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Posts tagged ‘black and white’

‘If music be the food of love’ – The Hampshire Recorder Sinfonia

Earlier this year I joined a local Art Society as both my wife and I are interested in most forms of art, in fact anything of a creative nature. At the first meeting I attended I was approached by the Secretary of the Society and was asked if I would be willing to photograph a concert by the Hampshire Recorder Sinfonia. She is one of the musicians and had heard I was a photographer. It was to take place at The Church of St Mary the Virgin in Rowner, Gosport on Valentines Day. They needed to update their website with new some new images, so I happily volunteered my services. I had not attempted anything like this before but I am always up for a challenge!

I didn’t quite know what to expect but I was informed that I could take photographs during the rehearsal as well as during the concert itself. I would though need to be very quiet and discreet, so as not to distract the musicians and more importantly the paying audience.

I very much enjoy listening to classical music, particularly when it is heard live in a church building with wonderful acoustics. I do though have to admit that I am rather ignorant of orchestras and their musical instruments, so I was rather surprised to find such a variety of recorders being played. They included, Sopranino – Descants I and II, Trebles I and II, Tenors I and II, Basses I and II, Great Basses and Contrabasses. In total the Sinfonia had thirty two musicians who were all led by Christopher Burgess the Musical Director.

They played music by Gustav Holst, Giovanni Gabrielli, Manning Sherwin, Edvard Greig and other composers. The sound was very special but it was almost impossible to fully appreciate the music and concentrate on taking photographs at the same time.

This is just a small selection of the photographs I took that afternoon. I wanted to capture not just the musicians, but also a sense of the place in which the music was being played. I was asked to provide both colour and black and white versions of each image. However for the purposes of this entry I have processed the photographs slightly differently to those I provided. This is my personal interpretation of the concert, whereas the monochrome images they were given had no toning, and were straight black and white conversions.

I very much enjoyed the experience and trust I have captured something of the musicians, the venue and the event itself. For more information about the Hampshire Recorder Sinfonia please visit their website by clicking here.

Do click on any of the pictures to see a larger version which will open in a new window.

An eye for detail – just one reason why I love the Leica Monochrom

I have now been using a Leica M Monochrom for eighteen months or so and there are many reasons why I have grown to love this camera. It was a fairly steep learning curve switching to a camera which has no colour sensor – each pixel only records luminance resulting in a black and white file with any number of shades of grey in between.

The fact it is rangefinder with its split frame manual focusing mechanism was an added hurdle for me to get over. Initially it was difficult enough to focus a still subject let alone a moving one, as is the case here. Even more challenging when using the 50mm Summilux f1.4 nearly wide open. The depth of field is so narrow I would be the first to say that a little bit of lady luck is required to get the main subject of the picture in sharp focus. When it happens though, you can jump for joy because the level of detail captured is quite extraordinary.

I very much doubt this image would win any prizes and I have used it simply to illustrate a particular point; and that is quite simply the level of detail or resolution captured by this camera.

For reference the final image (at the bottom of this post) is a fairly mild square crop of the original RAW file which has been processed in Lightroom 5. There are some adjustments but principally the addition of contrast, clarity and a tone for effect, but no sharpening. I repeat no sharpening.

The original image is shown below with just the processing applied and no crop.

Un-cropped image

Next is a much more detailed crop. You can now see the exceptional level of detail captured by the Leica Monochrom.

A tight crop

If you are yet to be impressed, below is an even tighter crop. The number of eyelashes can almost be counted and if you look closely veins are visible in the eye itself. If nothing else this image confirms my good fortune when I focused on the eye.

An even tighter crop

And by way of a reminder the final image which is how I imagined the picture might look when I pressed the shutter. I knew I wanted the eye to be at the centre of the viewers attention, but the photograph also needed to include part of the leather harness to add context and another element of interest. The harness also confirms you are looking at the horse’s head in profile and not straight on.

The finished photograph

As I said at the outset there are many reasons why I love this camera. It can be a frustrating and quirky tool at times, but get to know its ways, and I defy any photographer not to be impressed by the quality of file it can deliver when coupled with an equally exceptional fast Leica lens. It has a purity and a simplicity to its operation which places the photographer in complete control. You need to consider every step, every setting but the rewards are more than worthwhile.

