Posts tagged ‘West Sussex’

Churches Project no 18 – St Botolphs, Botolphs, West Sussex

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A gate and pathway lead up to St Botolph’s Church

 

The Church of St Botolph’s stands in a small hamlet to the south of Steyning, in West Sussex. It lies close to the River Adur and is virtually on the South Downs Way, so many walkers stop to take a rest and enjoy the peace and solitude of this ancient building. It’s a lovely setting with just a few houses for company, although 700 years ago it was at the heart of a bustling port and crossing place of the river. At one time it was known as St. Peter de Vetrie Ponte (St Peter of the Old Bridge). The church has its origins in Saxon times and is believed to date from 950. Large parts of the original church can still be seen today including the tall chancel arch and the south wall of the nave. This is another church maintained and cared for by The Churches Conservation Trust, so whilst still consecrated is rarely used for worship.

 

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A simple cross in a window in the Saxon south wall of the nave.

 

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Organ stops

 

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A large Crucifix hangs on the chancel arch which dates back to Saxon times.

 

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Looking up at Christ with the ancient Saxon wall as a backdrop.

 

A note for regular readers – I am very aware that I have not posted an entry relating to my ‘Churches Project’ for at least a couple of months. That doesn’t mean I have lost my enthusiasm; to the contrary, my desire to visit and photograph these historical and remote places of worship is just as great as it has ever been. Time though is limited and the summer months are not necessarily the best time of year to take exterior photographs, as the lighting can be very harsh. I am sure the autumn and winter will rectify the situation and normal service will soon be resumed!

As always do click on any of the images to view a larger version which will open in a new window.

 

 

 

 

 

People at the Goodwood Revival

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Each year the Goodwood Revival has a theme and this year was no exception. As you entered the circuit, a group of rowdy football fans could be heard shouting “C’mon England” whilst waving scarves and banners. Wind the clock back fifty years and The Revival was celebrating England winning the World Cup against Germany.

 

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Whether it’s the people, the cars, the planes or the many stands, there is just so much to see and enjoy. It’s like one big fancy dress party with the majority of people wearing clothes from the 1940’s, 50’s or 60’s. Quite frankly there is no other event like it in the world today.

 

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I have photographed this policeman and his wonderful vintage bicycle before and it was good to see him again. That’s the beauty of this event – you very often bump into the same people and they are always happy to stop and have a chat.

 

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I couldn’t resist taking a picture of this young lady astride a Harley Davidson, although quite what the ape was doing in the background I’m not sure!

 

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On the other side of the road from the circuit there are yet more stands, a huge marquee which stages the Bonhams Auction of cars and memorabilia, and a fairground.

 

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As always the Glamcab girls were there, always ready to smile and pose for the cameras.

 

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I will be posting a further selection of pictures very soon. In the meantime do click on any of these images to see a larger version.

For anyone interested, all these photgraphs were taken with a Leica M9-P, imported into Lightroom and then converted into monochrome using Silver Efex Pro 2.

The Dunes – requests for a mono conversion

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A few weeks ago I posted this image of The Dunes at East Head in colour. You can view it here. I had a number of comments, for which I am always grateful. They all had one thing in common – they expressed a desire to see a black and white version. Well here it is and I am pleased with the result, so thanks everyone for the suggestion.

I guess my only disappointment is that it was taken using an iPhone – nothing wrong with camera phones these days but when I came to processing the photograph, I just wish I had been able to work on an 18MB RAW file from my Leica Monochrom. The flexibility, dynamic range and the depth of detail from a full frame file would have been a joy to have at my disposal.

When the forecast is right I shall return with the Leica but I always remember that any photograph is capturing a moment in time which will never be repeated – and that’s why this hobby has such an enduring interest, as no two photographs can ever be the same.

Beach Huts – the humble garden shed by the sea.

Beach Huts

Beach Huts at Felpham

Beach huts are a common sight in many seaside resorts. They evolved from the wheeled bathing machines used by the Victorians to preserve their modesty. Often brightly coloured they take on various forms, but more often than not, they are quite simply the humble timber garden shed, sited on the seafront, in rows and rows, alongside their almost identical ‘brothers and sisters’. In some resorts they are owned and rented out by the local council; whereas others are privately owned and can command prices which are out of all proportion to their size, type of construction and their amenity. Location, location, location is the key phrase here.

The huts in the above shot are on a greensward adjoining the seafront in Felpham Village; a pretty area  just to the east of Bognor Regis on the south coast.

Taken on a very different day, the picture below shows the beach huts on the other side of Bognor Regis at Aldwick.

 

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Aldwick beach huts

 

At West Wittering, again in West Sussex, these huts enjoy a wonderful location.

 

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The shadows of huts at Wittering

 

……and perhaps my favourite beach huts are at Wells Next The Sea, on the North Norfolk coast.

 

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Wells Next The Sea

 

 

Shadows of Light

Shadows of Light

 

In my last post ‘Shadows of the Wanderer’, the shadows referred to people or refugees, whereas in this shot made on the same day, shadows are formed by the strong sunlight as it pierces through the leaded light mullioned windows of the cloisters in Chichester Cathedral.

To emphasise these shapes of light I have increased the contrast, darkened the foreground, obliterating any detail in the flagstone floor whilst retaining  minimal information in the wall and around the windows themselves.

Do click on the image to view a larger version which will open in a new window.