black and white photography | alan frost photography

Posts tagged ‘black and white photography’

Churches Project no.11 – St Nicholas, Moreton in Dorset

The church of St Nicholas, Moreton in Dorset

According to Christopher Winn in his book ‘I never knew that about England’s Country Churches’, St Nicholas in Moreton Dorset is the only church in the whole world to have all its windows in engraved glass. I have no reason to doubt this fact but whether it is true or not, this building is a true gem. It also happens to be the burial place of St Lawrence of Arabia, so has quite a claim to fame.

The west window

Parts of the church and the original stained glass windows were all destroyed by a German bomber in 1940. It took ten years to rebuild the church and the windows were originally replaced with green glass. The parishioners of this tiny village didn’t warm to this new look and the architect overseeing the work suggested consulting Laurence Whistler, a renowned glass engraver as well as a poet and writer. As a result he was commissioned to redesign the windows.

One of the five windows in the curved apse

The first five engraved windows to be installed were in the curved apse and this work was carried out in 1958. These were designed by Whistler but produced by a commercial firm. All the remaining windows were personally engraved by Whistler and fitted over a period of 30 years between 1955 and 1985. The commissioned work must have cost the church and its donors an absolute fortune but the results are truly spectacular. Many of the windows are engraved on both sides which gives a 3D effect.

The south facing window shown below, is a thing of great beauty whether viewed internally or externally.

A south facing window

The same south facing window from the outside

Detail from the bottom left hand corner of the south facing window

The most controversial engraving is that of a man hanging from a tree with coins spilling from his hand. It depicts Judas, the betrayer of Christ and is only visible from the outside. This section of the window is obscured from the inside by a wall monument. This engraving was not well received by the parishioners initially and was only installed in 2014, some fourteen years after Whisler’s death in 2000. This particular window was donated to the church by Whistler himself so he must have felt rather betrayed that it was not accepted by the church at the time of its presentation. I can quite understand why its macabre depiction of Judas would have caused a very mixed reaction.

Judas – donated by Whistler himself

The church is filled with light and each and every window is full of the most remarkable detail, unlike anything else you will see elsewhere, let alone in a small country church in the lovely county of Dorset.

More detail from the south facing window

Again more detail from the south window

One window is dedicated to Noel Findlay and the words in the right hand pane ‘and his gift of happiness’ have so many meanings in this rather wonderful place of worship.

The lower half of a north facing window in memory of Noel Findlay

To fully appreciate the superb glass engravings do click on any image to open a larger version.

Transient light – when mono works as well

One of the joys of blogging are the comments that are made and these are of particular benefit to me when they offer constructive suggestions about an image. Yesterday I posted a colour image called ‘Transition’ in a post entitled ‘Transient light – when only colour will do’. One of the comments I received came from John Dominick, a friend and fellow photographer, who said he would like to see a mono interpretation. This came as something of a surprise to me, as it had never crossed my mind to convert the photo into black and white. Given that I have almost exclusively been working in mono for the last few years, you would have thought it would have been my default approach, and not just dismissed without consideration.

I am therefore very grateful to John for planting this idea in my mind as the mono version (converted in Silver Efex) in my opinion works just as well. It’s a very different image now, there is more drama and atmosphere in the shot but this aspect of black and white photography has always appealed to me.

Having made this second image it has made me think about combining or blending in Photoshop both the colour and black and white versions to see what can be created. This is my task for today and I shall aim to post a third version of ‘Transition’ tomorrow.

I always try and reply to comments and in this example respond to any constructive ideas put forward. Thank you as always for your feedback, it’s most welcome.

Out of the shadow – seizing the moment

Out of the shadow

I don’t regard myself as a street photographer but I do think of myself as an opportunist. With only my iPhone to hand, I was out and about and spotted the stark contrast between what I considered to be an interesting wall, with its mixture of windows and drain pipes, and the deep shadow cast by a building on my side of the road. I found it appealing but the missing ingredient was a person walking in front of the partly obscured window. I didn’t have to wait very long before a woman approached the scene, pulling a shopping trolley and with her head well wrapped in a head scarf. iPhone at the ready and the shot was taken.

The image was processed in Silver Efex Pro. I further accentuated the shadow, added some grain, and a border which I very rarely do, but I felt it suited this particular photograph.

