There is something to be said for getting out a map and without spending too much time choosing a location which you haven’t visited before. To enjoy the change, explore new paths never knowing what you might come across.
I did this recently and I intend to repeat the experience on many future occasions. Irrespective of the weather and length of walk there are always images to be made.
I have included a small selection of photographs taken recently on a Sunday morning stroll to the South East of East Chaldon village in Dorset, also known as Chaldon Herring. With more time this walk could easily be extended to include a section of the South West Coast path to visit either Durdle Door or Ringstead Bay.
As I type these words, I peer through the window and the rain continues to fall. It was a very wet and mild winter and the summer is proving to be neither hot nor particularly dry. Long walks have been in short supply but a morning stroll along a new pathway is always satisfying. I parked the car at the top of the rise just south of Hill Dairy on the road to West Chaldon in Dorset. I headed west along the farm track, across the road which leads to Holworth before returning along the same route. I much prefer a circular walk, but on this occasion time was limited.
Although quite overcast the clouds provided visual interest and when the sun did break through it would cast light on the fields to the north and the south. The views of the rolling countryside were very pleasing indeed and this is an area worthy of further exploration in the future. in total the walk took about an hour at a gentle pace and only covered 2.3 miles with an ascent and descent of 167ft, so hardly strenuous. Just right for a breath of fresh air and some fine views on a Sunday morning.
Route map of the walk
I hoped that I might be able to take a few photographs but didn’t want to carry a bag full of gear, so the Fuji X100v had to be the camera of choice. I have had the camera for a little over 4 years now and it really is an ideal companion when out walking. Although it has now been superseded by the X100vi with its larger 40.2mp sensor, I have no plans to upgrade. 26.1mp is more than adequate for my needs.
As you can see from the image below I have added a few accessories over time which in my view all serve a useful purpose and much improve the handling and functionality of the camera.
Fuji X100v with a number of accessories
In no particular order –
A lens hood made by Squarehood which still allows the use of a UV filter. Without one the camera is no longer weather sealed. As well as cutting out any stray light the hood prevents grubby fingermarks getting on the filter and I no longer use a lens cover, which I am only likely to lose anyway.
A front hand grip by JJC which incorporates an arca swiss compatible base plate for mounting on a tripod. Plus a thumb grip which I find essential to firmly grip the camera. Although the most expensive option I chose one made by Lensmate in America. Unlike any of the others for sale it has a folding mechanism to give greater access to buttons and dials.
The combination of these accessories greatly improves the comfort and handling although I accept they do add to its bulk. A small price to pay in my view opinion.
Lastly a soft release button again by JJC. – I had never used one before but it does make the control of the shutter release button that much easier.
None of these items guarantee good photographs of course but they do make this excellent little camera even more pleasurable to use.
Here are a selection of images captured on this walk.
As my fingers move around the keyboard and these very words appear on the screen, I glance up to look out of the window. Has the rain stopped? No it hasn’t, and the overcast sky doesn’t make me believe it will do so anytime soon. It is forecast to brighten up this afternoon so I live in hope.
Yesterday I cycled up and down the lane where I live. The meadows which border the river Piddle in Dorset often flood but rarely this side of Christmas. February and March yes, but not usually in the middle of December.
The ground is so saturated that in some parts of the lane the water is spilling out of the fields and onto the road. Traffic can still pass but for how long?
These images will be added to my growing portfolio of photographs which document the rural nature of the place I now call home. At some point in the not too distant future I intend creating a separate gallery page for this collection, which I have named – ‘Close to my back door’.
I am very fortunate. Retired, I no longer have the restrictions of a busy working day. My wife and I have recently moved to a beautiful part of Dorset, and the countryside on my new doorstep inspires me. When the light is right and the weather conditions favourable, there is every chance I can drop what I am doing and within a few minutes be in a place where I know there will be some good compositions.
A few days ago I posted ‘My heart is in mono…..and the countryside’. I wrote about the reasons why I have returned to making images in black and white. I also wrote about going out with photographic intent, and not just to head out for a walk with a camera on the off chance a picture might reveal itself.
If I was to choose the best light for landscape photography a bright and showery day is almost impossible to resist. This is particularly true late in the afternoon when the sun is lower in the sky, casting long shadows and side lighting any subjects in the frame, accentuating form and texture. The passing rain clouds are of course full of texture and interest too. There is nothing very photogenic about a clear blue sky.
