alan frost photography

The Natural History Museum – without any nature!

In my last entry I wrote about the Genesis Exhibition by Sebastiao Salgado at the Natural History Museum in London, which as I have already said, was remarkable and well worth the visit. I have been to this museum on a number of occasions, although not for some years, but I have to say there are only so many times I can be impressed by dinosaur bones and to put it crudely, ‘stuffed’ animals. I love nature but taxidermy leaves me rather cold. However, apart from the Genesis exhibition, my visit was enhanced by the building itself and in particular, the way the sun light came through the glazed roof panels illuminating the interior architecture and the people as they moved around.

Never one to leave my camera at home I wanted to see if I could capture something of what I saw, as other people enjoyed the reason why most members of the public would come and visit this tourist attraction. So here are the results –

These arches are just above the statue of Darwin. As I stood to compose the shot, there were a large number of people photographing Darwin and I just wonder how long I would have had to wait before someone took a similar picture to the one above. I just love the way the light was falling on to the carved columns of the arches.

The museum was quite crowded so I had to wait a while for the staircase to be clear of visitors. My patience was I think rewarded.

These arches were above the cafe and I was attracted to the shaft of sun light as it lit up the columns from the roof lights above.

……..and now for some people shots.

The images below were taken from the gallery above the main foyer. Packed with people it was difficult to isolate one individual. The bright light only lasted a few minutes as it threw shadows on the floor but I am pleased with the two images uncluttered by passers by.

Pointing

Alone

…….and lastly the great man himself.

The statue of Charles Darwin, the author of the ‘Origin of Species’,

(taken I hope, from the non tourist angle!)

This is a reminder for me that there is so much to see everywhere I go – not just the obvious, as would have been the case here with the animals and other nature subjects etc, but alternative, even unexpected opportunities to add to my ever growing collection of monochrome photographs.

Sebastiao Salgado – Genesis Exhibition

A week or so ago I was reading in Andy Beel’s blog about an exhibition called Genesis by Sebastiao Salgado at the Natural History Museum in London. I had already planned to visit the capital for an ARPS Advisory day in Greenwich, so I thought it would make sense and take this opportunity to see for myself why Andy Beel had described the exhibition as follows – ‘This is undoubtedly the most stunning photography exhibition in any genre you will see this year or in this decade.’ Having been to see the Ansel Adams exhibition some months earlier I thought that this was a pretty bold statement, but it was fully justified. There are over 200 photographs, all in black and white, which were quite superb.

Genesis Exhibition

On the Natural History Museum website Salgado is quoted as saying – ‘Many of us live in cities, cut off completely from the planet. My wish was to experience living with people with real links to nature… For me to back to nature was a huge pleasure. I wished to present the planet in my language, photography. And so came to Genesis.’

Sebastiao Salgado

The ‘Genesis’ project spans 8 years of Sebastiao Salgado’s life and work. During this time he visited 32 countries and some of the wildest and remotest places imaginable; capturing dramatic landscapes, the wildlife and the indigenous people of these unspoilt areas. Salgado is a Brazilian born social documentary photographer and photojournalist. As well as his photography, he has devoted much of his life to the restoration of the Atlantic Forest in Brazil, turning a small area into a nature reserve dedicated to a mission of reforestation, conservation and environmental education. The reserve is called Instituto Terra.

This exhibition is a ‘tour de force’. Incredible images, some printed very large, many of which just take your breath away. It was hard for me to contemplate the fact that these people and places exist on the same planet as I do. Simply click here or on the image below to see examples of his ‘Genesis’ work and I hope that you will be inspired and motivated to visit the exhibition for yourself.

As a very keen black and white photographer, I was also interested in how the images were presented, their overall look, how they were processed and printed, and not just to be taken in by the subject matter. The photographs exhibited quite a lot of grain which lead me to think that he worked with film and not digitally. I am no expert and have never developed or printed a roll of film in my life but this seemed to be a reasonable assumption. I decided to undertake some research and found out that Salgado used a black and white film called Kodak Tri X 400, which was first introduced back in the 1950s. More recently though he has switched to the digital environment but to maintain the film like look of his photographs, he uses software called DxO Film pack. There is a testimonial by Salagdo on the DxO website supporting his use of the product. I found this discovery most interesting and it got me think about my own work.

The Collectors Limited Edition Genesis book

I mentioned earlier that my very reason for visiting London was to attend an ARPS advisory day, as I am still intent on working on a project which would result in a panel of work to give me an Associateship Distinction with the Royal Photographic Society. The combination of the two events gave me some inspiration. Could I prepare a body of work based on the Goodwood Revival, a annual historic motor racing event, and process the images to give them the classical look of black and white photographs of the 1950s and 60s? The event itself is a throw back to this period. So if my images were to reflect this fact, and I tried to emulate the look and feel of the photography of the period, there might be a harmony between the subject matter and the panel of work. I will be going to the Revival Meeting in September and in the meantime I will be giving this idea further consideration. I have already downloaded the trial version of the DxO Film Pack software and I know I will be ‘blogging’ about this in due course.

