Irrespective of whether or not you are a regular church goer, the flowers arrangements on display this Easter at Fishbourne Church, near Chichester, were simply quite beautiful. The way in which flowers have been chosen to complement the images depicting ‘The Stations of The Cross’ is thoughtful and artistic. The hard work by a handful of people has to be admired.
Do click on one of the images to view a larger version, and then scroll through all the photographs in the lightbox.
This is the third and final entry in series which only serves to highlight the array of choices when it comes processing.
The first entry (Transient light – when only colour will do) showed a relatively straight forward colour image. The second entry posted yesterday (Transient light – when mono works as well) was the black and white conversion and today I have posted this image, which is effectively a mix of the colour and black and white versions. I opened both images in Photoshop with the colour image as the background layer. I then created a separate layer using the mono version which had been previously processed in Silver Efex. I then blended the two layers and reduced the opacity to arrive at the image you see here.
Overlaying the more dramatic and contrasty B&W image has given the original colour version a little more punch in my view. The rain shower has been enhanced and there is more detail in the clouds on the horizon which has added depth. The colour which attracted me to take the shot in the first place has not been lost.
So three versions of one image. Which one is best? I don’t think there is a ‘best’ image; photography or any form of art is very subjective so everyone will have their own personal preference. For me it has been an interesting exercise and will make me stop and think a little more about processing options before I even begin.
At the end of last week I met up with a few fellow photographers at East Head down in West Wittering. It’s a place I seem to be visiting on quite a regular basis at the moment, although I am more likely to be there in the morning walking the dog, as opposed to the end of the day.
I had already decided that the lighting conditions would probably suit some colour work and not black and white. I could always convert to mono later if I wanted to do so. I am so used to ‘seeing’ in black and white that taking images in colour and processing them later does throw up some new challenges for me, and there are plenty of times when I feel I am having to learn a whole new set of skills. Composition, overall tone and texture are still important but colour balance and how colours work with each other, is very different to monochrome.
So here are four images taken that evening. Given that when I arrived it was pouring with rain, I consider myself fortunate to have come back home with anything at all! The four of us had a lot of fun and we will have all photographed this location in a different way. The day ended up in an excellent pub with food and drink and a commitment to repeat a most enjoyable evening somewhere else in the not too distant future. Can’t wait!
Do click on any of the images to view a larger version which will open in a new window.
In a break from my own black and white photography, I am looking forward to seeing a retrospective exhibition of the work by Saul Leiter (1923 to 2013) at the Photographers’ Gallery in London. It starts this coming Friday, January 22nd, and runs until April 3rd, so there is plenty of time to plan a visit.
Nowadays everyone likes to think they are a street photographer, as everyone takes photographs on the street, so by definition they are a street photographer. That might be true to an extent, but simply taking photographs on the street doesn’t mean they make great photographs. Far from it in fact.
Saul Leiter was a marvellous photographer but widespread fame really only emerged in the 1980’s. Born in Pittsburgh in 1923 he moved to New York to be an artist, but in the 1940’s he started taking black and white photographs of his surroundings. For me and for many others he has left a legacy of some wonderful work. Although my passion is for mono, I particularly enjoy his colour photographs. Some of his most famous photos were shot in the 1950’s and 60’s. Rarely can the faces be seen, much is left to the viewers imagination, but the compositions and the use of shapes and colours are superb. There is both a painterly and almost semi abstract quality to his work.
I rather like this quote by the photographer himself.
“When we do not know why the photographer has taken a picture and when we do not know why we are looking at it, all of a sudden we discover something that we start seeing. I like this confusion.” Saul Leiter
In the year before Saul Leiter passed away, Tomas Leach made a film documentary called – ‘In No Great Hurry’ – 13 lessons in life with Saul Leiter. It was filmed as Saul Leiter drank coffee and tried to sort through a lifetime of photographs piled high in his New York Apartment. For those who are interested there is a short trailer below. I have yet to watch the film but I will definitely do so before visiting the exhibition.
I’m no street photographer, nor do I take many colour photographs, but if like me you can appreciate and be inspired by the work of a great photographer or artist, then I would suggest you try and find the time to visit The Photographers’ Gallery. Saul Leiter was in no great hurry, but I for one can’t wait to visit this exhibition.
alan frost photography 