Posts tagged ‘Leica 50mm’

Slow down ….. it’s time to stop, think and enjoy the journey

There is a familiar saying which states – “Appreciate the journey, not the destination.” I have been giving some thought to this phrase recently and in particular how it might relate to photography.

The journey could be a very short one. A photo taken on a smartphone and instantly shared on Instagram or some other form of social media, might take no more than a few seconds from capture to publication. The image itself could be a very good one but has the photographic ‘journey’ been one of pleasure and satisfaction? I somehow doubt it and I suspect the endorphin rush is more likely to come from the number of likes attained from followers, who may only have observed the image for a second or two before scrolling and liking the next upload. It’s not exactly life enhancing is it?

I have been a serious hobbyist photographer for over 15 years, almost exclusively making images in black and white. The end result, i.e. the finished image or destination, is of course important to me but increasingly it’s the process or the journey which gives me the most enjoyment and satisfaction.

To maximise the pleasure of the journey it’s essential to slow down and give more consideration to the subject being photographed and the method of capture. The American photographer Minor White once said;

“When you approach something to photograph it, first be still with yourself until the object of your attention affirms your presence. Then don’t leave until you have captured its essence”.

If this is true, and I believe it is, a quick snap posted on social media doesn’t qualify does it? In other words, the time taken, and the consideration and deliberation given, all need to be part of the process. The camera might even stay in the bag until the composition has been visualised and the story behind the image has been thought about. The journey can then continue as the camera and chosen lens are positioned and set. Quite recently I have started using a tripod which definitely slows me down. I always considered a tripod to be a hindrance and now I think in certain situations it’s a valuable tool which helps to enhance the journey.

The other piece of equipment I bought recently is a Hoodman Hoodloupe. It’s quite a simple thing, well made and designed to shield the light and all unwanted reflections. You can look at the LCD in bright conditions to check focus and composition. It has glass optics and a diopter giving a very clear view although the image can be a little less well defined around the edges and in the corners. The very action of reviewing an image in playback mode using this loupe has, like the tripod, slowed me down. I have to say the whole process is more immersive and enjoyable as a result.

Using this method might mean that I take several minutes capturing a single frame. It could even be as long as 5 or 10 minutes from seeing to final capture. Longer of course if I have to wait for the right light. With digital I instantly know whether or not the result is any good as I can review the image on the LCD screen. I could turn this function off but why would I? I might wish to retake the photograph having made minor adjustments to the settings on the camera or the composition.

However I am now asking myself a question which might have serious implications – Would I enjoy the process even more if it took considerably longer? And I am talking days not minutes or hours. You can probably guess where this is heading.

I have always been inclined to shoot fully manual. Selecting all my settings and focussing manually is my preferred way of working. I feel more in control. I’m not a fan of ‘auto this’ and ‘auto that’. In this sense I am quite analogue in my approach. I still work digitally though and have never used film, apart from in the 70’s and 80’s, when digital cameras didn’t exist of course.

So what if I acquired a film camera, possibly medium format and one prime lens to get me started? The cost of film and developing would have to be taken into account. I would probably need a light meter to help me get the correct exposure. The waiting game of a week or more would kick in before I would get to see the first glimpse of the results from a photo shoot. No more reviewing the results on the back of the camera immediately after the shutter is pressed. Even with the negatives in my hand they would need to be scanned as I would have no intention of printing my work in a darkroom using noxious chemicals etc. I would scan them myself, but it’s another step, another delay before the final image or print can be seen. However isn’t that the whole point of this discussion which is to enjoy the journey and not just the destination. After all patience is a virtue.

Would in fact a mediocre image made using film still give me as much pleasure as a showstopper made digitally because the immersive analogue journey could be so satisfying, challenging and enjoyable? There are downsides aplenty of course but I will never know if I don’t give it a try.

As yet I don’t have all the answers but in the meantime anything which slows me down and enhances the image making process is in my view a very positive thing.

Lastly I am reminded of an interview with Michael Kenna (a photographer I hugely admire) when in 2016 he was asked what he did when taking very long exposures.

In his reply he said –

I’m often asked what I do during long exposures, which can go on up to 12 hours. Apart from the obvious answer – sleep – I return the question: “Why do we need to do anything?”

It reminds me of that lovely saying, “Don’t just do something – sit there.” It is a rare luxury to have the time to appreciate the present, to watch the stars trace through the sky as our planet moves, to witness a full moon slowly rising or setting…

Doing nothing, just observing nature and the passage of time sums things up rather nicely. It’s all part of learning to appreciate the journey and not the destination.

(All the photos in this post were captured in the past week using a tripod and reviewing the images with the Hoodman Loupe. The journey definitely gave me time to ponder and ask myself where my photography might take me in the future ……. to be continued!)

Castle Hill Gardens ….. a nod to Michael Kenna perhaps?

I always remember a famous photographer (unfortunately I can’t remember who it was) saying –

‘Don’t buy more gear, buy more books by other photographers’.

I only have to look at my shelves and I clearly took this this advice to heart as I have quite a collection of photobooks, mainly by black and white photographers, and I very much enjoy leafing through them from cover to cover, looking and learning from the images on the pages.

Whether consciously or subconsciously it is my view that all photographers and artists are influenced by the work of others. To be in bubble and to develop your own personal style without ever have been affected by their art or imagery is nigh on an impossibility. If you are a creator then it is only natural that should be interested in the work of other creators. Whether you admire their work or not, the very act of looking at the photographs of well known photographers helps define the direction of your own style, and furthers your understanding and enjoyment of this art form.

In the early days of my photography I was akin to a sponge, soaking up ideas, techniques and learning for myself what I did and didn’t like about other photographer’s work. I have written before about the very distinctive imagery of Michael Kenna, who I have always admired although I haven’t looked through my books of his photographs for quite a long time.

Which brings me to this set of photographs all captured at Castle Hill Gardens on a recent stay in Devon. My wife and I stumbled by chance on this wonderful home and superb parkland gardens. From the moment I got out of the car, and I saw the grounds, in particular the statuary, it instantly reminded me of some photographs by Michael Kenna which I had seen in the past. I knew immediately the approach I would take to the composition and how I would process the images I wanted to make.

The square format, the shallow depth of field, the split tone sepia like tint and the addition of a little film like grain would all feature. We walked around the gardens and I regularly dived off in a different direction to seek out some compositions. Before processing the files I made a deliberate choice not to reach for the Kenna books, so that the results would be my own even though I fully admit to being heavily influenced by the memory of Michael Kenna’s interpretation of similar subjects.

Photographer or not Castle Hill Gardens are well worth a visit. We were there in September, loved the walk around the gardens and we were told that Spring is a particularly special time of year to visit. The Palladian style Castle Hill house has been the home of the Fortescue family since 1684 and the current custodians are the 17th generation to live on the estate. The estate extends to 5,100 acres, including the 50 acres of gardens surrounded by Grade 1 Listed Parkland.

I hope you enjoyed this collection of photographs even if they do bear a passing resemblance to the work of Michael Kenna – to be honest I would be very flattered if you thought this was the case.

You might also be interested to read this entry about an interview with Michael Kenna which I posted back in 2018.