black and white | alan frost photography

Posts tagged ‘black and white’

Downhill shopper – returning to a forgotten image.

I am rather impatient when it comes to processing a SD card full of images. I get home, download them into Lightroom and with luck a number will jump out at me and the processing begins. More often than not these are the pictures which I remember taking and I simply can’t wait to see whether or not I have captured something I like.

I have been told that it can be beneficial to do nothing with a card of images, just download them and then leave them to mature for a good while, perhaps six months or more, before taking a more in depth look at what you shot on the day. Given the passage of time you no longer remember all the shots that were taken, and images which might have been written off on first viewing are in fact worthy of consideration. Perhaps a different or new processing technique will reveal an image which works after several months but might not have done had it been processed within hours of the shutter being released.

‘Downhill shopper’ is one such picture. It was the third shot I took in the lovely city of Bath on the ABC of Camerawork workshop with Andy Beel at the beginning of November last year. Whilst I can recall taking the picture it didn’t say much to me at the time, but a year on and given a high contrast and grainy look to the photograph, I now think it’s worthy of sharing on my blog. There is little or no detail, just outlines of backlit figures, long shadows and the knowledge that you are looking at a busy street scene of shoppers. The rest is down to your imagination. The elderly lady and what appear to be ski poles, give the image its title.

Here is a link to the entry about my day in Bath with Andy Beel.

ABC of Camerawork course with Andy Beel in Bath

Goodwood Revival – a new gallery page

I have just added a new gallery to this site which features 35 images of this world famous annual event – to see this collection of photographs just click on this link – Goodwood Revival Gallery Page

I have been going to The Goodwood Revival for more years than I care to mention, but it was only in 2012 and 2014 that I decided to concentrate on just taking photographs and not spend quite so much time watching the racing itself. My main aim was to try and capture the wonderful atmosphere of what is really the biggest fancy dress party in the world. All mixed with the sights, sounds, smells and pure glamour of a motor sport from by gone era.

To give you a flavour of the collection I have included a small selection of photographs in this post but to see the complete gallery please click here.

I do hope you will take some time to visit this gallery and if you do, please click on the thumbnails and view a larger version of each image.

Below are links to previous entries which relate to the Goodwood Revival Meeting.

2012

The Silver Arrows at the Goodwood Revival Meeting

The Characters of the Goodwood Revival Meeting

Goodwood Revival Meeting – the last entry

2014

Goodwood Revival – the cars and the people

The old A5 – Nant Ffrancon valley in Snowdonia

The road from the western end of Llyn Ogwen to Bethesda in Snowdonia passes though the deeply glaciated valley of Nant Ffrancon. Now a typical ‘A’ road the original road featured in this post is a single track road with just a few passing places. It is rarely used so parking is not really a problem. You just stop in the middle of the road and hope that no vehicles come along while you jump out of the car and take a few photographs.

The road twists and turns with a variety of fences defining field boundaries. Wire and post fencing, stone walls, but perhaps most interesting of all are the slate fences, nestling in the grasses which lean from left to right and undulate in harmony with the lie of the land.

It’s a fascinating area to explore and really does feel like you are stepping back in time. There are very few buildings along this stretch of road. The ones that are here are isolated and when I visited this part of Snowdonia at the end of October the weather was favourable. I tried to imagine what it might be like in the depths of winter, with rain or snow being swept through the valley by a cold and strong wind. Pretty bleak I thought to myself.

The first two images below are taken from the existing A5, looking down into the valley. The line of the old road can be seen in the top right of the frame of the first shot.

Nant Ffrancon valley

Wire and stone

Valley road

Valley farmhouse

Tree of light

Slate fence

Old road

Do click on any of the images to view a larger version which will open in a new window.

Early morning in Snowdonia – with or without a tripod?

Looking towards the Snowdon Horseshoe from Llynnau Mymbyr, near Plas y Brenin

This is one of those iconic photographic locations where many tripods have stood, with cameras perched and the photographer waiting for the right light before releasing the shutter. Checking and rechecking the composition on the back of the camera, moving the tripod a little to the right or to the left, then raising or lowering the height of the legs until all the important elements of the picture fall into place. With many ‘JCBs’ or ‘Joe Cornish Boulders’ to fill the foreground the permutations are almost limitless.

It may well be a popular location, but as a first time visitor to Snowdonia it had to be taken. However my set up is rather different to the one described above. Put simply I prefer not to use a tripod. I have observed many photographers using this piece of equipment which is considered by many to be essential to landscape photography. It’s often extended to eye level so that they can stand comfortably. Nothing wrong with that but might a lower viewpoint be more interesting? I like to move around with the camera in my hand, spontaneously reacting to what I see through the viewfinder. No live view for me on the back of my Leica Monochrom. I enjoy this freedom of movement, working a location, without a heavy tripod and its head to inhibit me. I can easily crouch or even lie down on the ground to get the picture I want.

I know some will say a tripod slows you down, makes you stop and think about what you are doing, but this just isn’t my style. I like to change the composition of a shot by moving my body around, whilst adjusting the position of my feet and hands, until I see the picture that works for me. Perhaps I am lazy or just too impatient to take the shot and move on, but I can cover a lot more ground without a tripod. If you use one on a regular basis, can I suggest you leave it in the boot of your car one day and see what a difference it makes – you may find it quite liberating – I know I do!

Shutter, window and steps – a simple picture?

Shutter, window and steps

There is something about this image which appeals to me. It’s a fairly straightforward and simple composition, made up of three principal components. There is light coming through the window on the left, balanced by the dark shadow area on the right. The contrast of light and shade is separated by the window shutter which is worn with peeling paintwork needing attention. The wooden steps have a lovely grain to them but it is unclear from the photograph where they lead. Up to another floor possibly or just a high level cupboard? To climb the steps you would need to close the shutter, cutting out the light – why was it designed this way? Through the window the out of focus detail hints at a garden beyond with a line of trees on the horizon. Bright spots on the glass suggest it might be raining. A simple image perhaps, but on closer observation plenty to hold the viewers attention, at least that’s what I believe.

It reminds me of the saying by Ansel Adams – ‘There are always two people in every picture: the photographer and the viewer’. If both are happy then I guess that’s what makes a successful photograph.

This photograph was taken with a Leica M Monochrom and 50mm F1.4 Summilux lens – @f2.4 1/2000th sec ISO 3200

Do click on the image for a larger view.