black and white photography | alan frost photography

Posts tagged ‘black and white photography’

Out of the shadow – seizing the moment

Out of the shadow

I don’t regard myself as a street photographer but I do think of myself as an opportunist. With only my iPhone to hand, I was out and about and spotted the stark contrast between what I considered to be an interesting wall, with its mixture of windows and drain pipes, and the deep shadow cast by a building on my side of the road. I found it appealing but the missing ingredient was a person walking in front of the partly obscured window. I didn’t have to wait very long before a woman approached the scene, pulling a shopping trolley and with her head well wrapped in a head scarf. iPhone at the ready and the shot was taken.

The image was processed in Silver Efex Pro. I further accentuated the shadow, added some grain, and a border which I very rarely do, but I felt it suited this particular photograph.

An iPhone is a great street camera. Everyone these days seems to have a mobile phone in their hand on an almost permanent basis and if they aren’t looking at the screen, you know it will not be very long before they next do so. In essence they are totally unobtrusive and nobody knows you are taking a photograph with a smartphone because they are so prolific. They are virtually silent in operation and you could just as easily be texting your best friend and not taking a photograph at all.

So whilst for me a phone will never replace my camera, they do allow you to seize the moment when the opportunity presents itself.

An eye for detail – just one reason why I love the Leica Monochrom

I have now been using a Leica M Monochrom for eighteen months or so and there are many reasons why I have grown to love this camera. It was a fairly steep learning curve switching to a camera which has no colour sensor – each pixel only records luminance resulting in a black and white file with any number of shades of grey in between.

The fact it is rangefinder with its split frame manual focusing mechanism was an added hurdle for me to get over. Initially it was difficult enough to focus a still subject let alone a moving one, as is the case here. Even more challenging when using the 50mm Summilux f1.4 nearly wide open. The depth of field is so narrow I would be the first to say that a little bit of lady luck is required to get the main subject of the picture in sharp focus. When it happens though, you can jump for joy because the level of detail captured is quite extraordinary.

I very much doubt this image would win any prizes and I have used it simply to illustrate a particular point; and that is quite simply the level of detail or resolution captured by this camera.

For reference the final image (at the bottom of this post) is a fairly mild square crop of the original RAW file which has been processed in Lightroom 5. There are some adjustments but principally the addition of contrast, clarity and a tone for effect, but no sharpening. I repeat no sharpening.

The original image is shown below with just the processing applied and no crop.

Un-cropped image

Next is a much more detailed crop. You can now see the exceptional level of detail captured by the Leica Monochrom.

A tight crop

If you are yet to be impressed, below is an even tighter crop. The number of eyelashes can almost be counted and if you look closely veins are visible in the eye itself. If nothing else this image confirms my good fortune when I focused on the eye.

An even tighter crop

And by way of a reminder the final image which is how I imagined the picture might look when I pressed the shutter. I knew I wanted the eye to be at the centre of the viewers attention, but the photograph also needed to include part of the leather harness to add context and another element of interest. The harness also confirms you are looking at the horse’s head in profile and not straight on.

The finished photograph

As I said at the outset there are many reasons why I love this camera. It can be a frustrating and quirky tool at times, but get to know its ways, and I defy any photographer not to be impressed by the quality of file it can deliver when coupled with an equally exceptional fast Leica lens. It has a purity and a simplicity to its operation which places the photographer in complete control. You need to consider every step, every setting but the rewards are more than worthwhile.

I would strongly urge you to click on each image to view a larger version. This post is all about ‘detail’ and it’s only by looking at a bigger version that you will truly appreciate the output of the Leica Monochrom.

Snowdonia – A new gallery page

It’s hard to believe that three months have passed since I visited Snowdonia. I had a great time and after a lot of processing, curating and ten blog entries later, I have now put together a gallery page of what I consider to be my favourite images. The ones that take me straight back to a particular location. I can remember the time of day, the weather conditions and what I was trying to achieve when I took the shot. The gallery is here.

Pressing the shutter doesn’t work every time, far from it in fact, and my ‘keeper rate’ is probably no better than 1 in 50, but I am very happy with that. Sometimes the light wouldn’t be right, or the image would be badly composed or out of focus. Inevitably there would be many occasions when I didn’t select the correct camera settings, or quite simply I was trying to take a photograph when a good image never existed in the first place. But that’s the joy of photography.