The Exhibition at the Natural History Museum

Enough of my aspirations and back to the ‘Genesis’ exhibition. Dont miss it! The Natural History Museum has played host to the world premiere of this remarkable exhibition which runs until the 8th September. Do note you need to book online in advance.

On the Way

In April 2011 The South Downs became a National Park. Designated an Area of Outstanding Natural Beauty along the south coast of England, the Park is spread over three counties, Hampshire, West Sussex and East Sussex. It covers a total area of 1600km2 and more than 110,000 people live within its boundaries.

The Park is also home to a National Trail or long distance footpath known as the South Downs Way, which is 160km or 100 miles in length. It starts in the city of Winchester in the west and finishes at the western end of the promenade in Eastbourne.

I am fortunate to live just outside the National Park boundary but it only takes a few minutes in the car and I can be in the heart of of this beautiful part of the world.

Whilst I love to travel further afield with my camera and explore areas such as Scotland or The Lake District, there is plenty to see and photograph right on my doorstep. So a few days ago I decided to walk a section of the South Downs Way. Starting in the car park to the south of Cocking Village I headed west to the tiny hamlet of Hooksway and then returned to Cocking. The walk was just under 11 miles and the scenery along the route was typical of the chalk downland which forms the escarpment of the South Downs.

Here are some images from the walk.

Heading towards the Village of Cocking

On the Way

Still heading up hill on the Way

A sign post on the Way

All the photographs were taken using the Olympus OMD EM5 and Panasonic 12-35mm f2.8 lens. The wonderful clouds made these images what they are. I did not use a polariser but achieved the lovely contrast in the skies in post processing.

A reminder of a different Summer

As I type this entry the sun is shining and for once we are enjoying a wonderful summer of dry days and very warm temperatures. This was not the case back in 2010 when we went to Wales for our ‘summer’ holiday. We were staying in a cottage in Ceredigion, in mid Wales. The countryside all around was very beautiful but it was largely overcast and wet. Certainly very different to the weather we have enjoyed in recent weeks. Nevertheless these conditions can provide some good photographic opportunities, as the picture below illustrates.

Three sheep on a Welsh hillside

When this shot was taken (in the first week of August of 2010) I was only just beginning my interest in photography and everything was taken in colour, not black and white. Looking back through the archives I found this image. In colour it really had very little going for it, but when converted to monochrome the three sheep stand out and the rain clouds circling the surrounding hills were typical of the conditions we experienced.

Although I love Scotland, Wales is a little nearer, so I hope it will not be long before I can return and explore the hills and coastline of this unspoilt country.

My first A2 print, mounted and framed

A few weeks ago I invested in a new printer, the Epson 3880, as it is able to produce exceptional black and white prints. It can print pretty well in colour too! One of the other main advantages of this particular model is that it can also print on A2 paper as well. My previous printer would only print to a maximum paper size of A3.

I knew it wouldn’t be long before I would want to test its capability to print large. The timing of my purchase was very fortunate because it coincided with some friends wanting a large print for the study in their house. They selected my image ‘Private keep off’ a monochrome picture of an old boat near Dell Quay in Chichester Harbour.

‘Private keep off’

Before I could make a print I had to decide on which photo paper to use. I had been pleased with the results from the Fotospeed test pack but the Platinum Lustre Fine Art paper was going to be a very expensive option. I also very much liked Fotospeed Platinum Matt Fine Art paper, which would not suit all work but for the right image it would be a very good alternative.

Having used Ilford Smooth Pearl paper I decided it would be worth trying a relatively new paper by Ilford – their Galerie Prestige Gold Mono Silk specifically made for black and white prints. I therefore contacted a company called the Online Paper Company to see whether or not they would supply me with an A4 sample sheet which they did. It arrived in the post a couple of days later and I ran a test print and compared the result with some other papers. I decided that in the future this would be my paper of choice so I ordered a pack of A2 and A3 plus, together with an A3 plus pack of Fotospeed Platinum Matt. I believe these papers will serve me well in the future. So will the Online Paper Company – their service was excellent and very efficient.

Ilford Gold Mono Silk

Fotospeed Platinum Matt

I used the Gold Mono Silk to produce my first A2 print. The timer on my iPhone showed that it had taken just under 21 minutes. The result was in my opinion excellent. I was delighted.

‘Private keep off’ emerges from the printer in just under 21 minutes.

I had already purchased a frame (80cm x 60cm or 31″ x 24″) and the mount card. The finished result is shown below. I included the wall light to try and give a sense of scale.

Our friends collected the framed photograph and sent an email later in the same day. I quote ‘Hung up the photo – it looks excellent!’. I shall look forward to seeing it for myself in the near future.

Big is not necessarily beautiful but a large print in a suitable frame definitely has impact. I am planning to exhibit some of my work in a local Art Trail next year, so I have now bought four more large frames, if only to generate something of a ‘wow’ factor. I now can’t wait before pressing print again and seeing another A2 image slowly emerge from the Epson 3880. The question is which images shall I choose? Decisions, decisions!