Scotland | alan frost photography

Posts from the ‘Scotland’ category

Evening light over the Applecross Peninsular

There are times when I am out and about when a scene unfolds before me and stops me in my tracks. This happened a few days ago in Wester Ross in Scotland. The early evening sunlight came through breaks in the clouds to create glorious shafts of light and illuminated the middle ground. One problem; no camera on me to capture the beauty of the light. A cardinal sin for any photographer.

Fortunately I was only five minutes walk from the cottage where we had been staying. I rushed back, picked up my camera and some graduated neutral density filters. I knew I would need them to hold back the strong light above the mountain ridge; I just hoped that by the time I returned to a good viewpoint the ‘light show’ was still being played. It was, and I combined the 3 stop and a 2 stop graduated ND filter to balance the exposure. Even then the image required some careful processing to create the result you see here.

For the record I am looking towards Beinn Bhan, the highest mountain on the Applecross Peninsular in Wester Ross, Scotland.

Do click on the picture to view a larger version which will open in a new window.

Ardalanish Weavers on the Isle of Mull

In the past couple of weeks my wife and I have enjoyed a wonderful time exploring the Isle of Mull off the west coast of Scotland. During our stay in a cottage near Bunessan on the Ross of Mull, we had the good fortune to visit the Weavers at Ardalanish farm, which overlooks a beautiful sandy bay (see the last image). We received a very warm welcome from Kathy followed by an interesting tour of the mill, prior of course to visiting and buying a couple of items in their well stocked shop. They use rich black wool from the Hebridean sheep which are kept on the farm and this is mixed with wool from Shetland and Manx Loaghtan sheep. The mill itself is powered by wind turbines also sited on the farm.

I know very little about the art of weaving but the mill was of great interest; the traditional looms and other machinery, the tools that lay around and the whole process of making such fine woolen cloth, which is then used to make a wide variety of clothing and homeware. Taken from their website I quote “Weaving is a fascinating mix of mechanics, maths, hard work, inspiration, creativity, trial and error and a little dose of magic”. Having seen them at work I can believe every word.

I asked permission to take a few images and I hope they capture something of the process and the place. If you can’t visit personally then do take a look at their website to find out more about the Weavers at Ardalanish.

…. and here are the results of all their hard work –

The weavers work in a glorious location (when the sun shines and the sky and sea are blue) – Ardalanish Bay on the Isle of Mull, and yes the sea really was that colour! This beautiful sandy bay looks out towards the Isle of Colonsay with the Paps of Jura in the far distance. Footprints other than our own were hard to find. I can’t think of a more peaceful, special and simply beautiful place.

Just a taster image of more photographs to come following our trip to Scotland, and in particular the Isle of Mull.

Always grab the opportunity

Across Loch Eil

There are occasions when a quickly taken shot can make for a pleasing image even if there is virtually no time taken to adjust the camera settings and compose the picture.

This photograph of Loch Eil in Scotland is a case in point. Back in 2011, I was travelling by train from Glasgow to Mallaig on the west coast. Having left the town of Fort William the train continues it’s journey taking in some spectacular countryside along the way. In fact this route is considered to be one of the finest railway journeys in the world. As the track passed alongside the Loch, the cloudscape and light across the water just had to be captured. I really only had time to turn the camera on, swiftly compose the shot through the window of my carriage and press the shutter. Although the train was not moving that fast, if I had taken the time to check or alter any of the settings on the camera, the opportunity to take press the shutter would have been lost several hundred yards back down the track, as this view soon disappeared behind a line of trees along the shoreline.

The image straight out of the camera was pretty poor. In particular the horizon was far from level and the exposure was definitely out. Fortunately I was able to straighten and crop the image and improve the overall tone in Lightroom. I think the final image is very pleasing. It may not be prefect and I know that had I been standing by the loch, with a tripod and time to move around, I would have composed and exposed the photograph differently. Nevertheless as a quick opportunistic shot taken through the window of a moving train, it still works for me, and I would rather have the image in my collection than nothing at all.

Eigg revisted

In September 2011 I went on my first photographic workshop with Bruce Percy to the Isle of Eigg which is just off the West Coast of Scotland. Ever since I first visited this beautiful part of the world some thirty years ago, its always been a place I have wanted to return to, and to this very day, still do. So the opportunity some fifteen months ago to combine my relatively new interest in photography with a trip to the Isle of Eigg was greatly anticipated. It was a wonderful few days despite the fact that it was cut short by one day, because the weather closed in and the group feared that the Cal Mac ferry back to the mainland might not sail when scheduled. Despite this I still came home with several memory cards full of images.

Bruce was a great tutor and fun to be with. I love his work, which has now been published in two books – ‘The Art of Adventure’ and ‘Iceland – A Journal of Nocturnes’. But for his teaching and his inspiration I am not sure my photography would be where it is today. Thanks Bruce!

Although the title of this post might suggest that I have been back to Eigg, sadly this is not the case. One day I would love to return but for the moment I thought I would look back on some of the images I took whilst on the island and reprocess a few of them. I would like to think that my photography has come a long way since the workshop. At the time of my visit, I was almost exclusively taking colour images and not converting them to black and white. My knowledge of post processing in Lightroom and Photoshop was also quite basic and I had never heard of Silver Efex Pro which I now use all the time.

The fact that I am now looking at the world in monochrome is perhaps down to a black and white conversion of one of the photographs I took on the workshop. This image is ‘Sand Waves’ and can be seen by clicking on the link. I shall not feature it here because its already appeared in a number of earlier posts. Looking back I guess the way I chose to process this photo was really the start of my love affair with black and white, and this has grown and grown in the intervening period.

So here are a few of the photographs I took on Eigg. They have all been processed in the past few days from the original RAW file. Its very interesting for me to compare these results with how I tackled the question of post processing over a year ago. I was pleased with the results then but in my view the latest set of images help me to understand the direction in which my photography is taking me. It’s exciting to learn and develop new skills which I hope and intend to build upon in the year ahead.

Reflections in the Sand

Fading light over Rum

Solitary Shell – looking towards Rum

Clouds over Rum

In total I took over 600 images when I was on the Isle of Eigg. From this number the four photos above and two others, namely ‘Sand Waves’ and ‘Sea Swirl’ are the six shots I am most pleased with. A return of 1 in 100 shutter releases. What this has taught me is that I need to try and pre-visualise the shot I am taking before releasing the shutter. Asking myself how it is composed, how do I deal with the exposure, do I need to use filters and lastly how will I post process the image? I therefore need to take more time before taking a shot. I would have to adopt this approach if using a film camera – in many ways the digital age has made us lazy…….we can click and click and click to our hearts content but that won’t necessarily produce a good image.

It reminds me of the saying and I quote –

‘Life is not measured by the number of breaths we take,

but by the moments that take our breath away’

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