I love the way this tree has been shaped by the prevailing wind.
The branches appear to be reaching out, as if they are trying to grab hold of something, just anything, whilst the invisible roots grow deep and long, clinging to the earth below, preventing the tree from being torn out of the ground when the next wind blows.
To view a larger version, please click on the image which will open in a new window.
Highland cow
Sometimes, but certainly not always, I have a clear idea of the image I am trying to make even before I set out to take the photograph. This portrait of a Highland cow is a case in point.
From a lighting point of view I knew that I wanted the subject to be side/back lit, with bright sun to provide shadow areas and lots of contrast; although I was quite sure I would be adding more in post processing. The background also needed to be quite dark, so that the illuminated silhouette and backlit hairs of the animal would stand out. Compositionally I thought portrait would work better than a landscape, nor did I want to include the whole head or indeed both horns. As magnificent as they are one horn would be sufficient.
When it came to taking the shot, I deliberately included more in the frame so that I could crop later. I chose an aperture which would hopefully give me enough depth of field so that the nostrils, horn and hair on the top of the head were all sharp, but the neck or any visible part of the body were out of focus.
In many ways deciding what I wanted from the shot was easier than taking it! Animals move, they don’t pose for the photographer, The lighting was critical so the cow had to be facing the right way and just at the point when you are about to release the shutter, their head turns away and you have to be patient for the next opportunity. I took a number of shots which were out of focus, poorly composed or the background too confusing. There was a fence between me and the small herd of cattle, so I was restricted in my movement, but I felt more comfortable than being in the field with them! Finally I thought I had captured something which I could work on and you have now seen the end result.
These wonderful creatures are full of character. You sort of know that they can see you even though their long hair prevents you from seeing their eyes. They know you are there, wondering why you want to point this black object in their faces. However their initial curiosity does bring them nearer to you, before they decide that grazing on grass and straw is more interesting than a photographer who wants to turn his imagination into reality.
This image was taken with a Leica M Monochrom and 90mm Summarit f2.4 lens at f4, 1/2500 and ISO 320.
Do click on the image to view a larger version, particularly if you want to see the level of detail which has been captured.
A couple of days ago I posted an entry depicting the people, light and their shadows inside this same venue. You can read my words and see the images here.
When I first arrived at Tate Modern I was fascinated by the way the afternoon sun came through the vast roof light above me and the tall vertical windows in the west wall. Together they created many interesting shadows and patterns of light on the building’s structure, the textured concrete floor and in some cases the reflective surfaces enclosing the Turbine Hall. For your information this hall is 152m long and 35m high; it’s huge.
I liked the view at the head of this post, but I did wonder what it would be like if taken at ground level. The next shot is looking into the same corner of the hall, but has a more abstract feel to it.
It was then that I noticed the light and shadows falling on the floor being mirrored in the the ‘polished’ wall surface. Would a slightly different view point and a more abstract composition give me an image which truly bought all these elements together and what would be the result?
Here is the final image in this short series of three. You may wish to click on the picture to see a larger version.
It has a rather surreal look about it. There appears to be a layer of ‘floating light’, hanging above the floor. It’s an optical illusion of course but the way the light and shadows are being mirrored produces this effect and for me this is the most visually interesting of the three.
Here are two other photographs taken inside the Turbine Hall.
Here again I like the way the people behind the glass are distorted whilst the light makes interesting patterns, adding further interest to the overall composition.
Finally here is a shot looking towards the tall vertical windows. Taken through glass the reflection of the hand rail is distorted and a small figure stands alone in the bottom left hand corner. A point of interest but also necessary to give scale to the image.
I only spent an hour or so wandering around, but I am inspired to go back. Arrive early and leave late – Watching, observing and waiting for the light to change direction and intensity during the course of the day. Waiting for a suitable person or a group of people to be in the optimum place, moving in the right direction to enhance the composition. When all these ingredients come together I will press the shutter, and who knows what the results may be. I can’t wait to return!
All the images in this post were taken with the Leica M Monochrom using a Leica 90mm f2.4 Summarit lens, processed in Lightroom and Silver Efex Pro. Do click on any of the photos to view a larger version.
