olympus OMD EM5 | alan frost photography

Posts from the ‘olympus OMD EM5’ category

LRPS – The Final Ten

In the last two or three weeks I have been deliberating which ten images should make up my panel for the LRPS assessement day coming up at the beginning of December. The easiest decision was that they should all be black and white photos; colour was never really on the agenda. The Royal Photographic Society (RPS) do look for variety of shot for the Licentiateship Distinction, as well as technical competence and the panel itself should be a cohesive unit. The eleventh image as it has been termed. With help from a fellow club member the final ten have now been selected and the layout finalised. It only remains for me to print and mount all of them and I will be set for the big day.

I also attended an RPS Distinction advisory day last weekend when two panel judges offered advice on a good number of ‘L’ and ‘A’ panels. Some were clearly of the standard required, whilst others fell short of the mark. It made for a most interesting time but fortunately it didn’t change my final selection. I did not have the opportunity to show my own panel for critique, so whether or not it will pass I do not know. I understand there are five judges and a Chairperson on the day itself, so when my turn comes it will be quite nerve wracking.

The panel is made up with a mix of people shots and landscapes, many of which have already appeared in this blog. Number one in the panel will be this shot taken of Stefan Majoram drawing one of the Auto Union Silver Arrows at the Goodwood Revival Meeting back in September. I used the Olympus EM5 and Lumix 20mm prime lens at f2.5.

An Artist drawing one of the Silver Arrows

It’s the first time I have printed this image and I am really pleased with how it has turned out. I’m keeping my fingers crossed that the judges will share the same opinion.

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A ‘Folly’ known as Racton Tower

Standing proud on a hill to the north of Emsworth and to the west of Chichester is Racton Tower in Lordington. This monument is in fact a folly and now a ruined tower. Thought to have been built in the late 1700’s, many say it is haunted. Surrounded by trees the place certainly has an eery feeling to it and as I left the site to return to my car, the sun was setting and I for one would not want to be there at night time. Judging by the graffiti it is almost certainly a venue for drunken parties!

Taken at different times but all on the same day, the shots of the monument with dramatic clouds as a backdrop were taken around lunchtime, whilst the ‘close up’ shots were taken later in the afternoon when there was more cloud cover and as the sun started to set.

All images were shot with my Olympus OMD EM5

The sun lights up the tower itself and I just cant resist photographing these wonderful cloudscapes
Panasonic 45-200mm lens @51mm f8 1/1600 ISO 200

The late afternoon sun on Racton Tower
Panasonic 20mm prime lens f3.2 1/640 ISO 200

Dramatic clouds move around in the sky
Panasonic 45-200mm lens @67mm f8 1/1000 ISO 200

Looking up from inside the tower. Sadly the graffiti is clearly visible but does add its own character
Olympus 12mm prime lens f5 1/20 ISO 200

Again dark clouds add to the dramatic nature of the location
Panasonic 45-200mm lens @61mm f8 1/1000 ISO 200

Looking up……..
Panasonic 20mm prime lens f2.5 1/3200 ISO 200

South coast seafront

I am very fortunate to live and work close to the sea, so the opportunity to take some coastal shots when I have a few minutes to spare are most welcome. A few days ago I took some photos of Bognor Regis seafront, although on this occassion I mainly concentrated on the Pier. Like many in this country the pier is always in need of repair. The constant ravages of the salt water, wind, rain and even the sun, all take their toll as the seasons pass by. From a photographic point of view they also make good black and white subjects.

When I have more time I will take some images of other piers along the South Coast. They are a relic of a bygone era, and whilst many still survive others have sadly been lost forever.

Here are a few shots all taken with the Olympus OMD EM5 and Panasonic 20mm f1.7 prime lens. On this occasion the mono conversion was carried out in Lightroom 4 and not in Silver Efex Pro 2. I have also set up a preset in Lightroom which allows me to quickly batch process a series of images into black and white, using my preferred settings. These are mainly, adding contrast, clarity and sharpening, as I always shoot in RAW.

As it’s the end of October I suspect this may be the last time the ‘Bouncy Castle’ will be inflated this year.

The rain was being blown in from the west….ready to inflict some more damage on the fabric of the pier.

They really are extraordinary structures……………

…..and something has to hold them up.

The caption for this last shot might be……..

‘Only survivors will be prosecuted!’

Aston Martin DB9 driving experience

This was not really a photo opportunity, but a chance to drive an Aston Marin DB9 on a test track at Longcross in Surrey, courtesy of a belated Christmas present and 6th Gear Driving Experience. I was booked in for three quick laps; me at the wheel and a trained racing driver instructor in the passenger seat. No speed limit, no speed cameras, no traffic police but some nerves which would prevent me from doing anything too dangerous, particularly as it had not stopped raining all day and the track was very wet.

