50mm Summilux | alan frost photography

Keeping it simple at Langstone Harbour

In recent days I have tried to simplify my approach to image taking. Let me explain. I have been out and about walking and exploring the footpaths that surround Chichester Harbour. I have taken with me the following: A Leica Monochrom and just one lens; a Leica 50mm Summilux f1.4. A spare battery just in case. A three stop ND filter should I want to shoot wide open in bright light, a shoulder strap for comfort and finally a microfibre cloth for cleaning the viewfinder – oh, and a 16GB SD card! This limited amount of equipment has been quite liberating and if anything stirs the creative juices as I look for images which work with one prime lens and in black and white of course. There have been times when a wider or longer lens would have been useful but I rather like a more minimalist approach.

In many ways the picture which accompanies this post of Chichester Harbour from Langstone is also very simple. It’s all about the clouds in the sky, a skyscape no less. An uncluttered horizon with a band of sea low in the frame, confirms a waterside location. There is no main point of interest but there is plenty to enjoy in the sky, with the various forms of cloud constantly changing with the light and moving in the breeze. I have kept processing to a minimum as well. A minor crop to place the horizon. An adjustment for levels, whilst adding a little contrast to bring out some detail. Lastly the removal of some dust spots on the sensor. Job done.

Just before the dark – take 2

This line of trees appeared in my last post ‘Just before the dark’ and I decided to return to the same place a couple of days ago as the late afternoon light and cloud formations suggested the possibility of a colourful sunset. As you can see from these three pictures I was not to be disappointed.

Sunsets are such a popular subject for photographs and it’s easy to understand why. In fact its something of a cliche, but the sheer variety of colours on display is nature at its best, so it’s very hard to resist getting out the camera and releasing the shutter a few times.

The most dramatic skies often appear just after the sun has dipped below the horizon. By this time there is less chance of a blown out area in the frame, as the sensor struggles to cope with the dynamic range of the scene. The light though was fading fast, so a monopod or tripod helps, but both are clumsy items to have with you on a dog walk, so these shots were all handheld. I left the aperture nearly wide open as I wasn’t too worried about depth of field as there was nothing in the foreground which needed to be sharp.