photograph I made a couple of years ago of a telephone box on the Ardnamurchan peninsular in Scotland. In fact this particular box is the most westerly box on the British mainland. Perhaps the idea for this project was conceived back in 2022? It’s just taken rather a long time to come to fruition!

I would like to finish by thanking and making reference to a documentary photographer, Kyle McDougall, who has a truly excellent YouTube channel. I have been following his channel for some time and I enjoy his work, very much like his style of presentation and I learn a lot from him in the process. By sheer coincidence his latest video (link below) refers to the topic of photographic projects. His thoughts and suggestions resonated with me and what he had to say reinforced the very ideas which have been going through my own mind these past few days.