monochrome | alan frost photography

Posts from the ‘monochrome’ category

ABC of Camerawork course with Andy Beel in Bath

The Circus, Bath

This time last week my wife and I took part in a photography workshop called the ABC of Camerawork which was run by Andy Beel FRPS, a Bristol based photographer who is renowned for his black and white photography. The course took place in the beautiful city of Bath in Somerset.

As well as my wife and I, there were four other particpants all from Dorchester Camera Club. We met up with Andy in the cafe above Waterstones bookshop in Milsom Street. Over coffee and a croissant he introduced himself and soon established our photographic abilities and what we would like to get out of the day. From my point of view I was keen to use depth of field in a more creative way.

Barn on a Hill – Colour or Mono?

Sometimes, just sometimes, I take a photograph which I think works well in black and white as well as in colour. It doesn’t happen very often as the vast majority of the time I look to take an image which I can convert into monochrome, but inevitably there are going to be occassions when stripping the colour away is almost sacrilege given the subject matter of the image.

When down in Dorset the other week I took one such photograph which I have called ‘Barn on a hill’. My default is always to convert to mono and the finished result is shown below.

‘Barn on a hill’ in mono.

Restoring all the colour and processing the image in an alternative way gives me a completely different picture.

‘Barn on a hill’ in colour

Personally I think both have their merits. In fact I decided to upload the mono version to 500px. Up until now I have always used Flickr for my online presence, so this was the first of my photographs to appear on 500px. Within the space of an hour or two it rose from ‘Fresh’ to ‘Upcoming’ before being graded as ‘Popular’, which I assume is similar to ‘Explore’ on Flickr. It’s pulse (a measure of how popular an image is on 500px) rose to 97.9 out of 100 and to date has 132 ‘likes’ and 60 ‘favs’. I quite like the way 500px measures the activity and popularity of a photograph; it’s certainly a different approach to how Flickr operates.

Anyway enough of stats and back to photography and I ask myself one simple question. Should I process and keep more colour images and not always be looking at the world in black and white? In this case the appeal of colour is too great to ignore, but of the two I still prefer the mono version, so I guess that’s the answer to my question!

A week on and it’s back to South Stoke

Towards South Stoke

There is nothing quite like revisiting a location to get to know it better. To explore an area, follow different paths, observe how the view can change from one position to another and of course if you are taking landscape images then on two days the weather and lighting are never going to be the same. It is impossible to take the same shot twice.

And so having spent an enjoyable time on a very dull overcast day by The River Arun at South Stoke the weekend before last, I decided to return a week later. This time the weather was more favourable, still generally overcast but with more dramatic cloud formations. I chose to walk down the west side of the river. Before leaving home I had already checked out a map of the area and noticed that there was a bend in the river and this might be a good position to take a shot looking up the river towards South Stoke. I encountered quite a few cattle on the way but within ten minutes I arrived at my chosen position. I was not disappointed. Tripod, camera and filters set up I took the photo which heads this post.

Totally different to the images from the previous week, yet all taken in the same area.

By way of a reminder here is another image taken two weeks ago, this time looking down river from South Stoke and taken from the bank on the east side the Arun.

The River Arun

Looking through the archives – Dunes Fence

Dunes Fence

There are occasions when I will look through my back catalogue and come across an image which I have not processed before. It can be fun, a voyage of discovery as I search through various folders hidden away in Lightroom, my default workflow program which I have used since 2009.

The above image of a fence on the dunes at East Head in West Wittering was taken in October 2012. When I first opened the shot, I thought it had promise and I immediately applied a square crop to the portrait 3×2 aspect ratio, as there was too much foreground and too much sky above the clouds. I also decided that I would process the image in a different way to my usual approach. After a quick black and white conversion in Lightroom, I exported the file into Photoshop, created a duplicate layer and smart object so that I could continue working on the image in Silver Efex Pro2.

After a few minutes of processing in Silver Efex, which included adding a ‘coffee’ tone, I returned to Photoshop for some fine tuning and the finished result heads this entry. Total processing time about 15 minutes.

For me I enjoyed returning to a set of photographs taken about 18 months ago. Reliving the memories of a wonderful afternoon on the sands and the lovely cloud formations which are of course a key feature of this particular shot. I very rarely delete any photographs from my catalogue, unless they are obvious duds from the outset, and this is the reason why. Going back in time can reveal some new images which have some merit and are worth looking at in a fresh light, using perhaps some newly acquired processing skills to create an image which can be classified a ‘keeper’.

Pool abstracts at Playa Blanca

Pool steps abstract

In my last two entries I took a different approach to my photography by abstracting detail and observing how light and shade could aid the composition. In this entry I have included a third element, which is water, and how reflected light can add another dimension to an abstract image.

Poolside abstract

Ripples in the pool abstract

Steps in the pool abstract

All these images, including those in the last two entries are definitely a departure for me from my usual style. A new experimental approach, challenging the way I see my surroundings and breaking out of my ‘comfort zone’. I believe this practice is an essential part of the photographic learning process. Not to be confined by subject matter or a certain style of photography. Trying new things, whilst enjoying and benefiting from the experience. I believe these fresh ideas can be adapted and moulded to new work, so that lessons learned in the past can be applied to images still to be taken. That’s the theory, and I am excited to see how my photography develops in practice in the months ahead.

The previous entries in this short series are:

Playing with the light at Playa Blanca
A fan of shadows at Playa Blanca