Photography | alan frost photography

Posts from the ‘Photography’ category

Isolation on the Isle of Mull

The Isle of Mull on the west coast of Scotland is a very beautiful place. The landscape is varied; mountains, sea lochs, forests and wonderful sandy beaches are all to be enjoyed. It is also rich in wildlife and whilst I am not a nature photographer there are times when I would have liked a long lens in my bag. Eagles, otters, red deer, seals and an abundance of bird life are all to be seen if you have the patience and know where to look.

The island is a sparsely populated place and the single track roads with passing places slow the traveller down – the pace of life is just as I like it. Apart from Tobermory, which is the only town, there are a just a handful of hamlets and the remaining dwellings are well separated. Solitude is easily found on Mull and this feeling of isolation is depicted in the three images shown here.

The first shot is of a single storey cottage in Ardtun on the Ross of Mull. The tall grasses in the foreground have been thrown out of focus, and if you were to crop away the top third of the image you would be left with a very abstract picture and it would be hard to make out the true subject matter. I particular enjoy this effect.

The second image is of a white rendered house, set all on its own at the foot of a mountain range which includes Ben More – the only Munro (a mountain in Scotland over 3,000ft) on the Isle of Mull. Fast moving clouds render the mountain range and the middle ground with a combination of light and dark shadow areas. Waiting for a cloud to darken the immediate backdrop around the lone dwelling has highlighted the mail focal point of the shot and isolation is very evident.

The third image in this short series shows an abandoned caravan of which there are a number on the Island. Surrounded by overgrown grasses, an interesting ‘s’ line is formed by the stone walling and the post and wire fence which leads your eye to the horizon and back again to the caravan. The strong winter winds will eventually destroy what’s left of a now forgotten temporary and isolated home.

To best appreciate these pictures please click on each one in turn to view a larger version which will open in a new window.

Tree reflections in Loch Maree

Loch Maree in the region of Wester Ross in the North West Highlands is the fourth largest freshwater loch in Scotland, being some 12 miles long and a maximum width of about 2.5 miles. Arguably it’s also one of the prettiest lochs too, playing host to over sixty islands both large and small. Some of the Scots pine trees on these islands are estimated to be over 350 years old.

This particular image was taken from the shore near Slattadale forest and in the far distance the mountain of Slioch is clearly visible.

I did have to wait some time for the wind to drop and the ripples in the water to subside, to capture the reflections at their best; but if you have to watch and wait, then it’s no great hardship in such a beautiful location.

Evening light over the Applecross Peninsular

There are times when I am out and about when a scene unfolds before me and stops me in my tracks. This happened a few days ago in Wester Ross in Scotland. The early evening sunlight came through breaks in the clouds to create glorious shafts of light and illuminated the middle ground. One problem; no camera on me to capture the beauty of the light. A cardinal sin for any photographer.

Fortunately I was only five minutes walk from the cottage where we had been staying. I rushed back, picked up my camera and some graduated neutral density filters. I knew I would need them to hold back the strong light above the mountain ridge; I just hoped that by the time I returned to a good viewpoint the ‘light show’ was still being played. It was, and I combined the 3 stop and a 2 stop graduated ND filter to balance the exposure. Even then the image required some careful processing to create the result you see here.

For the record I am looking towards Beinn Bhan, the highest mountain on the Applecross Peninsular in Wester Ross, Scotland.

Do click on the picture to view a larger version which will open in a new window.

Ardalanish Weavers on the Isle of Mull

In the past couple of weeks my wife and I have enjoyed a wonderful time exploring the Isle of Mull off the west coast of Scotland. During our stay in a cottage near Bunessan on the Ross of Mull, we had the good fortune to visit the Weavers at Ardalanish farm, which overlooks a beautiful sandy bay (see the last image). We received a very warm welcome from Kathy followed by an interesting tour of the mill, prior of course to visiting and buying a couple of items in their well stocked shop. They use rich black wool from the Hebridean sheep which are kept on the farm and this is mixed with wool from Shetland and Manx Loaghtan sheep. The mill itself is powered by wind turbines also sited on the farm.

I know very little about the art of weaving but the mill was of great interest; the traditional looms and other machinery, the tools that lay around and the whole process of making such fine woolen cloth, which is then used to make a wide variety of clothing and homeware. Taken from their website I quote “Weaving is a fascinating mix of mechanics, maths, hard work, inspiration, creativity, trial and error and a little dose of magic”. Having seen them at work I can believe every word.

I asked permission to take a few images and I hope they capture something of the process and the place. If you can’t visit personally then do take a look at their website to find out more about the Weavers at Ardalanish.

…. and here are the results of all their hard work –

The weavers work in a glorious location (when the sun shines and the sky and sea are blue) – Ardalanish Bay on the Isle of Mull, and yes the sea really was that colour! This beautiful sandy bay looks out towards the Isle of Colonsay with the Paps of Jura in the far distance. Footprints other than our own were hard to find. I can’t think of a more peaceful, special and simply beautiful place.

Just a taster image of more photographs to come following our trip to Scotland, and in particular the Isle of Mull.

My successful Associate Distinction of the Royal Photographic Society

I have to admit that yesterday was a rather special day. I received formal confirmation from The Royal Photographic Society that I had been awarded an Associate Distinction in the Conceptual and Contemporary category for my panel of fifteen images and statement of intent. I had previously been awarded a Licentiate Distinction back in 2012.

My submission was recommended for the distinction by a panel of judges on the 19th April when I took my images to the Headquarters of the RPS in Bath for the assessment. It then takes up to 10 days for this recommendation to be ratified by the Distinctions Advisory Board before the actual certificate is awarded.

I am of course absolutely delighted to have achieved this distinction by The RPS, which was formed in 1853 and is recognized as one of the leading Photographic Societies in the world.

I have selected a few of the images in the panel for this entry but if you would like to see all the pictures then I have created a new gallery – simply click here.

As well as the images themselves, a written statement of intent is required for the submission and I have included the text below:-

Countryside Churches

As a child growing up in London in the 1960’s, our family holidays were largely spent in Sussex or the West Country. My late parents would often take me to remote churches in the countryside for reasons I didn’t really understand.

Fifty years later and now living in West Sussex, I have come to appreciate the importance of these places of worship; partly for their historical interest and splendid rural locations, but mainly for the simple and beautiful charm of their interiors. Here I can share the same experience of peace and tranquility with the many generations that have gone before me.

Sadly many of these churches are under threat from a general decline in religious observation. Fortunately some in my selection have been saved and are being preserved by The Churches Conservation Trust. Mainly Saxon or Norman in origin, they are still consecrated but rarely used for regular worship. They are devoid of the adornments and distractions of a fully functioning parish church, apart perhaps from an old Bible or prayer book. I am rarely disturbed by other people when I visit to contemplate and to photograph, which only heightens the feelings these rural churches evoke.

My panel is made up from a number of churches in the West Sussex and Dorset countryside. Using only the natural light available, the monochrome images depict a sense of timelessness; quiet places where solitude and sanctuary can still be found amidst our increasingly busy lives.

(244 words)

And finally here is the hanging plan of all the images.