Posts from the ‘Photography’ category

Protection – Sand dunes at East Head

Protection

Protection

I seem to have spent a fair amount of time down at East Head in West Wittering recently. The sand dunes and large areas of beach when combined with ‘big’ skies  provide me with so many scenes to photograph. The low light at the end the day is a great time to be there; more so, if a weather front is just passing through. In this image the last rays of sunlight are illuminating the old and rickety dunes fence, one of the last of its type at East Head. There are now more metal posts and wires which are far less attractive from a photographer’s point of view.

These sand fences are put in place to protect the dunes from erosion by reducing wind speed across the sand surface and encourage foredune deposition. They also help to control public access, but for me they quite simply provide some excellent foreground interest in a photograph which is always going to be enhanced by a dramatic sky.

I read a quote by Ansel Adams the other day which read. “Sometimes I do get to places just when God is ready to have somebody click the shutter”. I think this might just have been one of those occassions.

Do click on the image itself to view a larger version.

 

Tranquility at East Head

Tranquility at East Head

Tranquility at East Head

There are many subjects which I enjoy photographing but seascapes are a particular favourite of mine. There is something about a deserted beach at low tide when the wet sand reflects the clouds in the sky above. There is a sense of calm and tranquility in this image, even though this might quickly change, as circling rain clouds threaten to alter the scene.

Whilst black and white is my preferred style, I am beginning to find that the introduction of subtle colours adds another dimension to an image and this is certainly true of this shot. The almost painterly quality in the sky is lost without the combination of the blue and grey hues. A hint of ochre in the sand is also important to the overall feel and mood. This colour palette is I think rather pleasing and I hope you agree.

East Head is owned by The National Trust, so for more information about this rather beautiful location on the South Coast do click here.

Here are two more posts which also feature East Head –

Low tide at East Head

Gathering storm at East Head

 

 

 

Churches Project no.8 – St Mary Magdalene Chapel, Chichester Cathedral

St Mary Magdalene Chapel

 

My Churches Project has been rather quiet of late; in fact it’s nearly 3 months since I posted anything new, but I now have more time on my hands so I can start visiting and photographing the many churches and Cathedrals I wish to visit.

To get things underway here is an image taken this week of St Mary Magdalene Chapel in Chichester Cathedral, West Sussex. The main feature is a painting by Graham Sutherland (1903 -1980) entitled Noli me tangere (Touch me not or Do not hold me). Painted in 1961 it depicts Christ appearing to Mary Magdalene on the first Easter morning.

I like the beautiful and quiet simplicity of this chapel – The polished stone table covered with a pure white cloth. The two candlesticks on each side and the modern painting set against the aged stone of the Cathedral.

Do click on the image to view a larger version and be able to see more detail particularly of the painting itself.

 

“Sharpness is a bourgeois concept” – Henri Cartier-Bresson

 

There are many quotes attributed to Henri Cartier-Bresson, one of them being that – “Sharpness is a bourgeois concept”. With this image I have taken his saying quite literally. To an extreme in fact because there is absolutely nothing sharp or in focus anywhere in the frame. As a consequence this picture is sure to divide opinion.

When I took the shot I quite deliberatly adjusted the focus ring to give me an out of focus image. It was also shot with a wide aperture opening to minimise the depth of field, further ensuring a blurred image. The light was reasonably good and with a maximum shutter speed on my camera of 1/4000th of a second, I had to use a 3 stop ND filter to avoid blown highlights. In processing I added grain, a vignette and split toned the image.

Ignoring the complete lack of any sharpness the viewer can still discern a man, virtually a silhouette, standing on the beach watching his dog standing in the water. The ripples of the sea along the foreshore and the distant land mass on the horizon provide a sense of depth, and the placement of the man and his dog on the intersection of the thirds gives balance to the overall composition. There is also a triangle which is formed from the man’s head, out to the dog and back to the man’s feet.

I know this is what might be described as a ‘marmite’ shot – you either love it or hate it. Or perhaps you simply can’t understand why the photographer couldn’t at the very least focus his camera properly!

So does this image appeal to the viewer or is it quickly rejected for being technically poor because nothing is sharp, even though that was my intention at the outset? Does this very soft image portray a mood or feeling which would be non existent if the image had been sharp from front to back? There are so many questions and in my view there are no right or wrong answers. It’s my creative vision of a simple scene – one man and his dog, alone on the shoreline…..and the rest is down to your interpretation and imagination.

As always your comments and thoughts on this post would be most welcome.

 

Roses by the window – inspired by Josef Sudek

Recently I came across an image I had taken back in 2014 of a bunch of roses in a vase. They were on a window sill with rain drops on the window glass. I remember taking the shot with a large aperture opening to give me a narrow depth of field. Only one rose is truly in focus, so the overall effect is quite soft, but this works for me.

 

Roses by the window

 

When making this image I was reminded and influenced by the work by Josef Sudek. I particularly enjoy and admire his photography and his creative use of light in an image. A Czech photographer, he was born in 1896 and spent most of his life in Prague. He died in 1976. A year or so ago I was given a book of his work called ‘ Josef Sudek – Legacy of a Deeper Vision’. A beautifully produced book with many fine plates of his photography. (See a picture of the front cover below).

 

 

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I was first drawn to his work when I saw his pictures of St Vitus Cathedral in Prague and later I enjoyed a series of photographs taken from the inside his studio which he called ‘The Window of my Atelier’. Condensation on the inside of the window or rain drops on the outside would often be a feature of this work. He would also make images of simple objects he had in his studio, an empty glass, an egg or a small vase of flowers. They were sometimes placed on a window sill and making the most of the light he would produce some very effective and almost ‘poetic’ photographs. He unquestionably made the best use of his immediate surroundings.

I have included a pictures of a couple of plates from the book, by way of examples of his work.

 

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I seem to be spending a fair amount of time at the moment considering a variety of projects which I think could prove interesting. I already have my Churches Project underway and this will continue, but there are a number of others that could well occupy my time in the months ahead. As part of this period of consideration and planning, I like to study the work of other artists and photographers. This can be beneficial in a number of ways. It can certainly inspire, influence and be thought provoking; all of which can only aid creativity and help define the path ahead.

From all of this it would appear my approach to photography is going through a contemplative stage. I believe it’s all part of an ongoing process which aids the development of your own style and vision. What might be a good idea today, is often challenged by a counter thought the next – and so the process unfolds until the original concept is either scrapped or possibly pursued to a conclusion. With nothing decided it can be a little frustrating at times, particularly when the outlook is less than clear, but ultimately I think the results of this planning stage will prove rewarding.

You can see more of Sudek’s photographs by clicking on this link to my Pinterest board of his work