thoughts | alan frost photography

Posts from the ‘thoughts’ category

Always grab the opportunity

Across Loch Eil

There are occasions when a quickly taken shot can make for a pleasing image even if there is virtually no time taken to adjust the camera settings and compose the picture.

This photograph of Loch Eil in Scotland is a case in point. Back in 2011, I was travelling by train from Glasgow to Mallaig on the west coast. Having left the town of Fort William the train continues it’s journey taking in some spectacular countryside along the way. In fact this route is considered to be one of the finest railway journeys in the world. As the track passed alongside the Loch, the cloudscape and light across the water just had to be captured. I really only had time to turn the camera on, swiftly compose the shot through the window of my carriage and press the shutter. Although the train was not moving that fast, if I had taken the time to check or alter any of the settings on the camera, the opportunity to take press the shutter would have been lost several hundred yards back down the track, as this view soon disappeared behind a line of trees along the shoreline.

The image straight out of the camera was pretty poor. In particular the horizon was far from level and the exposure was definitely out. Fortunately I was able to straighten and crop the image and improve the overall tone in Lightroom. I think the final image is very pleasing. It may not be prefect and I know that had I been standing by the loch, with a tripod and time to move around, I would have composed and exposed the photograph differently. Nevertheless as a quick opportunistic shot taken through the window of a moving train, it still works for me, and I would rather have the image in my collection than nothing at all.

Another year over……

It’s the last day of 2013 and tomorrow it will be 2014.

Another year over….. a new one about to begin.

Inevitably it’s at this time of year when we all reflect on what has happened in the past 12 months and start to look forward to what we might hope to do and achieve in the next 12 months. From a purely personal point of view 2013 will never be forgotten and I have already been mentioned the reasons why in an earlier entry called ‘Three Crosses’.

On a happier note in September I realised a long held personal ambition and walked the South Downs Way with my nephew from Winchester to Eastbourne – a total of 100 miles. This was never intended to be a photographic expedition, but the camera came out on a regular basis so I was able to capture the beauty of this part of the world.

The Seven Sisters
The ‘home’ straight of The South Downs Way

I do not think that I have spent as much time developing my photography this year as perhaps I would have wished but I do believe my work has continued to improve. I certainly learnt some new techniques and skills when I spent a few days in the Lake District in the company of Paul Gallagher and many of the images made during this time have given me a great deal of pleasure.

Wastwater in The Lake District

If my Flickr stats are anything to go by I have certainly continued to take a good number of images and in the process I have endeavoured to take a more creative approach, a trend which I am sure will continue into 2014. Almost without exception all of my photographs this past year have been in monochrome. I expect this will also be the case next year, but who knows, colour may start to feature.

And so to 2014. In the last few weeks I have been giving some time and thought to what I would like to do phtographically in the next 365 days, so here goes!

1. More photographs and less ‘GAS’! (Gear Addiction Syndrome – to the uninitiated)

I have to admit that I spend a lot of time reading reviews about the latest camera equipment, particularly cameras, their makers lenses and the pros and cons of one system over another. It’s all very interesting and I have found that the internet is full of very opinionated people which makes for good reading. On the downside ‘GAS’ can be very expensive and as I have often said in the past, it is the photographer who makes the image, not the equipment.

A famous quote by Ansel Adams reads – “The most important component of the camera is twelve inches behind it.” Enough said!

I am fortunate to have some excellent equipment so I shall be using what I have and try not to fantasise about what I don’t have. It wastes time which could be better spent taking more photographs, improving my processing techniques or studying the work of more talented photographers. This research into other cameras and lenses has though helped me decide on my system of choice for the future which brings me on nicely to my second point.

2. It’s time to ditch the Nikon gear

In the past year I have been using two camera systems but during this time I have found that only one system really works for me and the other frankly does not.

When I first became serious about photography I started using a Nikon APSC DSLR and various lenses, but since buying the Olympus OMD EM5 some 18 months ago, together with some truly excellent lenses for the Micro 4/3rds system, the Nikon gear has been gathering dust. So after much deliberation it’s time to say good bye to Nikon. All of the equipment has been packed away in their original boxes ready for sale. In its place I will be investing in the new Olympus OMD EM1, the first truly professional specified camera for Micro 4/3rds. I will probably also add a couple of prime lenses to my collection and keep the EM5 as a spare body. Luckily these two cameras share the same battery which is an advantage.