An iPhone is a great street camera. Everyone these days seems to have a mobile phone in their hand on an almost permanent basis and if they aren’t looking at the screen, you know it will not be very long before they next do so. In essence they are totally unobtrusive and nobody knows you are taking a photograph with a smartphone because they are so prolific. They are virtually silent in operation and you could just as easily be texting your best friend and not taking a photograph at all.

So whilst for me a phone will never replace my camera, they do allow you to seize the moment when the opportunity presents itself.

An eye for detail – just one reason why I love the Leica Monochrom

I have now been using a Leica M Monochrom for eighteen months or so and there are many reasons why I have grown to love this camera. It was a fairly steep learning curve switching to a camera which has no colour sensor – each pixel only records luminance resulting in a black and white file with any number of shades of grey in between.

The fact it is rangefinder with its split frame manual focusing mechanism was an added hurdle for me to get over. Initially it was difficult enough to focus a still subject let alone a moving one, as is the case here. Even more challenging when using the 50mm Summilux f1.4 nearly wide open. The depth of field is so narrow I would be the first to say that a little bit of lady luck is required to get the main subject of the picture in sharp focus. When it happens though, you can jump for joy because the level of detail captured is quite extraordinary.

I very much doubt this image would win any prizes and I have used it simply to illustrate a particular point; and that is quite simply the level of detail or resolution captured by this camera.

For reference the final image (at the bottom of this post) is a fairly mild square crop of the original RAW file which has been processed in Lightroom 5. There are some adjustments but principally the addition of contrast, clarity and a tone for effect, but no sharpening. I repeat no sharpening.

The original image is shown below with just the processing applied and no crop.

Un-cropped image

Next is a much more detailed crop. You can now see the exceptional level of detail captured by the Leica Monochrom.

A tight crop

If you are yet to be impressed, below is an even tighter crop. The number of eyelashes can almost be counted and if you look closely veins are visible in the eye itself. If nothing else this image confirms my good fortune when I focused on the eye.

An even tighter crop

And by way of a reminder the final image which is how I imagined the picture might look when I pressed the shutter. I knew I wanted the eye to be at the centre of the viewers attention, but the photograph also needed to include part of the leather harness to add context and another element of interest. The harness also confirms you are looking at the horse’s head in profile and not straight on.

The finished photograph

As I said at the outset there are many reasons why I love this camera. It can be a frustrating and quirky tool at times, but get to know its ways, and I defy any photographer not to be impressed by the quality of file it can deliver when coupled with an equally exceptional fast Leica lens. It has a purity and a simplicity to its operation which places the photographer in complete control. You need to consider every step, every setting but the rewards are more than worthwhile.

I would strongly urge you to click on each image to view a larger version. This post is all about ‘detail’ and it’s only by looking at a bigger version that you will truly appreciate the output of the Leica Monochrom.

Snowdonia – A new gallery page

It’s hard to believe that three months have passed since I visited Snowdonia. I had a great time and after a lot of processing, curating and ten blog entries later, I have now put together a gallery page of what I consider to be my favourite images. The ones that take me straight back to a particular location. I can remember the time of day, the weather conditions and what I was trying to achieve when I took the shot. The gallery is here.

Pressing the shutter doesn’t work every time, far from it in fact, and my ‘keeper rate’ is probably no better than 1 in 50, but I am very happy with that. Sometimes the light wouldn’t be right, or the image would be badly composed or out of focus. Inevitably there would be many occasions when I didn’t select the correct camera settings, or quite simply I was trying to take a photograph when a good image never existed in the first place. But that’s the joy of photography.

I believe that each time you press the shutter you should learn something from the experience. That way I learn more from the ones I didn’t get right, as opposed to the ones that eventually find their way to the printer or onto this blog.

I have included some new images in this entry but the gallery itself is made up of 39 photographs, so do click here to visit the Snowdonia Gallery page.

I do hope to have the opportunity to return to Snowdonia later this year. It’s an inspiring and beautiful place for any visitor, let alone a photographer. The changing light and dramatic scenery are very special indeed.

Last but not least I would like to extend a big thank you to fellow WordPress blogger Andy Beal FRPS for organising and hosting an excellent and instructive workshop. To David Mills ARPS for his extensive knowledge of the area, and finally to the other participants for their company and good humour. Together we had a lot of fun and a week of photograph to remember.

If you want to visit any of the previous blog entries I have added all the links below, together with a thumbnail image to whet your appetite.