Light worker
Occasionally I travel to London for a business meeting. It doesn’t happen very often but when it does, I like to make the most of the day and if time permits take a few shots before the train journey back home.
Earlier this week I found myself in the City, so I decided to visit Tate Modern. Not for the artworks but for the Turbine Hall, a truly massive space, which previously housed electricity generators and is now used as a social space for art installations. I had been inspired to do so by fellow blogger Andy Hooker of LensScaper when he wrote about his visit to this very same place.
Although I had been to Tate Modern before it was never with the intention of taking photographs. You may say I am strange but on this occassion I was more interested in the building itself, its architecture, the people it attracts, than I was in the works of art on display. The light to me was as wonderful as the varied art this gallery has on show.
By the time the business of the day was over, it was quite late when I arrived, but I was very fortunate with the light. The sun had moved round to the west and its light was pouring in through large vertical windows casting long stripes of light on the heavily textured concrete floor. As visitors moved towards the exit it was interesting to see how perhaps sub consciously they would walk along the ‘light stripes’ as if they were being guided to the door.
I enjoyed watching and waiting as visitors and city workers moved around, just hoping that I would be in the right position to take the shot that I could picture in my minds eye.
Light follower
Light stripes
Light crossing
I hope you enjoy these images and in the days to come I will be posting a further entry which will include more pictures of the Turbine Hall itself.
All the images in this post were taken with the Leica M Monochrom using a Leica 90mm f2.4 Summarit lens, processed in Lightroom and Silver Efex Pro. Do click on any of the photos to view a larger version.
I have written before on the subject of Museums and Art Galleries in London. Here are just two posts which you might like to read.
Rich photo opportunities in London’s museums and galleries.
The Natural History Museum – without any nature!
The Bishop’s Cathedral
I have to admit that I don’t always have a camera with me, assuming of course I exclude my iPhone from that statement. Just occasionally as I get ready for another days work, I will throw (not literally) a camera bag into my car, believing that I may find a little time to take a few photographs on my way home and before the dinner is burnt! Sometimes this is because I specifically want to try something out which has come into my mind. I guess these thought processes inspire me to make that little extra effort to take some shots.
This sequence of events happened earlier this week. I wanted to use my 28mm f.2.8 lens as it isn’t attached to the camera that often. My default choice of lens is the 50mm f1.4 Summilux. It was a lovely bright evening with some light cloud cover. Bright enough for some shadows but not so bright to give me exposure problems. I headed for the city of Chichester and specifically Bishop’s Palace Gardens, which offers fine views of the Cathedral.
I found a position which I thought would give me a good composition. Held in the vertical position the viewfinder of the Leica Monochrom is not that easy to use. I wear glasses and the frame lines for the 28mm are in the extreme corners, so I have to move my eye or the camera around to compose the shot. I have to say there is a little guesswork involved and I try and allow a margin for error so I can crop later if I wish to. A quick look at the screen on the back of the camera tells me whether or not I need to have another go!
The other slight issue that evening was the sky. It looked a little bland but I could see some blue patches so I attached an orange filter to darken these areas and add interest to the sky. Yes an orange filter on a digital camera – something that only works with the Monochrom. Its sensor only records luminance and not colour, so a colour filter works in exactly the same way as it would with black and white film. I like to get as much right in camera as I can and not rely on heavy post processing. Having to think about what I want the finished result to look like before pressing the shutter, is I believe a healthy discipline and will improve your photography.
I am pleased with the final result. The lighting on the cathedral and gardens could not have been better. The 28mm is only moderately wide so does not distort the view. The use of the orange filter provided more detail and interest in the sky which is an important part of the overall composition. I cropped the image from the native 3 x 2, to 5 x 4. I prefer this aspect ratio, it is more balanced to me. Its an image that I will almost certainly print, maybe quite large but that’s for another day.
Thanks for looking and I hope you enjoy this photograph as much as I enjoyed making it.
Do click on the picture for a larger view.
alan frost photography 