The Olympus OMD EM5, and Olympus 17mm f1.8
My system of choice for 2014

3. Work on a project

Since achieving my LRPS Distinction in December 2012 I have been saying to myself that I must start to concentrate on a specific genre of photography and quite probably a specific subject or theme. It did not happen in 2013 but I plan to change that in 2014. I believe this approach will both hone and enhance my skills and in time provide me with a portfolio which I might want to consider as an appropriate panel of work for an ARPS submission. This plan also leads me to my next point.

4. To publish a book

This sounds rather grand but in truth you can ‘self publish’ a photo book pretty easily these days using one of many online publishing companies. I have already considered two possible suppliers – Blurb and Bob Books. I have downloaded their software which is required to design the book. I shall compare these and others before making a final decision as to which to use, taking into consideration, possible book sizes, paper, quality of reproduction, the software itself and of course the cost. I may even decide on a couple to ‘test runs’ with both companies of the same series of images to see which I prefer.

5. And talking of publications

There are many photographic magazines and to date I have never submitted any work for publication, so this has to be on my wish list for 2014. If it were to happen then yes of course the publicity would be great but my incentive is a very simple one – an acknowledgement that my work is considered good enough to appear in a magazine. Now that would be fun!

6. Visit more locations specifically to take photographs

I do find that being an enthusiastic amateur photographer requires both time and concentration. This can best be achieved when I am on my own as this gives me the chance to really think about what I am doing. Photography is also about expressing your feelings through a finished image. To accomplish this aim I believe you have to be able to recognise how you feel at the time of taking the shot – again, I can’t see how this can happen if you are not alone. This sounds very selfish but I am sure other photographers, artists or authors would all say the same thing. All of which makes me think that to improve my photography not only do I need to devote more time but I also need to be in a place on my own without any distractions – just me, my camera and the subject in front of me. Where and when shall I go? Well that I don’t know but I am looking forward to coming up with some answers.

7. Take inspiration from other artists

This is not really an objective, but a recognition that there is so much to learn from other artists not just other photographers. Going to exhibitions or galleries, reading books or watching television programmes about other artists are all good sources of inspiration.

At Christmas I was fortunate to have been given three books which I know will inspire me in the future. I was given two ‘self published’ books by the Welsh photographer Chris Tancock, one called Beating the Bounds, the other named Wildwood. He calls himself a ‘rural documentary photographer’ not a landscape photographer. If you look at his images on his website I think you will understand why.

Another person who’s work I greatly admire is Norman Ackroyd CBE RA. As a landscape artist and printmaker he captures the meeting of the land and the sea in atmospheric aquatint. His book ‘A Line Above the Water’ is a wonderful collection of his work coupled with evocative poems by Douglas Dunn.

I can now draw this post to a close. My summary of the year was short but complete and my ambitions for 2014 have been listed. In twelve months time I will know whether or not the wish list was too long, I doubt it is too short!

And finally my favourite image from 2013 is –

‘Solace’
Buttermere in The Lake District

May I wish everyone who reads my blog a very happy, peaceful and healthy New Year.

The Cloud – Pre-visualising a minimalist image

The one disadvantage of combining walking the South Downs Way and taking photographs was quite simply the need to press on; complete the required number of miles for that day, so that we could reach our pre-booked overnight stop. So any photographs were taken as the opportunity arose. No stopping and waiting for the light to change. More observation, a quick composition, release the shutter maybe two or three times and then on we would go. I have to say I quite enjoy this more spontaneous type of image making.

The shot which is featured in this entry is almost certainly an image which in the past I would never have seen, let alone taken. But as I learn the so called art of ‘pre-visualisation’ I noticed what I thought were an attractive line of trees on the horizon. It was the middle of the day, the sun shone brightly, it was particularly hot for the time of year and hardly a cloud in the very blue sky. But then I noticed some wispy clouds moving in the light wind above the tree line. Immediately I had an idea as to how the finished image might look.

I grabbed my camera, composed the shot and took a few frames. Of the three, only one was workable, as the cloud in the other two had dispersed and no longer gave me the effect I had foreseen at the time of taking the photograph. In fact I remember that it only took a few minutes before the cloud in this scene had been been burnt away by the warmth of the sun.

