abstraction | alan frost photography

When the rain falls and the water flows in County Kerry, Ireland

Although this above image is quite a simple one and minimalist in its nature, it does capture the power and movement of the water, which is in stark contrast to the stillness of the overhanging branch. It could be a metaphor for life; the frail looking branch, remaining strong and resolute, appearing to resist the forces of nature which might sweep it away.

Waterfalls are a popular subject for photographers although I can’t claim I’ve enjoyed much success in the past. Either the conditions haven’t been quite right, access has been challenging or I simply haven’t devoted sufficient time to the composition, selecting the best shutter speed etc.

For the first time I feel I have done justice to the subject with these four images.

Finding a pleasing composition wasn’t always easy. I felt a single rock provided a good focal point for my eye to rest on, whilst the swirling and fast moving water engulfed the one static element in the image.

Sometimes I didn’t feel a focal point was necessary. The more abstract nature of the above photograph I think works because of the pleasing pattern and shape created by the way the water is flowing in different directions.

And lastly a more traditional image of a different waterfall of a large rock splitting the flow of water. The surrounding wet rocks serve as a frame. They add texture and form to the photograph which I think works well in monochrome.

I have just returned home following a two week holiday in County Kerry, Ireland, the location for this set of images. It’s the first time my wife and I have visited the Emerald Isle. It was something of a gamble as we have endured a very wet winter in the UK and the weather was forecast to remain unsettled for the duration of our stay.

Undeterred, the conditions were promising from a photographic standpoint. Dark moody skies, dramatic light, skeletal winter trees and streams and rivers in spate.

I plan to share further images depicting the varied landscape of County Kerry in the very near future.

Driving through time at the Haynes Motor Museum

When photographing any subject it’s all too easy to fall into the trap of framing the picture to capture the whole thing. Nothing is omitted and a ‘bumper to bumper’ picture of a car can in truth be nothing more than a record shot. From a purely visual point of view the composition ends up being far too busy. Add a distracting background can only add to the confusion. This is particularly true in a museum where the four wheeled exhibits are displayed in close proximity to one another. There is little or no separation and the resultant photograph is almost invariably a disappointment. In a phrase it lacks viewer engagement.

Abstraction and knowing what to leave out, can I believe make for a much more interesting and pleasing image.

I recently made a second visit to the Haynes Motor Museum in Somerset, England. My photographic intentions were very clear.

I set out with the specific aim of making photographs which told a story and would in my view capture the essence of both the place and the wide range of cars on display. I wanted to make positive use of the artificial lighting. To work with what could be distracting sources of light and reflections. To embrace out of focus areas, to enhance the image, and adding a further layer of interest whenever possible.

I thoroughly enjoyed combining two of my passions in life – motor cars and photography. There are a huge variety of cars at the museum spanning all eras. With my camera and a selection of lenses I experimented with various settings in the hope of making some interesting black and white compositions.

You can be the judge of whether or not my approach was successful.

Moving along another path raises questions… or does it?

If you have read the last couple of entries on this blog you will know that I have started to ‘play’ with ICM photography. The technique is hardly new but it is new to me. However it is such a change from my usual style it has raised some interesting questions for me to consider.

Abstraction of Idsworth with ICM

Earlier this week I posted my first attempt at an image utililising intentional camera movement (ICM). You can read this entry here.

Since then I have identified and processed two other frames taken on the same outing.

Revisiting, reprocessing, creativity and honesty in an image

I like to be creative. I like to make an image, not just take a shot. I like to revisit frames taken a while ago, and sometimes I like to reprocess a shot because the first time round it didn’t really work out as I would have wanted…… and finally I like to be honest with myself and the viewer as to how the photograph was made. All of this requires a little more explanation.