I would strongly urge you to click on each image to view a larger version. This post is all about ‘detail’ and it’s only by looking at a bigger version that you will truly appreciate the output of the Leica Monochrom.

Land sailor at East Head

In my last post ‘Low tide at East Head’ I included a variety coastal images – I guess they were the ones I anticipated I might be taking before I left home and set off for the coast. What I didn’t envisage capturing was this shot of a land sailor backlit by the late afternoon sun. The sand flats at East Head provide large areas of beach ideal for this exhilarating sport. There wasn’t much wind, just enough to move the craft from east to west along the shoreline and back again. I had to take a number of shots to make sure that I had the sail in line with setting sun, throwing the sailor into silhouette.

Do click on the image to view a larger and therefore more detailed version. This will open in a new window.

Snowdonia – A new gallery page

It’s hard to believe that three months have passed since I visited Snowdonia. I had a great time and after a lot of processing, curating and ten blog entries later, I have now put together a gallery page of what I consider to be my favourite images. The ones that take me straight back to a particular location. I can remember the time of day, the weather conditions and what I was trying to achieve when I took the shot. The gallery is here.

Pressing the shutter doesn’t work every time, far from it in fact, and my ‘keeper rate’ is probably no better than 1 in 50, but I am very happy with that. Sometimes the light wouldn’t be right, or the image would be badly composed or out of focus. Inevitably there would be many occasions when I didn’t select the correct camera settings, or quite simply I was trying to take a photograph when a good image never existed in the first place. But that’s the joy of photography.

I believe that each time you press the shutter you should learn something from the experience. That way I learn more from the ones I didn’t get right, as opposed to the ones that eventually find their way to the printer or onto this blog.

I have included some new images in this entry but the gallery itself is made up of 39 photographs, so do click here to visit the Snowdonia Gallery page.

I do hope to have the opportunity to return to Snowdonia later this year. It’s an inspiring and beautiful place for any visitor, let alone a photographer. The changing light and dramatic scenery are very special indeed.

Last but not least I would like to extend a big thank you to fellow WordPress blogger Andy Beal FRPS for organising and hosting an excellent and instructive workshop. To David Mills ARPS for his extensive knowledge of the area, and finally to the other participants for their company and good humour. Together we had a lot of fun and a week of photograph to remember.

If you want to visit any of the previous blog entries I have added all the links below, together with a thumbnail image to whet your appetite.

Snowdonia – It’s all about the light

Tryfan – a majestic mountain in Snowdonia

Creative use of depth of field in Snowdonia

The appeal of ‘light on dark’ in Snowdonia

Early morning in Snowdonia – with or without a tripod?

The old A5 – Nant Ffrancon valley in Snowdonia

Mist and missing Capel Curig – Happy New Year!

Dinorwic slate quarry – a harsh and inhospitable place.

Cwmorthin slate quarry in Snowdonia – the lower section

Cwmorthin slate quarry in Snowdonia – the upper section

My last post gave a description of Cwmorthin slate quarry and included a number of photographs all taken in the lower section of the valley. You can read this entry here. The upper section is reached from the valley by walking up a fairly steep and long path, but it is well worth the effort. Here there are the remains of more buildings, old machinery and large pieces of slate, set into the ground like tombstones; memorials for the miners who once worked here and gave their lives to this dangerous industry.

A note about processing – This post and the one before it, have a total of ten images all were taken on the same day in similar light and depict the harsh and rather bleak environment of Cwmorthin slate quarry. When grouping images such as these together, I recognise the importance of consistent processing to produce a harmonious set of images. However these photographs were not all processed at the same time. Some were done many weeks ago, others more recently to complete the set. Initially there was a lack of consistency in my approach. I had not used a particular preset, so I found it more difficult to achieve the look I wanted. Having compared and then tweaked all the images, I finally applied a split tone, as I felt this was warranted. In my view it would add something to the look and feel of the photographs, with the aim of reflecting the atmosphere of the location.