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Landscape photographs or holiday snaps? ….. images from County Kerry, Ireland

My wife and I have recently returned from a two week holiday in County Kerry which lies in the South Western corner of Ireland. A beautiful part of the world offering many photographic opportunities.

Having downloaded the files I have started the enjoyable process of selecting what I consider to be the most promising and pleasing images and editing them in my usual style. Inevitably this part of the workflow brings back happy memories of places visited and associated experiences. It is of course one of the reasons we take photographs. We want to preserve these memories for the future.

Back in the day all those of a certain age (me included!) will probably recall getting together so that either a slide show or the handing round of prints could take place after a family holiday. There would be very little culling , meaning all the photographs would be shared however good or bad. The quality would be variable. Over and under exposed pictures combined with a mix of reasonable but sometimes very poor compositions. Every photograph would be vocally described – where and when it was taken and what the weather was like, even though this would often be clearly evident from the photo itself! Sad to say but it could turn in to a ‘yawn fest’ yet it was part of the post holiday ritual which had to be undertaken and endured.

Whilst sitting at my computer selecting and processing some images a question entered my mind –

“When is an image a landscape photograph and no longer just a holiday snap?”

Time and technological progress has of course changed how we record our holidays. For many years now we have lived in a digital age with increasingly sophisticated cameras built-in to our smartphones. Almost everyone has the ability to use filters and intuitive processing software to produce a decent image. It is then shared not just to friends and family, but to the world and his wife via social media.

As I share with you the photographs I took on my recent trip to Ireland I am asking myself…… “Is this just today’s equivalent of the slide show projected onto a screen in a darkened room to family and friends? Are these pictures merely holiday snaps or is there something which sets them apart? No longer just a record shot but something visually appealing and possibly of interest to a wider audience”.

And if so, what distinguishes an ordinary picture taken on holiday from a landscape photograph which just happens to have been made whilst travelling away from home?

These are my thoughts which may or may not coincide with your own ideas.

1. I think every image should be viewed as an individual photograph, irrespective of whether or not it was taken on holiday and regardless of the camera or equipment used. An expensive state of the art camera doesn’t necessarily make a fine image. In other words a picture has to be worthy of standing on its own two feet.

2. The photograph must have something which causes the viewer to stop, look and appreciate the landscape for what it represents. Perhaps there is some form of narrative or an element of mystery which intrigues the viewer. It shouldn’t be seen as a record shot. Plus I would suggest that the image should clearly demonstrate photographic intent.

3. Perhaps the prime distinction is that the photograph is one which an individual may wish to have printed, framed and displayed on a wall in their home. This would be regardless of whether or not they had visited that particular location for themselves. I very much doubt a holiday snap would warrant this treatment by a complete stranger.

4. And lastly if it’s a collection of images then the quality and presentation should be harmonious, consistent and of a certain standard. Arguably it should possess some photographic expertise and not be classified as a ‘point and shoot’ picture.

Hopefully you won’t consider these photographs to be merely holiday snaps, but images which can be appreciated for what they are. I would be disappointed to think they might be thought of as today’s equivalent of the family slide show of yesteryear.

If you have any thoughts on the difference between a landscape photograph and a holiday snap do comment below – I would be interested in your thoughts.

When the rain falls and the water flows in County Kerry, Ireland

Although this above image is quite a simple one and minimalist in its nature, it does capture the power and movement of the water, which is in stark contrast to the stillness of the overhanging branch. It could be a metaphor for life; the frail looking branch, remaining strong and resolute, appearing to resist the forces of nature which might sweep it away.

Waterfalls are a popular subject for photographers although I can’t claim I’ve enjoyed much success in the past. Either the conditions haven’t been quite right, access has been challenging or I simply haven’t devoted sufficient time to the composition, selecting the best shutter speed etc.

For the first time I feel I have done justice to the subject with these four images.

Finding a pleasing composition wasn’t always easy. I felt a single rock provided a good focal point for my eye to rest on, whilst the swirling and fast moving water engulfed the one static element in the image.

Sometimes I didn’t feel a focal point was necessary. The more abstract nature of the above photograph I think works because of the pleasing pattern and shape created by the way the water is flowing in different directions.

And lastly a more traditional image of a different waterfall of a large rock splitting the flow of water. The surrounding wet rocks serve as a frame. They add texture and form to the photograph which I think works well in monochrome.

I have just returned home following a two week holiday in County Kerry, Ireland, the location for this set of images. It’s the first time my wife and I have visited the Emerald Isle. It was something of a gamble as we have endured a very wet winter in the UK and the weather was forecast to remain unsettled for the duration of our stay.

Undeterred, the conditions were promising from a photographic standpoint. Dark moody skies, dramatic light, skeletal winter trees and streams and rivers in spate.

I plan to share further images depicting the varied landscape of County Kerry in the very near future.

“What are you photographing?”….. the stranger asked inquisitively.

Crouching down with my camera and staring into the rather murky water of a small pond….a man approached me and asked me what was I photographing? He could have simply asked what on earth I was doing. Instead, he chose to be more tactful and polite with his questioning. Had I been in his shoes I may well have posed the same question. After all there was nothing obvious to be seen, let alone photograph…or was there?