I was unsure what to expect when I arrived at Longcross. There were a lot of people waiting their for turn to drive a range of supercars. Audi R8, Lamborghini, Ferrari, Ariel Atom and of course the Aston Martin amongst the marques. I was scheuled to drive at 3.30pm but after a long wait under an umbrella my name was finally called, about an hour later. I was introduced to my instructor and shown the basic controls, including the ‘flappy paddles’ for changing gear. He told me he would instruct me when to accelerate, brake, change up or down and where to position the car on the track. It felt a very controlled situation but perhaps it had to me given how powerful the car was, the track conditions and the fact there was very little run off. Most of the track was enclosed by unforgiving trees so a small mistake could be costly to both man and beast…..not that the DB9 could be called a beast……more the beauty then the beast.

I soon overcame any nerves and it was not long before a Lamborghin Gallardo appeared ahead of us on the track going more slowly. I was delighted when we reached a section of straight…..the instructor checked the mirrors, no one close behend, so he gave me the word to plant my foot on the accelerator and overtake. The sound of the V12 engine came to life as the revs increased. In no time at all, I had hit nearly 90 miles an hours, passsed the Gallardo, only to be told it was time to brake before the next corner. An experience to remember.

The three laps were thrilling but over all too quickly, so out came the Olympus OMD and the 45mm to 200mm Panasonic Lumix zoom lens to record the event. The rain still came down so whilst the light was terrible, the reflections off the tarmac surface made for some interesting reflections.

Aston Martin DB9….ready and waiting
Olympus OMD 45-200mm @ 109mm f9 1/20 ISO 1250

Aston Martin DB9 preparing for a few more laps

Aston Martin DB9….on the track
Olympus OMD 45-200mm @ 45mm f4.5 1/60 ISO 1600

Aston Martin DB9 in the rain at Longcross

Lamborghin Gallardo Spyder
Olympus OMD 45-200mm @ 103mm f9 1/60 ISO 1250

Ariel Atom and the spray
Olympus OMD 45-200mm @ 61mm f9 1/20 ISO 1600

Ferrari 458
Olympus OMD 45-200mm @ 115mm f5.6 1/20 ISO 1250

Although I have not had many reasons to use the 45-200mm lens very often, I am impressed. But what impressed me more was the built in 5 axis image stabilisation of the OMD. Although the 45-200 has built in IS, it was turned off, as I assumed it would be fighting the Olympus IS. If you look at the exif data on some of these shots, take the Ferrari above for example, this was taken at 1/20 second and is as sharp as you could expect given the conditions. The 35mm or full frame equivalent of 115mm is 230mm, so to hand hold this camera and lens and still be able to shoot at such a low shutter speed just demonstartes how good the Image Stabilisation is in the OMD. Well done Olympus!

Changing light – an exercise

One of the ‘mini’ tasks we were set during the ‘People and Places’ course at West Dean College was to photograph the same scene at different times of the day to see how the light changed and how this would affect the final image. It’s a common thing to be asked to do but as I had never done it before I was keen to see the results and to try and learn something from them. I chose to photograph the River Lavant which runs through West Dean Gardens.

The first shot was taken at 4.40 pm. Keep in mind all these photos were taken at the beginning of August, so the sun was still quite high even at this time of day. Whist this a pleasant shot of the scene the quality of the light is very even and quite poor.

The second shot was taken on the same day but about two and a half hours later at 6.14pm, so the sun was now much lower. For me this image is a great improvement on the first but it’s still not what I might call a ‘keeper’.

The next morning I returned to the same position. The sky was generally overcast but there were breaks in the clouds. I just hoped the sun would break through. The third shot in this series was taken at 8.52am. It’s flat and there is no question in my mind that it’s the poorest of all the images. Here it is.

Two minutes later at 8.54am and the final shot was captured. The break in the cloud cover had materialised and the early morning sun did its magic on the scene. David Noton, a first class UK based landscape photographer often refers to ‘waiting for the light’….in fact he wrote a book with this line as its title. How very true this saying is to the world of photography. For me this is the best of the four but you may have different ideas, in which case do post a comment.

It was very definitely a worthwhile exercise and I would recommend it to any photographer. Time of day and the ever changing light are essential ingredients for a good image, particularly a landscape.
I could not complete this entry without an image in black and white. So I converted the last shot in Silver Efex Pro2. Is this the best of the bunch I ask?