Leica | alan frost photography

Posts from the ‘Leica’ category

Frazzled in London – with a little ‘ICM’

Buckingham Palace

I was in London recently for business purposes. A rare occurrence, so rather than waste the opportunity I took my camera with me in the hope that I could take a few shots at the very end of the day before catching the train home.

I also wanted to take a look at a second hand 90mm f2 summicron lens being sold by Richard Caplan in Pall Mall. The lens appealed to me but when I tested it on my camera it did appear to be ‘back focusing’. I tried a couple of other lenses including my own 50mm summilux and the results were the same. In real world use it probably wouldn’t be a problem but I was left pondering whether or not the rangefinder on the camera needed a fine adjustment. They did offer to send it away to be repaired but I decided not to do anything there and then, and simply make my way home.

By the time I left the shop in Pall Mall it was already dusk, so I walked down The Mall towards Buckingham Palace, heading for Victoria Station. I had joined the commuter conveyor belt all heading for the next train back to the comfort of their home.

The Queen’s Gallery

Gravestone
In the grounds of Chichester Cathedral
1/180 sec.

There is one particular advantage to the short days of winter, it gets dark very early. Obvious I know, but when I decided a few days ago to take some shots after dark, I was able to do so at a civilised hour, in fact shortly after I had finished work. I very rarely take photographs after the sun has disappeared below the horizon, so I took my Leica M Monochrom to work and on the way home stopped in the centre of the City of Chichester to see what I could find. I limited myself to an area very close to the the Cathedral, as I only had an hour to spare.

I set the ISO to 6400, and the 50mm Summilux lens to f1.4, its widest aperture opening. These settings gave me fairly fast shutter speeds, which allowed me to comfortably hand hold the camera without having to resort to using a tripod. Just as well really as I didn’t have one with me and even if I had, I wouldn’t have wanted to use it. This exercise was more for fun. It was a test to see how the Monochrom worked in very low levels of light, even though I did make use of the artificial light sources available, including the flood lights which illuminate the Cathedral.

This exercise has made me think what might be possible shooting after dark. The joy of being free from a tripod is quite liberating and having looked at the exif data I could easily have used a lower ISO setting. Nevertheless the grain or noise at ISO 6400 does not in my opinion degrade the quality of the image, but on reflection ISO 3200 might have been more appropriate.

All the photographs were processed in Lightroom, and to finish I applied a tone to give the the images a little more warmth.

West Street, Chichester
1/1000 sec

The young couple
1/90 sec

Alley car
1/500 sec

Old glass window
1/250 sec

St Richard
1/750 sec

What’s in store for 2015?

Old drawers

I came across this wonderful chest of old drawers recently and I started to wonder what each drawer had contained over the years? What secrets and surprises had this piece of furniture been hiding? Once opened of course the ‘magic’ would be gone, although the very act of opening a drawer might be followed by delight or disappointment. A bit like life I guess. None of us know what’s round the corner but there is a sense of anticipation and excitement particularly at this time of year. As we look back on the past 12 months, we reflect on the contents of the ‘drawers’ that have been opened and consider those that are still closed, but may open up and shape our lives in the forthcoming year.

From a purely photographic perspective what happened for me in 2014? Did I fulfil my objectives that I set out for myself a year ago?……and what are my hopes and plans for 2015?

Cley Windmill – decisions, decisions.

I recently uploaded this photo of Cley Windmill to Flickr. A traditional view and treatment of this much photographed and prominent building on the North Norfolk Coast. A relatively pleasing image, well composed I think, but is there anything more to say about it, or just as importantly, could I do more with it in post processing?

When I looked at it again a few days later, I wondered whether or not I should have processed it in another way and that got me thinking. What if I came up with three more versions of the same image using only Silver Efex Pro2, promising myself that I would take no more than five minutes on each version. My plan was to start with one of the many pre-sets and then make some minor adjustments until I finished with an image I liked but had a very different look to the first attempt. What would I learn from this quick experiment? Would I prefer any of the ‘new’ pictures? ….. and finally how would all these photographs compare to the original RAW file from the Leica M Monchrom. Just how flexible are the files it produces?

The Reader

Following my one day workshop with Andy Beel in Bath recently, I have started to observe and then process my images differently. I would like to think that I am trying to approach my photography is a more artistic way. This ‘new’ style is also a result of my acquiring a Leica M Monochrom earlier this year, which when coupled with the 50mm f1.4 Summilux lens provides me with plenty of creative opportunities. The files it produces are quite superb and allow plenty of latitude in post processing. I have yet to fully appreciate all of its capabilities but the learning curve is a very good one! For a start, the one camera and one prime lens approach also means that I spend more time looking and taking pictures instead of zooming in and out, or swapping lenses. The fully manual controls also help to ensure I am thinking about the look I am trying to create. I haven’t perfected it yet, but manually focusing is getting much easier and more intuiative.

The shot featured in this entry was taken yesterday in the fishing village of West Bay in Dorset. I was attracted to the way the light fell on the man’s face and clothing as he sat in the winter sun by the harbour side, absorbed in the pages of his book. I guess he probably works in the fishing industry but found himself with time on his side. I have increased the contrast and darkened areas of the picture, so the eye is drawn to his profile which is sharp in comparison to the out of focus background. I also like the way the light is falling on the harbour wall as it disappears into the distance. I have added a ‘copper tone’ at 20% in Silver Efex which I think suits this image.

Thanks to everyone who has started following my blog recently.