Posts tagged ‘Michael Kenna’

Castle Hill Gardens ….. a nod to Michael Kenna perhaps?

I always remember a famous photographer (unfortunately I can’t remember who it was) saying –

‘Don’t buy more gear, buy more books by other photographers’.

I only have to look at my shelves and I clearly took this this advice to heart as I have quite a collection of photobooks, mainly by black and white photographers, and I very much enjoy leafing through them from cover to cover, looking and learning from the images on the pages.

Whether consciously or subconsciously it is my view that all photographers and artists are influenced by the work of others. To be in bubble and to develop your own personal style without ever have been affected by their art or imagery is nigh on an impossibility. If you are a creator then it is only natural that should be interested in the work of other creators. Whether you admire their work or not, the very act of looking at the photographs of well known photographers helps define the direction of your own style, and furthers your understanding and enjoyment of this art form.

In the early days of my photography I was akin to a sponge, soaking up ideas, techniques and learning for myself what I did and didn’t like about other photographer’s work. I have written before about the very distinctive imagery of Michael Kenna, who I have always admired although I haven’t looked through my books of his photographs for quite a long time.

Which brings me to this set of photographs all captured at Castle Hill Gardens on a recent stay in Devon. My wife and I stumbled by chance on this wonderful home and superb parkland gardens. From the moment I got out of the car, and I saw the grounds, in particular the statuary, it instantly reminded me of some photographs by Michael Kenna which I had seen in the past. I knew immediately the approach I would take to the composition and how I would process the images I wanted to make.

The square format, the shallow depth of field, the split tone sepia like tint and the addition of a little film like grain would all feature. We walked around the gardens and I regularly dived off in a different direction to seek out some compositions. Before processing the files I made a deliberate choice not to reach for the Kenna books, so that the results would be my own even though I fully admit to being heavily influenced by the memory of Michael Kenna’s interpretation of similar subjects.

Photographer or not Castle Hill Gardens are well worth a visit. We were there in September, loved the walk around the gardens and we were told that Spring is a particularly special time of year to visit. The Palladian style Castle Hill house has been the home of the Fortescue family since 1684 and the current custodians are the 17th generation to live on the estate. The estate extends to 5,100 acres, including the 50 acres of gardens surrounded by Grade 1 Listed Parkland.

I hope you enjoyed this collection of photographs even if they do bear a passing resemblance to the work of Michael Kenna – to be honest I would be very flattered if you thought this was the case.

You might also be interested to read this entry about an interview with Michael Kenna which I posted back in 2018.

Taking inspiration – An interview with Michael Kenna

I believe that all creative people, whether they are painters, sculptors or indeed photographers can be inspired by viewing the work of the most famous and successful artists in their field of expertise. It is why we visit galleries and exhibitions, buy books and maybe even purchase a piece of work if we are rich enough to do so. As well as viewing their work, I also enjoy reading what they have to say, listening to them talk or watching a presentation or an interview.

The internet is a fantastic and huge resource but the quality of videos posted can vary from the ‘I wish I hadn’t wasted my time’ to the ‘Truly excellent……. I would like to watch it again’. Today I watched a video on Vimeo which definitely falls into the latter category. The video is of Michael Kenna being interviewed by Catherine Edelman in 2016. Over a number of years her gallery in Chicago has regularly exhibited Kenna’s photographs  and they clearly have a strong working relationship.

 

 

Whether or not you like Michael Kenna’s work (and I do), I would suggest you make yourself a cup of coffee, or pour yourself a glass of wine, and sit down and watch what I found to be a very enjoyable and inspiring 50 minutes. In fact I would go so far to say that it is the best interview with Michael Kenna that I have discovered on the web and there are quite a few around.

I should point out that it ends rather abruptly, which was strange, but otherwise it was first class. I hope you enjoy it as much as I did.