I believe that each time you press the shutter you should learn something from the experience. That way I learn more from the ones I didn’t get right, as opposed to the ones that eventually find their way to the printer or onto this blog.

I have included some new images in this entry but the gallery itself is made up of 39 photographs, so do click here to visit the Snowdonia Gallery page.

I do hope to have the opportunity to return to Snowdonia later this year. It’s an inspiring and beautiful place for any visitor, let alone a photographer. The changing light and dramatic scenery are very special indeed.

Last but not least I would like to extend a big thank you to fellow WordPress blogger Andy Beal FRPS for organising and hosting an excellent and instructive workshop. To David Mills ARPS for his extensive knowledge of the area, and finally to the other participants for their company and good humour. Together we had a lot of fun and a week of photograph to remember.

If you want to visit any of the previous blog entries I have added all the links below, together with a thumbnail image to whet your appetite.

Snowdonia – It’s all about the light

Tryfan – a majestic mountain in Snowdonia

Creative use of depth of field in Snowdonia

The appeal of ‘light on dark’ in Snowdonia

Early morning in Snowdonia – with or without a tripod?

The old A5 – Nant Ffrancon valley in Snowdonia

Mist and missing Capel Curig – Happy New Year!

Dinorwic slate quarry – a harsh and inhospitable place.

Cwmorthin slate quarry in Snowdonia – the lower section

Cwmorthin slate quarry in Snowdonia – the upper section

Trees in the mist – an opportunity taken

It’s not very often that I am out and about with my camera when it’s misty. This may be because we don’t seem to experience these conditions very often. Alternatively it could just be that I am too lazy to get up early enough to take some shots, and before the rising sun has had a chance to mess things up!

A few days ago we had a lot of rain and after a cold, dry and still night I was hoping that we might get some mist the following morning. We did, and for once I was mentally prepared. My wife and I, together with our dog, went out for a walk and I had my camera. One camera, my Monochrom; just my 50mm Summilux prime lens to keep it simple, and these are the images I was able to make. I hope you like them.

To view a larger version, just click on an image and it will open in a new window.

Saul Leiter – an Exhibition at The Photographers’ Gallery in London

In a break from my own black and white photography, I am looking forward to seeing a retrospective exhibition of the work by Saul Leiter (1923 to 2013) at the Photographers’ Gallery in London. It starts this coming Friday, January 22nd, and runs until April 3rd, so there is plenty of time to plan a visit.

©Saul Leiter and courtesy Howard Greenberg Gallery

Nowadays everyone likes to think they are a street photographer, as everyone takes photographs on the street, so by definition they are a street photographer. That might be true to an extent, but simply taking photographs on the street doesn’t mean they make great photographs. Far from it in fact.

Saul Leiter was a marvellous photographer but widespread fame really only emerged in the 1980’s. Born in Pittsburgh in 1923 he moved to New York to be an artist, but in the 1940’s he started taking black and white photographs of his surroundings. For me and for many others he has left a legacy of some wonderful work. Although my passion is for mono, I particularly enjoy his colour photographs. Some of his most famous photos were shot in the 1950’s and 60’s. Rarely can the faces be seen, much is left to the viewers imagination, but the compositions and the use of shapes and colours are superb. There is both a painterly and almost semi abstract quality to his work.

I rather like this quote by the photographer himself.

“When we do not know why the photographer has taken a picture and when we do not know why we are looking at it, all of a sudden we discover something that we start seeing. I like this confusion.” Saul Leiter

In the year before Saul Leiter passed away, Tomas Leach made a film documentary called – ‘In No Great Hurry’ – 13 lessons in life with Saul Leiter. It was filmed as Saul Leiter drank coffee and tried to sort through a lifetime of photographs piled high in his New York Apartment. For those who are interested there is a short trailer below. I have yet to watch the film but I will definitely do so before visiting the exhibition.

I’m no street photographer, nor do I take many colour photographs, but if like me you can appreciate and be inspired by the work of a great photographer or artist, then I would suggest you try and find the time to visit The Photographers’ Gallery. Saul Leiter was in no great hurry, but I for one can’t wait to visit this exhibition.