monochrome | alan frost photography

Posts from the ‘monochrome’ category

The fisherman’s hut

Fisherman’s trailer hut

This hut on a trailer is not the most attractive, in fact from a purely aesthetic point of view some might describe it as plain ugly or just a shed on wheels. However from a photographic perspective I was drawn to the subject. I asked myself what it might be used for and did it ever move from its isolated position on the shingle beach at Weybourne on the North Norfolk coast.

When I took the shot It was a beautiful autumn day, with clear blue skies almost devoid of any interest but for the small cluster of clouds immediately above the hut and a couple of gulls as they flew above the shoreline. For me both the clouds and the gulls make the image. Without them the hut on its own would not be so interesting.

Thanks to everyone who has started following my blog recently.

I am not a wildlife photographer – The hare

The Hare

I freely admit to the fact that I am not a wildlife photographer. I don’t have the right equipment, nor do I have the patience to stay in one place long enough to take photographs of rare birds or other animals. I also acknowledge that I take an eclectic mix of subjects; the one thing they all have in common is that they are in monochrome.

However, if the opportunity presents itself then I am more than happy to take a wildlife shot. It rarely happens but it does give me pleasure when the result, in my opinion, is worth sharing on my blog.

This image of a hare was taken whilst walking our spaniel across some heathland in Norfolk recently. I had my camera out as I was hoping to take some photographs of our dog, when my wife quietly drew my attention to a hare on a path over to our right. The hare sat in late afternoon sun just long enough for me to focus and press the shutter. The hare must have spotted us or our dog, probably both, before running away. A fleeting moment.

I do belong to a camera club and I might be tempted to enter this picture into a competition, but I know what the judge will say – “I wonder what it would be like in colour?” or “I wonder why the author has chosen to convert it into black and white?”

Well let me try and answer this question. For me photography is all about light, line, tone and texture, and colour in an image can so often be a distraction. Because of the time of day this shot was taken, the colours are vibrant, with a mix of strong autumnal yellows and greens. Although the hare is bathed in sunlight, the colours are too much of a distraction and as a consequence the eye does not rest happily on the main subject, which is of course relatively small in the frame. In monochrome the hare stands out, the line of the path is a clear compositional element and most importantly for me, the light and contrast in the shot is there for all to enjoy.

Looking through the archives – Trees in the crop

From time to time I like to look back through the folders in my Lightroom catalogue and find photographs which have either not been processed, or even if they have, have yet to appear on my blog.

Trees in the crop

One such picture is this photograph of a small group of trees which were surrounded by a growing crop. Taken back in May in the lovely county of Dorset, I stood in the field and with a telephoto lens used the widest aperture opening available to me (f2.8) to throw the foreground out of focus. I wanted the viewers eye to be drawn to the trees and not have the distraction of the everything being in focus. I know that many landscape photographers will use a very small aperture (f16 or more) so that everything is sharp front to back, but the look I was looking for on this occasion, I think warranted a different approach.

Once converted to monochrome, I applied a ‘cream’ tone in Silver Efex Pro to give the image a little more warmth. A treatment I rather like for this type of shot. I hope you agree.

I shall keep looking through the archives as I never know what images I will find!

The wonderful light of Church interiors

Pews of Light
The interior of Weybourne Church. The low morning light shined through the tall leaded light windows on the far wall and illuminated the church pews and cushions.

There is something rather special, well at least for me anyway, about the light which can be found inside a church. This is particularly true when the sun is shining brightly and it comes through the leaded light windows, making shadows and highlighting certain features inside a place of prayer and contemplation.

This post features three photographs taken recently in Norfolk, which I think capture something of the magical light to be found inside these religious buildings. They are centuries old, yet in many respects are no different to when they were first constructed. The idea that this special light has been witnessed by so many generations is rather humbling.

Horse by the pond

During our recent trip to the North Norfolk Coast we regularly drove through the small village of Saltmarsh. In the centre was a pond which attracted ducks, gulls and other birds, including a couple of swans. The muddy field which adjoined the pond was home to a black and white horse with just a small shelter for when the rains fell or the winds blew. It was a bleak and exposed location.