Leica Q3 | alan frost photography

Photographer and subject drawn to the light ….. The story behind the picture recalls a quote by Henri Cartier-Bresson.

I have said this before, but much can be learned by studying the images of famous photographers whose work you admire. Similarly their writings can also encourage and inspire. I particularly enjoy reading quotations by some of my favourite photographers – Ansel Adams, Minor White and Henri Cartier-Bresson to name just three. I wholeheartedly recommend having a shelf full of photography books to revisit from time to time, browse at leisure and enjoy.

I took this image in Wells Cathedral in Somerset on Boxing Day, just a few days ago. Its capture reminded me of a quote by Cartier-Bresson that I recalled reading in the past. I couldn’t remember the exact words, only the sentiment. It didn’t take me long to find the quote and this is what he wrote:-

“Sometimes it happens that you stall, delay, wait for something to happen. Sometimes you have the feeling that here are all the makings of a picture – except for just one thing that seems to be missing. But what one thing? Perhaps someone suddenly walks into your range of view. You follow his progress through the viewfinder. You wait and wait, and then finally you press the button – and you depart with the feeling (though you don’t know why) that you’ve really got something.”

Let me now explain the story that lies behind this image. I hope you will find it interesting. I should begin by saying that Wells Cathedral is not only a place I have visited and photographed previously, but one which never ceases to inspire me to make images. I always find that I am drawn to how the light behaves; it’s almost as if it’s playing a magical tune.

As I wandered around I noticed how a low narrow shaft of light illuminated the stone floor and the base of a large pillar at the end a row of seats. The light was coming and going but I crouched down and adjusted my position to compose the image. I peered into the screen on the back of my camera and I didn’t have to wait very long before the brightest light returned to the scene.

Just as I was about to press the shutter, a lady walked into my field of view and sat down in the chair next to the pillar. A little frustrated I stood up, but then I guess intuition took over. I crouched down again, quickly recomposed and took the shot. Just the one release as I didn’t want to attract her attention and appear to be invading her privacy. It was only later that I could see that she had her head back and eyes closed!

I looked at the screen to review what I had captured. The camera’s exposure was set to protect the highlights, so much of the image was very dark and underexposed. I would have to wait until the image was downloaded to see whether or not I had a ‘keeper’. Something inside me made me feel rather excited to find out.

There is no question that initially I had been drawn to the scene by the light. Arguably the picture lacked a true focal point and I was aware that the modern chairs were rather out of keeping with the architecture. Nevertheless I felt it was a scene worth capturing. In truth though there was something missing, and that something walked into the viewfinder at precisely the right moment. I believe that she too had been drawn to the light. It was the Christmas season so quite possibly a light of a more spiritual nature.

Perhaps you can now understand why I recalled the quote by Cartier-Bresson…… it was almost an exact match for the image I made and my experience in doing so.

For previous posts on Wells Cathedral please click on the links below:

A quote by St. Francis of Assisi reminded me of Wells Cathedral.

A Monochrome Masterclass and a visit to Wells

Revisiting the majestic Wells Cathedral ….. to capture some details

The Chapter House – making amends for a missed opportunity

An early Christmas present from Leica – a firmware update (4.0.0) for Q3 and SL3, plus playing with Film Styles and Leica Looks

I don’t know about you, but most emails that arrive in my inbox are rubbish. Without opening them I hit the delete key. Occasionally one will jump out at me and my curiosity is awakened. This was most certainly the case when a couple of days ago I received an email from Leica announcing a major firmware upgrade for their Q3 and SL3 series of cameras. Many updates usually offer minor changes or bug fixes but firmware 4.0.0 was indeed a major upgrade particularly for the Q3.

Leica indicated the update would enhance performance and responsiveness, combined with faster and better autofocus capabilities. But the big change for me was the introduction of the interface and menu system from the SL3. I couldn’t wait to download the update and experience for myself the changes. Providing there are no bugs, these are very worthwhile improvements and will further enhance my enjoyment of the Leica Q3. Most definitely an unexpected and much appreciated Christmas present. Thank you Leica!

I always enjoy ‘playing’ and having reconnected the Q3 to the Leica Photos App, I thought it might be fun to download some of the ‘Leica Look’ JPEG only styles. I rarely if ever shoot JPEG, my default is always RAW so that I have the maximum possible control over image processing. However I thought I would compare the various JPEG options. Would any appeal to me?

Film Styles are already built into the camera menu, and the Leica Looks are downloadable from the Leica Photos App. There are a number to choose from but there are only six available slots in the camera.

I decided to visit a nearby church and took a series of external and interior images having selected each Film Style or Leica Look in turn – 11 baked in styles for JPEGs only. If I shot RAW as well this would not be affected. In all cases I used exactly the same settings and all the results can be viewed below.

Given my love for black and white I was particularly interested in the monochrome styles and I have to say of all of them I really like the ‘Greg Williams Leica Look’. It isn’t too contrasty, and the fairly subtle warm tone appeals to me. In the past I have used the Monochrome High Contrast film style to preview the look I am after but still shot RAW. I doubt I will ever use Selenium and the Sepia look is for me a little overdone but you can reduce the intensity of the style in camera prior to shooting so this may work.

Although I don’t normally work in colour I was interested to see how the various styles compared. Over to the colour workers reading this post to come to their own conclusions. Personal choice as always and some of the styles will work well for certain types of subject and lighting conditions and not for others.

