Posts from the ‘black and white’ category

Oxburgh Hall in Norfolk

Oxburgh Hall

Oxburgh Hall in Norfolk

 

We are very fortunate in England to have the opportunity to visit some truly wonderful historic buildings, many of which are in the care of The National Trust. One such property is Oxburgh Hall in Norfolk, a 15th Century moated Manor House, built by the Bedingfield family and still occupied by the same family to this very day. As this magnificent building is surrounded by water there are some fine reflections to be enjoyed which always appeal to me from a photographic point of view. In the grounds of the Hall, there is also the Chapel of  St Margaret and Our Lady, which dates from the 1830’s and inside there is a very fine framed altarpiece or retable. The Antwerp Triptych is constructed from 16th Century resources and dominates the small chapel and would not look out of place in a much grander Catholic Church or Cathedral.

Displayed below are a selection of images taken during our visit.

 

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What’s in store for 2015?

Old drawers

Old drawers

 

I came across this wonderful chest of old drawers recently and I started to wonder what each drawer had contained over the years? What secrets and surprises had this piece of furniture been hiding? Once opened of course the ‘magic’ would be gone, although the very act of opening a drawer might be followed by delight or disappointment. A bit like life I guess. None of us know what’s round the corner but there is a sense of anticipation and excitement particularly at this time of year. As we look back on the past 12 months, we reflect on the contents of the ‘drawers’ that have been opened and consider those that are still closed, but may open up and shape our lives in the forthcoming year.

From a purely photographic perspective what happened for me in 2014? Did I fulfil my objectives that I set out for myself a year ago?……and what are my hopes and plans for 2015?

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The British Grand Prix at Silverstone – a belated report

Rosberg through Becketts

Rosberg through Becketts
Probably my favourite shot from the Grand Prix.
Nothing is sharp, but there is movement both in the car and also in the sweeping lines of the track at Becketts corner.

 

I have to admit it feels rather bizarre writing this entry at the end of December, when this great sporting event took place back in early July. Perhaps it just sums up how busy the year has been.

Despite being a keen follower of F1 for many years, I had never been to a Grand Prix, so when my good friend suggested we might go, it was an opportunity too good to miss. It was a special occasion as it was also the 50th Anniversary of the British Grand Prix.

We attended all four days and to avoid the worst of the traffic (it can be notoriously bad) we arrived on Wednesday evening, pitched the caravan and didn’t leave until Monday morning. Whilst I took a fair number of photographs, this was never going to be an outing with my camera, as I wanted to enjoy the racing, the atmosphere, the people and the whole experience, which is what we both did.

The rain came and went, as it always seems to do during the British Summer of sport, but this did nothing to spoil the racing in fact it only added to the drama. For anyone who follows F1 you will know that Lewis Hamilton misjudged how quickly the track would dry out in qualifying, and others, including his own team mate Nico Rosberg posted quicker lap times, leaving Hamilton in 6th place on the grid, and Rosberg on pole. The tight duel between them was nicely set up for a thrilling race, which Hamilton won, much to the delight of the home crowd. He was of course helped by Rosberg breaking down with a gearbox problem which happened right in front of us. The partisan crowd around us rather unsportingly cheered loudly as Rosberg, with head looking towards the ground, walked away.

The tide had started to turn in Hamilton’s favour and the rest of the season is now history. Hamilton won his second Formula One Championship and joined an elite number of British drivers who had won the title more than once. The others being Graham Hill, Jim Clark and Jackie Stewart. Only time will tell if Lewis Hamilton will go on to win more titles.

The photographs included in this entry hopefully capture some of the flavour and atmosphere of being at a Formula One race. Even with a 200mm (400mm equivalent) telephoto lens on the Olympus EM1, it is not easy getting close to the action, and even when you can, a wire fence will be between you and the track.

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Blakeney to Morston…..along The Peddars Way or Norfolk Coast Path

Blakeney Harbour

Blakeney Harbour

 

For a variety of reasons we didn’t go on holiday this year until the middle of October, so when we finally got around to deciding where to go, we thought we would visit a part of the UK which was not known to us. We chose the North Norfolk Coast and stayed in a pretty village of Weybourne which we were reliably told by the locals was pronounced ‘Weben’. A short drive from here is the small harbour town of Blakeney and one of our favourite walks started by the jetty and followed the Peddars Way footpath to Morston.

For this entry I have chosen to include a selection of images taken over a number of days, which hopefully capture something of the essence of this rather beautiful part of the UK coastline.

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Cley Windmill – decisions, decisions.

Cley Windmill

 

I recently uploaded this photo of Cley Windmill to Flickr. A traditional view and treatment of this much photographed and prominent building on the North Norfolk Coast. A relatively pleasing image, well composed I think, but is there anything more to say about it, or just as importantly, could I do more with it in post processing?

When I looked at it again a few days later,  I wondered whether or not I should have processed it in another way and that got me thinking. What if I came up with three more versions of the same image using only Silver Efex Pro2, promising myself that I would take no more than five minutes on each version. My plan was to start with one of the many pre-sets and then make some minor adjustments until I finished with an image I liked but had a very different look to the first attempt. What would I learn from this quick experiment? Would I prefer any of the ‘new’ pictures? ….. and finally how would all these photographs compare to the original RAW file from the Leica M Monchrom. Just how flexible are the files it produces?

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