Leica Monochrom | alan frost photography

Posts tagged ‘Leica Monochrom’

A ‘dank’ Devon walk with a camera.

There are times when I enjoy taking photographs in the mist and the rain, when visibility and the light is poor, but the mood and atmosphere can be rather special. These three photographs were all taken in Devon countryside whilst out on a walk with our dog. The low cloud and mist didn’t lift all day, but apart from some early rain, it was just a damp and rather dank sort of day. Nevertheless I found a few locations where the camera came out to capture what I saw and felt as I walked along narrow footpaths and country lanes.

In all three images I have added some grain or noise, as well a slight tone, which I think enhances the overall look of the photograph.

Please click on any image to see a larger version.

Thanks as always for looking.

Light, shadows and illusions – inside The Turbine Hall of Tate Modern

A couple of days ago I posted an entry depicting the people, light and their shadows inside this same venue. You can read my words and see the images here.

When I first arrived at Tate Modern I was fascinated by the way the afternoon sun came through the vast roof light above me and the tall vertical windows in the west wall. Together they created many interesting shadows and patterns of light on the building’s structure, the textured concrete floor and in some cases the reflective surfaces enclosing the Turbine Hall. For your information this hall is 152m long and 35m high; it’s huge.

I liked the view at the head of this post, but I did wonder what it would be like if taken at ground level. The next shot is looking into the same corner of the hall, but has a more abstract feel to it.

It was then that I noticed the light and shadows falling on the floor being mirrored in the the ‘polished’ wall surface. Would a slightly different view point and a more abstract composition give me an image which truly bought all these elements together and what would be the result?

Here is the final image in this short series of three. You may wish to click on the picture to see a larger version.

It has a rather surreal look about it. There appears to be a layer of ‘floating light’, hanging above the floor. It’s an optical illusion of course but the way the light and shadows are being mirrored produces this effect and for me this is the most visually interesting of the three.

Here are two other photographs taken inside the Turbine Hall.

Here again I like the way the people behind the glass are distorted whilst the light makes interesting patterns, adding further interest to the overall composition.

Finally here is a shot looking towards the tall vertical windows. Taken through glass the reflection of the hand rail is distorted and a small figure stands alone in the bottom left hand corner. A point of interest but also necessary to give scale to the image.

I only spent an hour or so wandering around, but I am inspired to go back. Arrive early and leave late – Watching, observing and waiting for the light to change direction and intensity during the course of the day. Waiting for a suitable person or a group of people to be in the optimum place, moving in the right direction to enhance the composition. When all these ingredients come together I will press the shutter, and who knows what the results may be. I can’t wait to return!

All the images in this post were taken with the Leica M Monochrom using a Leica 90mm f2.4 Summarit lens, processed in Lightroom and Silver Efex Pro. Do click on any of the photos to view a larger version.

People, light and shadows – inside the Turbine Hall of Tate Modern

Light worker

Occasionally I travel to London for a business meeting. It doesn’t happen very often but when it does, I like to make the most of the day and if time permits take a few shots before the train journey back home.

Earlier this week I found myself in the City, so I decided to visit Tate Modern. Not for the artworks but for the Turbine Hall, a truly massive space, which previously housed electricity generators and is now used as a social space for art installations. I had been inspired to do so by fellow blogger Andy Hooker of LensScaper when he wrote about his visit to this very same place.

Although I had been to Tate Modern before it was never with the intention of taking photographs. You may say I am strange but on this occassion I was more interested in the building itself, its architecture, the people it attracts, than I was in the works of art on display. The light to me was as wonderful as the varied art this gallery has on show.

By the time the business of the day was over, it was quite late when I arrived, but I was very fortunate with the light. The sun had moved round to the west and its light was pouring in through large vertical windows casting long stripes of light on the heavily textured concrete floor. As visitors moved towards the exit it was interesting to see how perhaps sub consciously they would walk along the ‘light stripes’ as if they were being guided to the door.

I enjoyed watching and waiting as visitors and city workers moved around, just hoping that I would be in the right position to take the shot that I could picture in my minds eye.

Light follower

Light stripes

Light crossing

I hope you enjoy these images and in the days to come I will be posting a further entry which will include more pictures of the Turbine Hall itself.

I have written before on the subject of Museums and Art Galleries in London. Here are just two posts which you might like to read.

Rich photo opportunities in London’s museums and galleries.

The Natural History Museum – without any nature!

The Bishop’s Cathedral – worth throwing the camera bag in the car!

The Bishop’s Cathedral

I have to admit that I don’t always have a camera with me, assuming of course I exclude my iPhone from that statement. Just occasionally as I get ready for another days work, I will throw (not literally) a camera bag into my car, believing that I may find a little time to take a few photographs on my way home and before the dinner is burnt! Sometimes this is because I specifically want to try something out which has come into my mind. I guess these thought processes inspire me to make that little extra effort to take some shots.

This sequence of events happened earlier this week. I wanted to use my 28mm f.2.8 lens as it isn’t attached to the camera that often. My default choice of lens is the 50mm f1.4 Summilux. It was a lovely bright evening with some light cloud cover. Bright enough for some shadows but not so bright to give me exposure problems. I headed for the city of Chichester and specifically Bishop’s Palace Gardens, which offers fine views of the Cathedral.

I found a position which I thought would give me a good composition. Held in the vertical position the viewfinder of the Leica Monochrom is not that easy to use. I wear glasses and the frame lines for the 28mm are in the extreme corners, so I have to move my eye or the camera around to compose the shot. I have to say there is a little guesswork involved and I try and allow a margin for error so I can crop later if I wish to. A quick look at the screen on the back of the camera tells me whether or not I need to have another go!

The other slight issue that evening was the sky. It looked a little bland but I could see some blue patches so I attached an orange filter to darken these areas and add interest to the sky. Yes an orange filter on a digital camera – something that only works with the Monochrom. Its sensor only records luminance and not colour, so a colour filter works in exactly the same way as it would with black and white film. I like to get as much right in camera as I can and not rely on heavy post processing. Having to think about what I want the finished result to look like before pressing the shutter, is I believe a healthy discipline and will improve your photography.

I am pleased with the final result. The lighting on the cathedral and gardens could not have been better. The 28mm is only moderately wide so does not distort the view. The use of the orange filter provided more detail and interest in the sky which is an important part of the overall composition. I cropped the image from the native 3 x 2, to 5 x 4. I prefer this aspect ratio, it is more balanced to me. Its an image that I will almost certainly print, maybe quite large but that’s for another day.

Thanks for looking and I hope you enjoy this photograph as much as I enjoyed making it.

Do click on the picture for a larger view.

The River Arun at South Stoke – one of my favourite locations

River Arun at South Stoke

The River Arun has its source in St Leonard’s Forest to the east of Horsham and flows down through the towns of Pulborough and Arundel, finally reaching the sea at Littlehampton. Its course cuts through the South Downs, creating the Arun Valley. This shot was taken at South Stoke which has to be one of my favourite locations in West Sussex. It has featured before on my blog and I am sure will do so again in the future.

Here are some links to other entries with images taken in and around this lovely location –

Using ‘blur’ down by the River Arun

Churches in the landscape – South Stoke

A week on and it’s back to South Stoke

Cow portraits taken near South Stoke