Posts tagged ‘rural documentary’

Flooded Meadows from regular storms and excessive rainfall

Continuing the theme of capturing scenes from my local area, or as I have written before; ‘Close to my back door’, an opportunity arose this week to photograph the water meadows adjoining the River Piddle in Dorset.

Whilst flooding is a regular occurrence at this time of year I have never seen the water levels reach this height before. With the ground well and truly saturated, more rainfall in the coming days and weeks will only bring about further flooding to the area.

I was particularly pleased to capture the last image in this set – a photograph of the church and its reflection. I am grateful to the farmer who allowed me access to his land to make these photographs possible.

Oh and by the way welly boots are an essential item for this type of photography!

Photography without limits…..welcome to 2026

At the start of a new year our thoughts inevitably turn to what we might like to achieve in the coming 12 months. Resolutions are often made but soon broken…or they are if you are anything like me. Sometimes we set ourselves targets or specific goals. All too often these are unrealistic and consequently never realised. This leads to a feeling of disappointment which is why I don’t set any for myself in the first place.

Whilst this is not a resolution I do wish to continue to document my local surroundings. I am fortunate to live in a rural part of the lovely county of Dorset. There are many honeypot locations nearby which most photographers will have visited at one time or another. Durdle Door, Corfe Castle and Kimmeridge Bay to name a few. They may be seeking ‘likes’ of course, even though the subject has been seen and captured thousands, if not millions of times before. But should that be the motivation? I think not. For me the images I wish to make are far from the atypical landscape shot from a location of this nature.

From my perspective no subject should be off limits. The composition or scene may be neither obviously beautiful or instantly recognisable but that shouldn’t deter me or any photographer from making an image. If the picture has something to say or forms part of a wider narrative then the camera should be turned on, lens selected and focused, settings chosen and shutter pressed.

The image shown in this post neatly sums up what I am trying to say. In fact it inspired me to make this entry. The subject is a de-restricted road sign, which at some time or another has been knocked over and left in a roadside verge diminishing its effectiveness and meaning. The out of focus old farm building in the background offers some context about its surroundings. But the principal subject is the road sign.

Strictly speaking the Highway Code states that this sign denotes that the National Speed Limit applies, although why anyone would want to drive at up to 60mph along a twisty narrow country lane I do not know.

The point of this entry is simply to encourage all photographers to make images of subjects that appeal to the individual behind the camera, and not be swayed by what they think is likely to appeal to an unknown audience.

My view is that we all need to de-restrict our minds and try not to define what does or doesn’t make a good image. It’s all about being honest and true to yourself. Making images which work and appeal to you. In the process these images will serve to define who you are as a photographer. In other words photography can and should be without limits.

And finally may I wish anyone who has read this far a very happy and healthy 2026.

Continuing to document the Dorset countryside … and loving the Leica Q3

Tractor barn
Tractor Barn

It’s only been a few weeks since I purchased my Leica Q3 and in that short period of time I have already grown to love this camera. I have become familiar with its controls and settings. I am really enjoying the 28mm field of view and my eye has quickly adapted to see potential compositions using this focal length. The addition of a hand and thumb grip plus a soft release button have improved the handling and it now feels very comfortable to hold and use. The files are simply stunning and the dynamic range of the sensor is unlike anything I have used in the past.

My collection of images of the Dorset countryside near to my home continues to grow. Here are just a few photographs I have made with the Leica Q3. Seeing these images on screen is one step away from making prints, and I am increasingly inspired to do so in the near future.

Tractor
Still in use?
Cattle, Dorset
Cattle at rest
Farm buildings, Dorset
Let’s store it here
Barn, Dorset
Rusty barn
Farm buildings
Late afternoon – West Farm
Keeping the bales dry

A simple signpost yet a symbol of an ever changing countryside

A few weeks ago I walked along a footpath, a path I had followed many times before. At the junction with another bridleway stood an old signpost. Years of weathering had caused the wood to deform and split. I suspect the post itself was rotten where it emerged from the ground. Layers of lichen and moss had partially covered the names of the nearby villages – Turners Puddle, Throop and Tolpuddle. The fingerpost had character, a patina which would only appear given the passage of time. It complemented the farmland backdrop.

This simple scene spoke to me; a reminder of all the people that had worked on the land and had walked or ridden a horse along the bridleway between these old Dorset settlements. It was more than worthy of a photograph and I am so pleased I did so.

I returned to this same location only yesterday and I was saddened to find the old sign had been removed. It had been replaced with a new post with plastic signage. To my eyes this new sign was bereft of personality. There was no inclusion now of village names. I had the feeling that it was symbolic of the urban environment encroaching on the beauty of the countryside.

I fully accept that the old sign wouldn’t have lasted forever and at some point it would need replacing. However a ‘like for like’ timber sign would in my view have been a more sympathetic choice. If only I had personally witnessed its removal. I think I would have asked the contractor if I could take it home with me and find it a new home in my garden.

This change clearly illustrates and reinforces why I choose to photograph the rural area around me. To record what I see knowing that change is inevitable. It will probably happen very slowly of course and in truth I suspect very little will actually change in my lifetime, but change it will. However given recent Government announcements, which are sure to affect the farming community here in the UK, I feel the pace of change will only accelerate.

A photograph is all about capturing a moment in time, so I need to go out with my camera and document what I see before it’s no longer there.

Photographic workflow – Part 3 ….. Processing in the digital darkroom ….. the before and after

In part two of this short series I wrote about my approach to image capture with a particular reference to my recent purchase of a Leica Q3. Buying a new camera is always an exciting time. I couldn’t wait to begin editing the first shots I had taken and to see for myself just how good the files are from a 60mp sensor when seen through a 28mm f1.7 Summilux fixed prime lens.

Full of eager anticipation I plugged the SD card into my laptop, downloaded the files into Capture One but was very disappointed with the results. Why you ask? Well I have to admit to a schoolboy error. Before buying the Q3 I didn’t check whether or not my version of Capture One would support the Q3 DNG RAW files. It didn’t; the RAW converter wasn’t compatible and I had no choice but to purchase and install the latest version of Capture One. Problem solved but I hadn’t allowed for this additional cost. Lesson learned I could now move on and start editing the files and I was blown away by the quality and detail. Everything I had read in various reviews was there on the screen in front of me.

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