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Exhibition – my parameters

Although The Image Circle exhibition does not take place until November, preparing a portfolio of images ready for curation at a later date has to begin now. In fact it started some weeks ago when I decided my theme would concentrate on the landscape and environment of Chichester Harbour. Now, whenever I am out walking in the area, my camera is with me. I am very fortunate, as this is an almost daily occurrence, otherwise our dog complains!

Whilst I have never exhibited my work before, I felt it was important to establish some parameters at an early stage, in order to focus my intentions and concentrate the mind. Over the last week or two these guidelines have become well established and are as follows –

All photographs will be taken in the clearly defined area of Chichester Harbour.
All the images will be taken using just one camera with one prime lens – the Leica M Monochrom and 50mm f1.4 Summilux lens.
I envisage the vast majority will be hand held, as this is my preferred way of working, although I will not rule out using a tripod in certain situations.
I doubt that I will be using filters, although shooting wide open in bright conditions, it is obligatory to use a 3 stop neutral density filter to manage the light reaching the sensor and exposing correctly.
All the images made will be cropped to square format and be in black white. (I have no choice, it’s a black and white only camera!). I have already established a workflow for processing as I need to present a coherent set of printed images.
I have yet to make a final decision but they will almost certainly be toned in Lightroom.
The photographs will be printed on Canson Platine Fibre Rag. A 310 GSM archival paper. Without question it’s my favourite paper for this type of work.
The size of print, mounting and framing considerations are still in the melting pot but I will write about this in a later post, once my thoughts have come together.

So what are my intentions? Chichester Harbour is a beautiful and intriguing place, with a great deal of variety for image making. By walking the many footpaths that cover the area, a more intimate knowledge of the landscape becomes possible. I see the same locations at different times of the day; the weather and the light is constantly changing and in the months ahead Winter will turn to Spring, followed by Summer and Autumn, all of which will give me plenty of opportunity to capture the area as I see it. It will be my personal view of Chichester Harbour; an intimate portrait of a place I know well but will get to know even better as I explore locations which are less familiar.

The images which form part of this post were all taken very recently in and around one specific location – a small pond on the western side of Fishbourne Creek. One or more may or may not be included in the exhibition, but these and the many others I have made in recent weeks will start to make up a body of work from which a final selection can be made. Curation is a topic in its own right and I will doubtless be writing about this in the future.

To see the work of my fellow exhibitors, do visit and follow our website –

www.theimagecircle.com

Bosham harbour at dusk

Bosham is a very pretty village forming part of Chichester Harbour, not far from the City of Chichester along the South Coast in West Sussex.

As you can probably imagine its picturesque appearance attracts numerous visitors throughout the year, as well as many a photographer. It’s a location that when the weather, light and the tide are all right, you may not find you are on your own with a camera. This is one of those scenes which has to be part of your photo library but I am all too aware that thousands of people before me will have been there and taken pictures of the setting sun; however it is too beautiful to dismiss just because of its popularity. In fact if it wasn’t for the tide then the tripod holes where I was standing to take this image would be very evident! Despite all of these comments it’s a scene that is hard to resist even if it lacks originality.

This was one of those rare occasions when my Leica M9-P and 90mm lens were attached to a tripod. The exposure time was several seconds long, as the there was little or no light to speak of and I wanted a slow exposure to smooth the water in the foreground and introduce a little movement in the veil of clouds over the church spire. The fact that lights in the houses fronting the water were just being switched on adds another element of interest to the shot.

For those of you who are not familiar with this area, you might like to know that Bosham is in fact pronounced ‘Bozam’ and not ‘Bosh-ham’.

Do click on the image to view a larger version which will open in a new window.

Frosty morning looking towards Bosham

Although I am often awake early, I have to profess that getting up and heading out with the specific intention of taking photographs is not one of my strong points. Probably because up until recently I would either have to get ready and go to work or walk the dog, neither of which are conducive to taking pictures. Now my circumstances have changed; I took early retirement in April, there are more opportunities to venture out, particularly at this time of year when it doesn’t get light until nearly 8 o’clock.

Earlier this week the weather forecast predicted cold nights and a harsh frost. That was enough to persuade me to put on some warm clothes and enjoy a crisp cold morning with my camera.