And now for a set of interior shots using the same 11 film styles and looks.

Once again the ‘Greg Williams’ look works for me and this particular subject matter.

And here are the colour versions.

I think it’s fair to say that I have enjoyed this exercise. Whether or not I will start shooting RAW plus JPEG, coupled with one of the styles, I don’t know. At least I now have useful reference which will serve as a reminder of the looks available.

For anyone who is fortunate to own a Leica Q3 (28, 43 or Monochrom) or SL3 or SL3S, I can highly recommend the latest 4.0.0 firmware update. But before taking my word for it I would strongly suggest you check out the support section of the Leica website. I would also recommend viewing a couple of videos on YouTube on the Leica channel which will give you much more information.

I doubt I will post anything more before the 25th December so wherever you in the world and whatever your beliefs, may I wish you a very happy Festive Season and peaceful New Year.

(A quick aside – given the size of the images I would suggest viewing this post on a tablet or better still a desktop as opposed to a mobile device)

The Isles of Mull and Iona – Part two ….. Capturing the spirit of place

***White Strand of the Monks, Isle of Iona***

There are so many facets to these isles, to the point that trying to capture the spirit of the place with just a handful of images can’t possibly do it justice.

My wife and I have visited the Scottish Isles and in particular the Isle of Mull for over thirty years. However living on the South coast of England and travelling by car, means a minimum of two days on motorways, other stretches of tarmac and ferry crossings to reach our final destination. We take pleasure in the journey but we would probably visit more often if it wasn’t so far away. However being the distance it is does make it that much more special.

Admittedly accessibility is arguably the same for many people which does help to keep the number of visitors down. As a consequence places like Mull and Iona remain wild, beautiful and peaceful in equal measure.

In Part One of this short series I featured Iona Abbey. In this entry I will share a series of images captured during our week long stay back in the Spring. Apart from location they have little else in common but I hope they help to convey why and how much we love coming to this part of the world.

***A gate into the beach at Fionnphort with Iona in the far distance***

***Looking across the Sound of Iona, from Iona with Mull on the horizon***

***Redundant telephone box on the Ross of Mull***

***White Strand of the Monks, Iona ….. quite possibly my favourite and most magical place on the isle.***

***Please shut the gate, Near Kintra, Ross of Mull***

Be Ye Man or Ye Be Woman, Be Ye Going or Ye Be Coming

Be Ye Early or Be Ye Late, Aye Tak Time to Shut the Gate

***Ardalanish beach – looking out to the Paps of Jura, Isle of Mull***

***Petrol station – they are few and far between***

***The Paps of Jura on the skyline from Ardalanish beach***

***Highland cattle at Fionnphort – even they like a visit to the beach!***

I shall finish with a Gaelic saying which was on inscribed on a wall in the Abbey which read;

‘Am fear a thèid a dh’l, thèid e trì uairean an.’

It means –

Those who come to Iona will come, not once, but three times.

As this was our second visit to Iona I very much hope this saying will come true, and that we will return on another day.

(A note for fellow photographers – I wanted to travel light this holiday so all these images were captured with the Leica Q3)

Derwentwater….. arguably the Lake District at its most beautiful

Age and an adversity to risk stop me from venturing very far up into the hills these days. I know if I did such walks would reveal some wonderful vistas of this majestic area. Yes, there are great viewpoints from the high passes which can be reached by car, but somehow it’s not quite the same as a day out fell walking followed by a pint and a pie back in the village pub nestled in the valley below.

Looking back I sometimes wish I had been a little more adventurous when age and fitness were on my side, nevertheless a less challenging walk along the shoreline of Derwentwater still comes with many rewards. There are scenes which are simply beautiful. Some might argue they truly encapsulate what the Lake District is all about. Big skies above the hills which are reflected in a large stretch of water. Assuming of course the air is still and the water calm.

These images taken of Derwentwater a few weeks ago on a rather lovely morning are well known scenes which have inspired many an artist and photographer. Witnessing for yourself the majesty of the landscape and nature at its finest, is very gratifying and good for the soul.

A photographic journey ….. Revisiting Buttermere in the Lake District after 12 Years

I ask myself – what took me so long?

In all the years I have been making photographs, there have been certain locations which are deserving of the comment; ‘one day I hope to return’. The Lake District, and Buttermere in particular, definitely falls into this category and I hope you can understand why from the images you see here.

After a long interlude of twelve years, I am pleased to say that a few weeks ago I was walking along the shoreline of Buttermere once again. It was quite early in the day and although the sky was overcast, there were some bright patches of light reflecting off the surface of the water. In many respects these are ideal conditions for black and white photography.

Who knows but one day I would like to head to The Lake District again. If I do, I’ll try not leave it quite so long. After all none of us get any younger and to reach some of the best locations for photography it can involve quite a trek. Hopefully my legs will still get me there! If not these photographs and others captured during our stay will always serve as a reminder of this very beautiful place. That’s the great thing about photography. The images themselves do not have to be 10 out of 10. If all they do is bring back happy memories about a certain time and location, then pressing the shutter to record these moments is a very worthwhile thing to do.

Incidentally all these images were captured with the Leica Q3 and processed in Capture One and Nik Silver Efex Pro. After a few months in use I can truly vouch for what a great camera it is.

There will be more posts of the Lake District coming soon but in the meantime you might like to look at my Lake District Gallery Page. It shows a number of images from my previous visit to the area back in 2013.