Reinvigorated to make black and white images again, I watched the skies yesterday and witnessed potentially ideal conditions taking shape. As the afternoon progressed the skies to the south were clearing, whilst looking in the opposite direction there were shower clouds aplenty. With the sun setting in the west any composition looking north had the makings of a good result. I knew where to go, grabbed my camera and a couple of prime lenses, and took our dog with me too. He’s quite happy to wait for me to compose the shot and press the shutter. Well most of the time anyway!
Growing familiarity with my home patch is a huge advantage. The four photographs you see here are all compositions I have shot before but at different times the year. For me yesterday’s conditions and this light were nigh on perfect. But days like this are not that common and there is always the risk of getting drenched in the pursuit of a few strong images. Definitely worth it though.
This experience has further enhanced my feeling that ‘My heart is in mono…..’ It’s good to be back making images in shades of grey again, sharing them with you and writing about my thoughts and the story behind the pictures.
In the latter half of last year I made a conscious effort to make images in colour and not in black and white. Monochrome had been my default creative choice for many years, in fact for nearly a decade. Whilst some of the images I made in colour pleased me, I was finding it increasingly hard to motivate myself to make more colour pictures. As a consequence the past few months have proven to be a very lean period. I even had one kind follower asking me if I was okay? Rest assured I am fine, but photographically speaking I can only admit to being in something of a creative rut.
A change of tack was required. In more recent weeks I have been out in the countryside near our home in Dorset with the sole intention of making black and white images. Whether overcast and dull, or bright and sunny, the camera has recorded what has drawn my eye. I had no high expectations. This was not about making prize winning pictures, nor even ones which would be added to one of my galleries at a later date. Quite simply this was an exercise to teach myself to see the world in shades of grey again, and in the process to make a few images which might rekindle my love of photography and in particular the genre which has been the core of this site.
Was it a success? 100% yes. I not only immersed myself in the beauty of the countryside but I made images which in all likelihood had they been in colour would have done nothing for me. In life you have to try new things and although I can still see myself making some colour images, if I am being completely honest with myself, my heart is in monochrome. The creative medium I discovered back in 2011 which has given me so much pleasure ever since.
Why monochrome I ask myself? Is it the timeless quality of mono? Almost certainly. Is it the greater freedom of creative choices? Again yes. The removal of colour instantly renders an image unreal, an abstraction of the world from how we normally see it. Different processing techniques can evoke feelings and expression in a way which may not always be possible in colour. That’s not to say that colour doesn’t have advantages over B&W, it certainly does but for the most part it’s not for me. Colour is a distraction and if I look at two images of the same subject, one in colour the other in black and white, almost invariably I will find the monochrome version more pleasing. It’s all down to personal preference as we all have different tastes. Wouldn’t the world be a boring place if we all liked the same thing?
What else did this experience teach me? Whilst I have often advocated, but not always practiced, the maxim ‘always carry a camera’, in the hope that something might draw my eye, there is really no substitute for going out with the intention of making photographs. Yes of course some days will be more productive and rewarding than others, but looking isn’t the same as observing and to find strong compositions in good light takes time and concentration. Sherlock Holmes famously said; “You see, but you do not observe. The distinction is clear.” There is another benefit to this more considered approach to image making – I appreciate the beauty of the countryside so much more. I stop to not only observe, but also to listen and absorb the very nature of my surroundings. I am all too aware that I can miss photo opportunities if always on the move.
There is another advantage to being out and about with a camera to take photographs as opposed to going for a walk and taking a camera. There is clearly a priority of purpose. It might also be deemed to be practicing, which doesn’t always make perfect, but I do strongly believe practice can enhance your good fortune. It has been said many times before, but the saying “The harder I practice, the luckier I get” holds true for many pursuits in life.
Similarly Henri Cartier-Bresson said – “The first 10,000 photographs are your worst”. In this digital age that number could easily be increased 10 fold. Not only will practice increase your chances of a successful outcome but you will become more familiar with your camera, lens choice and other equipment, further enhancing your technical skills. I will freely admit having to re-learn which actions I had assigned to certain function buttons when I went out the other day!
I doubt that Ansel Adams would have gone out for a walk in Yosemite with his view camera and large tripod purely in the hope that a scene worthy of capture might appear in front of him. After all he wanted to make images, to indulge himself in his love of photography and to fully appreciate the majesty of the world around him. I think it entirely appropriate to say that he was a photographer first and not a rambler with a camera!
I have enjoyed writing this entry whilst sharing some of my thoughts and recent images with you.
From now on, it’s back to my first love of monochrome, and images of the countryside which I am very fortunate to experience.
alan frost photography 