And that’s the great thing about being a photographer. The eye is honed to see something which others may not notice. And the more you look and observe the more you see.

In this case I had been drawn to the stillness of a small twig which appeared to be rising out of the water. The reflections of the surrounding trees were being moved by a gentle breeze. The combination of stillness and movement appealed to me.

What I guess wouldn’t have been seen by the passerby was how these reflections would be frozen and captured by the use of a fast shutter. I focused on the twig and used a wide aperture intending to isolate the main subject.

If you are viewing this image on a small screen, you may find it difficult to appreciate the abstract quality of the reflections. So I have included a crop of one part of the picture.

Of course the answer to the question ‘what are you photographing?’ is in the eye of the photographer and is only concluded when the image has been captured and processed. At this moment the photographer’s vision comes together and makes sense – hopefully!

There is something about this photograph which really appeals to me. It’s something out of nothing, being both simple and complex in its makeup. To my eyes it’s the hidden beauty of nature which is very special. All too easily missed, but once seen, never forgotten.

Flooded Meadows ….. from the other side, with a tripod to slow me down

A few days ago I posted a set of images of the flooded water meadows close to where I live. You can read that post and see the images here.

I knew there was the possibility of some different views if I accessed the meadows from the other side of the river. In particular I wanted to capture some trees which I thought would be ideal subjects providing I could pick a still day to make the most of their reflections.

When conditions were favourable I selected what camera gear I would need and put on my wellies. I took a tripod, not because I would be taking any long exposures but to slow me down. I tend to work quite quickly and the one advantage of a tripod is that I take greater care over the composition and the camera’s settings. I find the process of being in the field more immersive as a consequence.

The water levels have receded but any more rain will only fall on saturated ground, so I fully expect these scenes will persist for some time to come. I may travel a little further afield to find other areas where I know local rivers have burst their banks. I have not known flooding on this scale before so I want to make the most of these conditions while I can.

An early Christmas present from Leica – a firmware update (4.0.0) for Q3 and SL3, plus playing with Film Styles and Leica Looks

I don’t know about you, but most emails that arrive in my inbox are rubbish. Without opening them I hit the delete key. Occasionally one will jump out at me and my curiosity is awakened. This was most certainly the case when a couple of days ago I received an email from Leica announcing a major firmware upgrade for their Q3 and SL3 series of cameras. Many updates usually offer minor changes or bug fixes but firmware 4.0.0 was indeed a major upgrade particularly for the Q3.

Leica indicated the update would enhance performance and responsiveness, combined with faster and better autofocus capabilities. But the big change for me was the introduction of the interface and menu system from the SL3. I couldn’t wait to download the update and experience for myself the changes. Providing there are no bugs, these are very worthwhile improvements and will further enhance my enjoyment of the Leica Q3. Most definitely an unexpected and much appreciated Christmas present. Thank you Leica!

I always enjoy ‘playing’ and having reconnected the Q3 to the Leica Photos App, I thought it might be fun to download some of the ‘Leica Look’ JPEG only styles. I rarely if ever shoot JPEG, my default is always RAW so that I have the maximum possible control over image processing. However I thought I would compare the various JPEG options. Would any appeal to me?

Film Styles are already built into the camera menu, and the Leica Looks are downloadable from the Leica Photos App. There are a number to choose from but there are only six available slots in the camera.

I decided to visit a nearby church and took a series of external and interior images having selected each Film Style or Leica Look in turn – 11 baked in styles for JPEGs only. If I shot RAW as well this would not be affected. In all cases I used exactly the same settings and all the results can be viewed below.

Given my love for black and white I was particularly interested in the monochrome styles and I have to say of all of them I really like the ‘Greg Williams Leica Look’. It isn’t too contrasty, and the fairly subtle warm tone appeals to me. In the past I have used the Monochrome High Contrast film style to preview the look I am after but still shot RAW. I doubt I will ever use Selenium and the Sepia look is for me a little overdone but you can reduce the intensity of the style in camera prior to shooting so this may work.

Although I don’t normally work in colour I was interested to see how the various styles compared. Over to the colour workers reading this post to come to their own conclusions. Personal choice as always and some of the styles will work well for certain types of subject and lighting conditions and not for others.

And now for a set of interior shots using the same 11 film styles and looks.

Once again the ‘Greg Williams’ look works for me and this particular subject matter.

And here are the colour versions.

I think it’s fair to say that I have enjoyed this exercise. Whether or not I will start shooting RAW plus JPEG, coupled with one of the styles, I don’t know. At least I now have useful reference which will serve as a reminder of the looks available.

For anyone who is fortunate to own a Leica Q3 (28, 43 or Monochrom) or SL3 or SL3S, I can highly recommend the latest 4.0.0 firmware update. But before taking my word for it I would strongly suggest you check out the support section of the Leica website. I would also recommend viewing a couple of videos on YouTube on the Leica channel which will give you much more information.

I doubt I will post anything more before the 25th December so wherever you in the world and whatever your beliefs, may I wish you a very happy Festive Season and peaceful New Year.

(A quick aside – given the size of the images I would suggest viewing this post on a tablet or better still a desktop as opposed to a mobile device)