alan frost photography

in monochrome with occasional colour lapses

Posts tagged ‘Pembrokeshire’

St David’s gravestones – light on the dearly departed

Photographers are drawn to many things. Decay in its various forms is a favourite, churchyards can be another. Without question though we are always drawn by the light, so when you combine old gravestones and shafts of early morning light, a certain fascination starts to develop in the photographer’s mind and it’s very hard to resist taking a few frames.

This set of three images were all captured In the churchyard which surrounds St David’s Cathedral in Pembrokeshire in Wales.

After a hearty breakfast in preparation for the day ahead, the early morning winter light was illuminating the headstones of the dearly departed and long shadows were being cast across the ground. Far from my usual style I used a ‘cool tone’ which you may or may not like but I think it suits the subject matter rather well. Do please comment and let me know what you think.

Whitesands Bay – The magical Golden Hour

17.09.47 – The Golden Hour begins

 

In the past couple of months I have been making more use of my Instagram account (@arfrost) and on it my profile reads – ‘A monochrome photographer with occasional colour lapses’. I think this sums up my approach to photography rather well, and this post is just that, a lapse into colour.

For many landscape photographers the ‘Golden Hour’ at the beginning or at the end of the day is one of the most popular times to be out with a camera. This set of images demonstrates rather well the reason why it can be a magical experience. The colour of the light is constantly changing and arguably the longer you wait, the greater the reward is likely to be.

 

17.24.03 Showing Potential

 

All of these images were taken from more or less the same position, looking out over Whitesands Bay in Pembrokeshire back in February this year. The first frame was taken at 17.10hrs and the last at just before 18.00hrs, a difference of just 50 minutes.

 

17.44.46 Jogger at dusk

 

17.54.10 Forty five minutes after the first frame

 

17.58.11 The Magical Golden Hour

 

As well as the glorious colour palettes the inclusion of people and in some cases their dogs as well, adds human interest to three of the five images, which appeals to me.

If you happen to find yourself in a wonderful location when the day is drawing to a close, and assuming you have the time to sit or stand and just wait; then there is no greater pleasure than to enjoy the ‘Golden Hour’. Whether you have a camera with you or not, the experience is hard to beat.

 

Pembrokeshire – A ‘letterbox’ view

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As I write this post the sun is shining and Summer is almost here but these four images depict a very different time of year. They were all taken on the same day back in February. Some may say a typical late winters day in Wales, when nobody in their right mind would be out with their camera. Mist, drizzle and poor visibility. However these conditions can be ideal for the monochrome photographer.

In all cases the native 3 x 2 crop of the 35mm sensor included too much sky, and with little or no interest in this part of the picture I have cropped each image to what might be described as a ‘letterbox’. The aspect ratio is about 3 x 1, but what really matters is whether or not the crop works compositionally, and I believe it does. Photography is often about what you choose to exclude from the frame to strengthen a picture, not just about what is included already.

In the first shot taken at Newgale Sands, I focused on the foreshore which has softened the figures, the sea and distant rocks. This has helped to emphasize the misty conditions. The couple and their dog are an essential part of the image. The provide scale and as they are the only people on the beach they serve to reinforce the fact that the weather was so poor keeping most sensible people indoors, but for dog walkers and photographers!

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After taking the first shot I looked behind me only to find a swathe of mobile homes which overlook this section of coastline. Very quiet at this time of year, and only coming to life when the weather improves and the holiday makers return.

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Moving further along the coast I stopped at Little Haven. Conditions remained the same and this time I wanted to capture the tidal movement of the sea. Resting the camera on a wall I used a ND filter to give me  a slow shutter speed, about 1.6 seconds. Several exposures where necessary to give me the look of the movement in the sea water I was after.

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Finally a shot of what I assume is a farmhouse taken at Marloes. A typical dwelling in this part of the world but what appealed to me was the telegraph poles and how they could be used to create what I think is a pleasing composition.