This is just one of a number of images from that outing. A view towards Bosham Church from the foopath at Chidham. The sun had just risen and it wouldn’t be long before the heat of the sun would melt the frost. After about an hour in glorious surroundings it was time to return home, but it did convince me that I need to get up and get out with my camera more often!

Churches Project no 18 – St Botolphs, Botolphs, West Sussex

A gate and pathway lead up to St Botolph’s Church

The Church of St Botolph’s stands in a small hamlet to the south of Steyning, in West Sussex. It lies close to the River Adur and is virtually on the South Downs Way, so many walkers stop to take a rest and enjoy the peace and solitude of this ancient building. It’s a lovely setting with just a few houses for company, although 700 years ago it was at the heart of a bustling port and crossing place of the river. At one time it was known as St. Peter de Vetrie Ponte (St Peter of the Old Bridge). The church has its origins in Saxon times and is believed to date from 950. Large parts of the original church can still be seen today including the tall chancel arch and the south wall of the nave. This is another church maintained and cared for by The Churches Conservation Trust, so whilst still consecrated is rarely used for worship.

A simple cross in a window in the Saxon south wall of the nave.

Organ stops

A large Crucifix hangs on the chancel arch which dates back to Saxon times.

Looking up at Christ with the ancient Saxon wall as a backdrop.

A note for regular readers – I am very aware that I have not posted an entry relating to my ‘Churches Project’ for at least a couple of months. That doesn’t mean I have lost my enthusiasm; to the contrary, my desire to visit and photograph these historical and remote places of worship is just as great as it has ever been. Time though is limited and the summer months are not necessarily the best time of year to take exterior photographs, as the lighting can be very harsh. I am sure the autumn and winter will rectify the situation and normal service will soon be resumed!

As always do click on any of the images to view a larger version which will open in a new window.

Attending an Advisory Day with The Royal Photographic Society

Ever since I gained a Licentiateship (LRPS) with The Royal Photographic Society back in 2012 I have had the desire to work towards the next distinction; an Associateship. For the past year or so I have been putting together a panel of prints which I hope might achieve the required standard. My proposed panel includes the above image.

As part of this process The RPS strongly advise attending an Advisory Day, where your panel of 15 images together with a Statement of Intent can be presented to Panel Members of The RPS. They give advice on whether or not your work is ready for submission or if more work is required. If the latter, they will give an indication in their opinion as to what needs to be addressed. This can vary from major changes or just a few minor tweaks.

On Sunday I attended an Advisory Day at the headquarters of The RPS in the lovely city of Bath and presented my panel, with I have to say, a certain amount of trepidation. There are a number of other photographers in the same room and the RPS panel members can quite rightly be constructively critical of a person’s work; after all that’s the very reason for attending. Nobody likes criticism in front of others but there is little point going for an Assessment only to fail by some margin, and many do apparently.

My panel is based around my ‘Churches Project’ and was entered in the Conceptual and Contemporary Category. I am pleased to say that it was well received and considered to be a strong panel worthy of submission, subject to changing three out of the fifteen photographs. It was considered these three were slightly weaker images when compared to the others and I agreed. One picture was changed at the Advisory Day from a selection of other prints I had taken with me, so that just leaves me with the task of sourcing two other prints, which hopefully shouldn’t be too difficult. I believe the Statement of Intent, the technical quality, printing and presentation are likely to meet the required standard but you can never be sure. I have to say I was very relieved and pleased with the feedback.

I have already booked a place for my Assessment in April next year, so I have a little while to wait to find out whether or not my panel will qualify me for an Associateship. There can be no guarantees but my fingers are crossed and I will of course report on the outcome in roughly six months time.

In the meantime here is a quote taken from the RPS website regarding the standard required for an Associateship –

“ARPS (Associateship) – images of exceptional standard and a written Statement of Intent (what you hoped to achieve). This is a significant step up from the LRPS. At this stage creative ability and personal style (what makes your work unique to you), along with complete control of the technical aspects of photography must be evident. It is at this level that you can first choose to submit your work to a particular specialist category.”

You can see a Gallery of my LRPS Panel by clicking here.