The Cloud

It’s a very minimalist composition. A line of trees, a dark sky and a few wispy clouds. The finished result is largely how I imagined it might look when I released the shutter. Again another lesson learned.

I don’t know who first said it, but there is a quote which reads as follows – ‘The more I practice, the luckier I seem to get’. I am sure this could be applied to many situations, but to me it is a very true saying and one which can certainly be applied to my growing interest in photography.

The Gate – processing a digital painting?

Although I have not had much time since I returned from walking the South Downs Way, I have at least made a start on editing and processing some of the catalogue.

Whenever I take a large number of shots, from the moment I press the shutter there are some which stick in my mind. Perhaps instinctively I know that these shots might have the right basic ingredients to make a potentially pleasing image.

One such shot was taken early in the morning as we left the village of Amberley and started the uphill climb to Amberley Mount. The sun had not long risen and there was still some early morning mist in the air. We came across a gate in amongst some trees and hedgerow. The light being cast on the scene was just glorious. I only took the one exposure and here is the result.

The Gate –
on the South Downs Way

I originally started processing the image in Photoshop CS5 a few days ago and made a number of fine adjustments on a daily basis until I felt completely happy with the result. More often than not I will process a photo in one sitting, but on this occasion I took more time and tried to remain patient. This was simply because each time I revisited the image, either later in the day or the following morning, I would look at the picture and see something new, which I thought could be fine tuned to enhance the overall appearance.

This staged approach is of course no different to an artist with a paintbrush in his hand. A painting will often take a number of sessions to finish and as the paint dries so the picture changes. I don’t think the method of processing a photograph should be any different. I accept that some images can be completed in no time at all, but there are others, and this is a good example, when more time and patience brings its reward. You do of course have to decide when to click ‘save’ for the last time and that decision is never an easy one. For now the ‘The Gate’ is finished and I can now enjoy ‘fine tuning’ the next image in this series on the South Downs Way.

There is not a great deal more to say, other than how fortunate I was to be in the right place at the right time to capture this shot. The shaft of light coming from the other side of the gate was a very beautiful sight, as it lit up the path and the foliage of the surrounding trees and hedgerow.

Three Crosses – the meaning behind the image.

It’s probably fair to say that the vast majority of my pictures are taken and processed to produce a final image which is pleasing to my eye, and hopefully to others as well, as opposed to trying to reveal some special meaning or storyline. It is not very often that when taking the shot itself that I am consciously aware of why I might be taking the picture and any feelings I may have which lie hidden within the image.

With this photograph of my local parish church, St Peter and St Mary, Fishbourne near Chichester in West Sussex, it was different. Perhaps I should explain.

Three Crosses – Fishbourne

Let me begin by saying that this shot was taken late in the afternoon on the 22nd August. In the morning of the very same day we had said ‘goodbye’ to my father in law at a Funeral Service at a nearby crematorium. He had peacefully passed away the previous week having suffered from cancer for five years. That afternoon I simply felt I wanted to be outside, alone with my camera, in a place which is close to my heart.

As I started to work my way around the churchyard looking for a good angle from which I could photograph the church itself, I became very aware of the tombstones in the churchyard and how the dappled light was shining through the trees and falling on the the stone crosses in the foreground. Initially only one cross formed part of the shot, but as I moved around a second cross entered the frame and this gave added depth to the image. It was then that I was reminded of my late sister who also died at Easter of cancer this year.

The final composition was beginning to take shape. I was very low to the ground and the tilting screen of the Olympus OMD EM5 was essential to making the image. With such a low point of view I could not have used the built in viewfinder without my body adopting some contorted and very uncomfortable position!

I had previously concentrated on the two main crosses on the left hand side but as my eye scanned the frame I saw a third cross on the far right hand side. Although much smaller is size it had to form part of the final image and should not be cropped or cut in half. Whilst arguably less significant than the two other crosses, this third cross also had an affect upon me. It reminded me of our dog, a merry cocker spaniel, who we lost this year, again to cancer, only a few days before my sister passed away.

And so the final image – ‘Three crosses’ was made. Each element an important part of the photograph but a representation of how life, through death, has changed for me and my family this year.