Each picture looks better larger, so do click on an image to view a larger version which will open in a new window.

 

Marloes, Pembrokeshire – soft proofing in Lightroom

Marloes

If you read my blog on a regular basis you will probably have noticed that although I work almost entirely in monochrome, rarely are my images in ‘pure’ black and white – in other words they are toned. Either with a single colour, or more recently I have used a split tone where the highlights are toned with one colour and the shadows are toned with a different colour. This split tone is easily applied in Lightroom and the balance between the two tones can also be adjusted.

 

Screen Shot 2017-05-31 at 18.06.17

 

Whilst I like the effect of split toning it does present me with a new problem, and that is one of printing. I very much enjoy the process of printing; in many ways it’s the rightful conclusion to everything that has gone before it. In the past printing a ‘pure’ black and white photograph was fairly straightforward from my point of view. The fact that my monitor wasn’t properly calibrated (good but not great) didn’t matter hugely to me; I could produce a perfectly acceptable print by observing the histogram, processing accordingly and adjusting the contrast to achieve the look I was after.

With split toning, however subtle the effect, I am now printing a ‘colour’ image, so what I see on the screen and how that image is produced in print becomes much more critical. The choice of paper (and there are now so many excellent photographic papers), use of the appropriate colour profile for printing, as well as having a correctly calibrated monitor, now all play a more important part than they did before.

For these reasons I started exploring the soft proofing panel in Lightroom which forms part of the ‘Develop’ mode. It is easily opened by pressing ‘S’ on the keyboard. From here you can select the colour profile for the paper you wish to use and select either perceptual or relative as the intent. From here Lightroom will create a virtual copy of the image with the colour profile and intent embedded. The name of the file/copy will include a reference to the colour profile, which is a very convenient feature for future reference. This is an invaluable benefit and one that Lightroom makes so easy. Depending on how the image changes its appearance in soft proofing you can go on to make the usual processing adjustments to the contrast, clarity, exposure etc so that the image reflects how you want the photo to be printed. By choosing a matt paper colour profile I found the proof copy was much ‘flatter’, it lacked contrast when compared to the original image. In processing I added back more contrast to the proof copy.

 

I do not own a device for calibrating my monitor and perhaps that is something I should acquire in the future. In the meantime I did use the Display Calibratior Assistant on my iMac and whilst not a precise tool, I have been able to calibrate my monitor to more closely represent what comes out of the printer.

 

 

There is no question that I still have more to learn regarding printing and with two exhibitions on the horizon this year; one in July and one in November, I am very keen to make a decision on my choice of paper and be able to produce consistent results. More test printing is required. I also know that Photoshop has a soft proofing feature and in time I may look into this as well but for the moment Lightroom seems to be a very straight forward way to achieve the results I am wanting.

I shall leave you with a few more images of Marloes in Pembrokeshire, Wales. Fortunately when I visited this location earlier in the year, the height of the tide was just about right – ideal conditions for some dramatic coastal photography.

 

 

 

 

Please note that I am using Lightroom 5 and I am not using the most recent operating system on my iMac, so the screen grabs may look different. To be frank I am not a great one for always upgrading to the latest software. If it works then I don’t feel the need to automatically change anything. I do realise this might get me into trouble one day but for now I’m very happy with what I’ve got and it works for me!

Whitesands Bay – late in the day

Whitesands

Taken on the first evening during my recent visit to Pembrokeshire, this shot was taken late in the day as the sun started to set. There were only a handful of other people about, all pleased to be at this rather lovely sandy bay.

It’s a location which is popular with surfers but on this occasion there was only one person with a board, but I like the separation and variety of the other characters in the picture. The man walking his dog, the young child running towards his or her mother who is looking out to sea. We do not know if there is a connection between this group of people. It doesn’t really matter, for they were doubtless enjoying their time there, just as much as I enjoyed the scene and taking a few frames.